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State of the Hunt, Week 32/2019: Chaotic exploration

Posted in 40k, Chaos, Conversions, Fluff, state of the hunt, WIP, World Eaters with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 10, 2019 by krautscientist

Hey everyone, Real Life (TM) has been a veritable rollercoaster lately, so I haven’t been as productive on the hobby front as I would have liked. If anything, however, that’s actually a plus because it frees up some space to share a couple of chaotic kitbashes I have been creating by putting the “new” (granted, they have been around for a while at this point) Chaos Space Marine kits through their paces. Take a look:

 

I. The Blightwood grows…

The first model I would like to share with you today isn’t even such a huge project, but rather an example of using some óf the new bitz to spruce up existing conversions. Enter exhibit A, a kitbashed Foul Blightspawn I created earlier this year.

My original idea for the model was to a) make the most of a leftover extra Malignant Plaguecaster model that I had cannibalised for bitz and use the remains to build yet another Death Guard character and b) get rid of some of the parts of the stock Foul Blightspawn that I really didn’t like, such as the massive pump sutured into the model’s flesh and the weird garden hose-style weapon.

So the original model was already working pretty well for the most part, but it was also still lacking something — and to make things worse, before the new CSM models were released, I didn’t have any correctly scaled CSM parts to tweak it a bit more.

But a headswap, courtesy of the new vanilla CSM kit gave me this:







I didn’t really like the CSM head with the one “googly” eye (normally intended for the squad’s heavy weapons expert), but it works really well for a follower of Nurgle. I spliced together a breathing apparatus as well, while I was at it, and opened up the pose a bit.

I am still rather fond of the core idea of the conversion – using an Escher chem thrower to make a slightly more conventional version of the Blightspawn’s stock weapon – although I think I also did a reasonably good job splicing together one of those WW I-style Blight grenades from a couple of bitz:

I also saw an extremely clever idea over at ssspectre’s blog that I had to steal right away: He used a turbine from a Raptor jump pack to create this kind of weird, bulky engine/pump on the back of a Nurglite model, and I did the same on my Blightspawn conversion, adding a bit of bulk and weirdness to the backpack.

In fact, I even made one more tweak after taking the photos above, adding some semi-organic cabling to the backpack that I carefully clipped off one of the new Havoc rocket launchers and backpacks.

And, just for fun, a comparison shot with my (slightly converted) Plaguecaster and the new Blightspawn — both use the same base model:

After using some smaller bitz and bobs from the new CSM kits like that, I felt the need to get a little more creative. So that’s what I did:

 

II. Iron Within…

This next model is a slightly bolder project, and also makes even more use of the new CSM kits: I had an idea for a Warpsmith-like Iron Warriors character, eventually to be used in my Iron Warriors Killteam I suppose. So I made this guy:

The body intended for the heavy bolter wielding marine from the vanilla CSM kit made for a nice start, providing a suitably bulky, archaically armoured body with a stoic pose. The arms and shoulder pads also came from the vanilla CSM — for the most part. I did feel the need to include a somewhat more impressive weapon for a Warpsmith of the IV Legion, so I spliced together the left arm using an (Age of Sigmar) Varanguard hammer and a forearm and haft from the Chaos Lord on Manticore (since I needed a left hand holding a weapon for this conversion). The backpack started out as a backpack from the new Havoc kit: I really liked the reactor look it had going on! I simply shaved away some of the cabling, added a loader arm (from a Havoc missile launcher backpack) that should work just as well, if not better, as a proper servo-arm, and also added some tech-y bitz – including the heavily augmetic head – from the Adeptus Mechanicus Kataphron kit.

I think the model proves how even the vanilla CSM kit,with just a few bitz from other kits sprinkled on top, can be used to produce rather imposing characters and commanders!

 

IV. The Hateful Eight cont’d

All roads lead before Khorne’s throne, however, so those earlier kitbashes were merely an appetiser before the inevitable main course. Which is a roundabout way of telling you that I have been slowly tweaking away on what may (should) eventually become that World Eaters kill team I have already told you about — “The Hateful Eight” (or ten or sixteen or whatever…). Here’s a look at my short list of future kill team members, so to speak:


Now you’ve seen many of these before in some shape or form, for which I apologise. Also, half of them are repurposed older models, but I think they are still cool enough to warrant a modern paintjob:

I’ve been making tweaks to them, exchanging a weapon here or adding some grenades and Khornate doodads there. I am particularly fond of this guy, made by combining a Blood Warrior from the Age of Sigmar 1st edition starter box and the lower half of the CSM Vrash Tattersoul champion model:

There’s also a couple of “new guys”, however: Fresh conversions that rely on the new kit in some shape or form:

On the far right you can see my “test berzerker” from earlier this year. Then there’s this gentleman, converted from yet another AoS starter box Blood Warrior:


I always knew I would want a model wearing a clunky Heresy-era helmet to accompany its baroque armour, and this is that model 😉

Fot the next two models, I thought it might be fun to try and channel some of the most iconic (or interesting) pieces of World Eaters artwork and build models inspired by the art. First up I chose this very cool concept for the “Teeth of Khorne”, the World Eaters’ dedicated heavy weapons specialists, created by Jes Goodwin during the early 90s, I would imagine:

Artwork by Jes Goodwin

I realised that many elements of the new havocs strongly resembled this piece of art to begin with, so I tried to come up with something similar.

For the most part, this is really just a stock havoc. I replaced the head with a shaved-down Blood Warrior helmet and tweaked the backpack a bit. Also, since I didn’t have a plasma cannon, I was unable to perfectly replicate the art and had to choose a replacement — a missile launcher seemed suitably brutal and straightforward for a World Eater, though… 😉

And then there’s this guy:

Any ideas about the inspiration for this one…?

That’s right, it’s a model built to resemble this iconic piece of art by Mark Gibbons (supposedly showing Khargos Bloodspitter, of all people):

My idea for this conversion was born when I realised that both the straighter legs and the power fist included in the CSM kit would allow me to build something pretty similar to the artwork — but while the above mockup worked as a proof of concept, the conversion needed a lot more work! So here’s what the finished conversion looks like:

Some parts of the conversion are actually a departure from the artwork, albeit a conscious one: The first helmet I used is arguably closer to the artwork, for instance, but the one on the finished conversion (provided as part of a bitz drop by fellow hobbyist ElDuderino, by the way), exudes just the kind of brooding menace that the model needed.

Funnily enough, the model also serves as a pretty neat shout out to some really old World Eaters models, thanks to the static pose:

And here’s the new guy, next to my test World Eater from earlier this year:

So, as you can see, I am actually back to converting World Eaters again — at least for a bit. And I am not even finished, either. Here’s a small teaser of things to come…

V. Burning Man

For now, however, let us wind up this post with a bit of background: I prepared a little background vignette for the counts-as Huron Blackheart model I shared with you a while ago. Take a look:

„The burning never stops.“

This is the sentence he remembers above all else, because it has come to encapsulate his entire existence. While the memory of an Astartes is eidetic in nature, his long life has become a number of disjointed, fragmented moments, with entire decades mostly unaccounted for. But one thing remains. One thing binds everything together and defines him. One sentence neatly summarises it all.

“The burning never stops.”

He remembers how the sentence from weapons instruction returned to him, at the very moment that he saw the phosphex charge go off. The bridge was a pandemonium of blood and death, but everything was frozen into place for just one instant. He saw everything in incredible detail. The battered VII Legion Breacher team that, against all odds, had made it to the bridge in an attempt to bring down a leviathan from within. The mangled face of the Fist throwing the phosphex grenade at him. The eyes already staring into infinity, waiting for a death that would come in mere seconds. The explosions of the weaponry discharged by the other surviving breachers. The chainblades of his brothers falling in slow motion, trying to bring down the enemy. But slow, far too slow. And the green white fire of the phosphex charge, enveloping him at last, and flooding his every fibre with liquid agony, just seconds before the main viewport burst into a million armourglass shards, opening the bridge to the void.

He remembers Terra. The Throneworld twisting below him, above him, behind a curtain of voidships on fire, as he tumbled into blackness. The cold void that was the only thing that could have extinguished the flames that were swallowing him. But even when the fires went out…

…the burning never stopped.

He remembers coming to in a red haze. The sounds of the Apothecarion. The klaxons and warning beeps. The mirrors above the surgical slab showing him a lump of molten, misshapen flesh that he did not recognise. And Deracin’s half-augmetic face floating above him, like a hint of things to come. The Forgemaster locked eyes with him and smiled. And he knew that he would not be allowed to die.

He was rebuilt. Into a strange amalgamation of oh so little flesh and bone, iron and pain. Oh so much pain. He became a construct. Like the gholam of old Terra. And through it all, the pain of an unquenchable fire kept coursing through him, racing along nerve clusters that should have been cauterised beyond any function. Along iron bones that shouldn’t have been able to feel, but did. It has been thus ever since: His every waking moment is pure agony. Inhale. Pain. Exhale. Pain. The nails are but pinpricks to him. He is, eternally, on fire.

His wrath and pain almost seem like a separate entity. When he does battle, and his every cell is burning agony, he can almost see something take shape from the corner of his eyes. Something rough and bloody that is glowing in its own inner malevolence. It is growing all the time. There will come a time when he will finally meet it face to face, this thing he keeps feeding with his pain and with the pain of others.

He keeps losing time. Battles often turn into disjointed shards of perception for him. When he sees glimpses of that strange spectre that seems to shadow him, inexplicable things happen, and he is merely a spectator in his own body: His flesh turns into liquid flame, and he becomes capable of feats that should be beyond his patchwork body. He awakens to arcs of warp fire cascading from his axe and augmetic fist. He comes to in a world of cinders and flaking ash, with his enemies’ lifeblood running down his chin in rivulets. He sees the wariness in his brothers’ eyes, and to see such emotion play across their ravaged features would make him smile, if that expression were not lost to him.

And through it all,
The burning never stops.

 

It goes without saying that I would love to hear your thoughts on these models! And, as always, thanks for looking and stay tuned for more!

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Half the man he used to be…

Posted in 40k, Chaos, Conversions, paintjob, World Eaters with tags , , , , , , , , , , , , , , , , on July 15, 2019 by krautscientist

Back to the 41st millennium and the adventures of Khorne’s Eternal Hunt this week, as I get to cross another long neglected model off my list. I am referring to this gentleman here:


If you should think the model looks familiar, there are two reasons for that: On the one hand, like so many models from my collection, this guy was actually built a couple of years ago, so if you are a regular reader, chances are, you’ve run into him before.

On the other hand, he was built to actually resemble a well-known character: The model began its life as an entry for one of the frequent competitions on the – now-sadly-defunct, *sigh* – Throneofskulls forum, if I recall correctly. The objective back then was to re-imagine a non-Khornate named character as a Khornate version, and I chose Huron Blackheart, inspired by a very impressive conversion by my buddy DexterKong.

Just to remind you, here’s what stock-Huron looks like:

And here’s a closer look at my version:


It’s a fairly straightforward conversion, based on one of the Chosen models from the Dark Vengeance starter box that used to be all the rage back in the day: The Chosen body already resembled the stock Huron model a fair deal, and I liked the idea that a Khornate version of the character would be in a running pose for that extra bit of aggression.

The conversion mainly became a matter of trying to cram in most (or all) of Huron’s classic visual elements: The monstrous power-fist/-claw/flamer hybrid, the promethium tank on his back and, of course, the mangled half-augmetic face (courtesy of that one half-augmetic plastic Space Marine head everyone knows and loves). And I had to add a suitable amount of Khornate touches, hence the small icons and Khornate back banner (itself a take on the iron halo/chaos icon that adorns stock-Huron’s backpack).

I was really happy with the conversion back when I originally created it, and I still rather like it now (in fact, I was delighted to discover recently that my counts-as conversion actually managed to inspire fellow hobbyist TheChirurgeon’s own Huron kitbash). So when this year’s E Tenebrae Lux event came around over at The Bolter & Chainsword, it seemed like the perfect occasion to finally get the model painted and use it as my first vow for the event.

Since the conversion was already finished, I didn’t really have much to do before I could start painting. I only added a little pressure gauge on the back of his tank, to make the whole assembly look a bit more interesting and break up the large, plain area that is the promethium tank:

And then I vowed the model as my first contribution for the ETL event. Only it was quickly pointed out to me by fellow hobbyists Captain Semper and Atia that, technically speaking, the model was still missing a little something to represent Huron’s “Hamadrya”, his pet familiar (the ungainly thing squatting on its own base up there in the photo of the stock model, in case you were wondering).

My proper plan of action would have been to use a model from the AoS Spirit Hosts, maybe with a Bloodletter head, but I didn’t want to have to pick up a box of them, so I had to get creative. But I was not without inspiration, so I quickly tacked something together using nothing but leftover bitz:


The head is still a fairly standard Bloodletter head, whereas the spine came from the vivisected Genestealer that’s part of the 40k battlefield objective markers. My idea was for the “Almost-Hamadrya” to look like a daemonic spirit, some kind of Khornate familiar or even a half-formed Khornate Daemon, and I think the basic setup already worked pretty well. It did require a bit of additional cleanup, of course:



Now I did experiment with some shaved-down Bloodletter shoulders and arms, because I thought it might look cool to suggest the daemon only being half-formed, but it ended up looking like not much of anything at all. And just the head and spine makes it look malevolent and somewhat creepy — like a grimdark version Kaa the snake 😉

Ironically enough, it was this model that I actually ended up painting first.


To support the impression that this is not just a standard Bloodletter (or rather, half of a standard Bloodletter), but rather something unwholesome and half-formed, I went for an even more limited palette than the one I normally use on Khornate daemons: a mix of glossly blood and glowing ectoplasmic flesh, as the daemonic spirit is glowing with an inner malevolence…

Not bad for something that I had to come up with on the quick, if I do say so myself.

So with this complication taken care of, finally getting the counts-as Huron model painted should have been quick work, right?

Unfortunately, something happened that almost knocked all motivation to ever finish the model right out of me:

I took it along to a painting session at my friend Annie’s house, and when I arrived there, I realised his backpack was missing. Now I was transporting my models in an open crate (which I admit may be a less than optimal approach), so I figured the backpack must have fallen to the bottom of that, or been left behind in my car trunk. But it wasn’t: I searched everywhere at least for times, but no dice — the backpack didn’t turn up again. I also didn’t find it at home. So there was just one last option that gave me a sinking feeling in my stomach: I must have lost it somewhere at the side of the road when I parked my car and carried my stuff to Annie’s house, but since it was dark when we packed up for the night, there was no way to look right away, and she didn’t find anything either when she looked the next day.

And that really killed all of my motivation when it came to working on the model: I realised I would have to rebuild a backpack, but I didn’t have the exact same bitz, and even if I could come up with a replacement solution, it would always seem inferior to me than the original. Then, about a week later, I had half an hour of unexpected time, and I thought: Screw it, I am going to take one last look near where my car was parked that night. And just when I was about to abandon the stupid backpack for good, I saw something shiny near the curbstone — and there was the backpack, slightly damaged and bent out of shape (I suspect a car might even have driven over it at some point), but still salvageable — still, all’s well that ends well, I suppose. But this little episode really made me fall out of love with the model for a while there, and made the painting process less enjoyable than it should have been.

But I soldiered on and finished the job. Starting with the base colours and the first round of washes,…


…then moving on to all of those lovely little touches that actually make the process of painting enjoyable:

On a related note, that Vallejo Magic Blue has yet to let me down 😉

So without further ado, here’s the finished model:




Here’s a detail shot to show you how the promethium tank on his back actually connects to his flamer:


That felt like such a clever bit of converting to me, back when I originally converted the model (and was also one of the reasons why I hated the idea of losing the backpack so much). Oh well…

And here’s a closer look at his axe:

Although it’s virtually impossible to see in 99.9% of all frontal shots of the model, the axe head was actually exchanged with something a little more original: the jagged axe that came with the WFB/AoS Chaos Warshrine kit.


And here is “Not-Huron”, side by side with his “Not-Hamadrya”:

And here’s the stock GW model again:

Anyway, I think he should read as a Huron counts as fairly easily, even though I have horizontally flipped the character 😉

Oh, incidentally, the character still needs a name! So far, I only have a semi-solid idea for a background story for the character being caught in a phosphex blast during the void battles above Terra during the Heresy, having to cast himself out into the void to extinguish the phosphex flames, then being retrieved and rebuilt by his brothers. Only the sensation of the phosphex burning through his flesh never stops, but lingers as some kind of perpetual phantom pain making his every living moment a crescendo of agony. Yeah, really uplifting stuff, that… 😉

His familar, then, is really an embodiment of his pain and rage: His agony is so palpable that it almost seems like a being of its own, a spectre that can sometimes almost be glimpsed next to him, coalescing into something that is almost solid.

Fellow hobbyist AHorriblePerson smartly suggested “Euron Hearteater” as a possible name, and it’s definitely a strong contender — still, if any of you have a cool idea, I would love to hear it!

Here’s the new model next to the World Eaters Dread and new berzerker test model I painted earlier this year:

That makes for three models painted in my tweaked recipe already, and they are starting to look pretty cool together, if I do say so myself. Being based on the Chosen models from Dark Vengeance, the model still matches the modernised CSM look — even if it’s technically just a tad shorter than the new vanilla Chaos Space Marines. They still look pretty cool together, though. And maybe adding a couple of models would be fun. In fact, the unpainted guy on the right may be a taste of things to come…

Who knows, there may just be another chaos-themed post or two waiting in the wings — just sayin’…

For now, however, I am pretty happy to have finished another long-neglected model. Plus I also think the model’s enough of a centrepiece to count as a contribution in Azazel’s Jewel of July ’19 community challenge — even though it would also be a very obvious contender for one of his frequent “Neglected models” challenges, having sat unpainted in my cupboard of shame for more than three years… 😉

I would, of course, love to hear your thoughts on the model, so please leave a comment! And, as always, thanks for looking and stay tuned for more!

Grimdark Espionage Action

Posted in 40k, Conversions, paintjob, Pointless ramblings with tags , , , , , , , , , , , , , on June 25, 2018 by krautscientist

Hey everyone, something a little bit different for today: Since I am currently waiting for the bitz intended for my next Deathwatch Marine, I thought it was time for a fun little distraction, and fondly remembering my Boba Fett repaint from a while back, I decided to delve back into the wider nerd culture for a bit — so what is this about?

This particular project was actually the result of several circumstances coming together to form the perfect storm: When I recently worked on the Celestial Lions Astartes for my Dethwatch Killteam, I noticed how much all the pouches and webbing on the Reiver armour reminded me of the gear worn by Solid Snake, one of the protagonists of the Metal Gear series. And then Adam Wier, of Between The Bolter And Me, presented his own, very cool Metal Gear-inspired model just the other day, and that really sealed the deal for me: I wanted to build and paint my own model inspired by the Metal Gear series.

For those of you not in the know, Metal Gear is a series of stealth-based games — and also one of the founding fathers of modern stealth games, really, at least were video game consoles are concerned. The games always feature a hard bitten veteran codenamed Snake (who is also the game’s protagonist in most cases, although it’s not always the same man). The task is usually to inflitrate some kind of rogue nation or military installation, fight against a special unit consisting of a collection of veritable carnival freaks, then deal with a walking nuclear tank – the eponymous Metal Gear – in order to avoid nuclear war. There are lots of highly entertaining (and often challenging) stealth sequences, and just before you get to fight any kind of boss, everything screeches to a halt while you and your opponent wax poetical about war, peace, love on the battlefield and the intricacies of nuclear deterrence for a solid twenty minutes. Yeah, it’s that kind of series…

Even so, or probably because of it, the Metal Gear series is one of my favourite videogame series. I love it because of everything – and in spite of everything – that makes it great and terrible: its brilliantly weird, Japanese take on western action films, its sometimes hamhanded storytelling. Its brilliantly quirky characters. If you haven’t played the series, and you have even the slightest appetite for Japanese video game quirkiness, I suggest you give it a spin. And if you’re already aware of Metal Gear, well, I think you’ll get an extra chuckle or two out of the rest of this post 😉

Anyway, the first Metal Gear Solid was a massive blockbuster (and arguably a system seller) back on the first Playstation, and it still has a safe place in my heart, so I wanted to build a model based on Solid Snake, protagonist of the first couple of games. Here’s what I came up with:

On the face of it, it’s a really simple kitbash, merely using one of the Easy to Build Primaris Reivers and a handful of bitz: The Reiver armour is already suspiciously similar to a bulkier version of Solid Snake’s sneaking suit anyway, so I only added an extra pouch here and there and shaved off any parts that were too 40k — like purity seals. I also tweaked the gun a bit, to make it resemble the iconic SOCOM pistol wielded by Snake in the games.

As for the general look and pose of the model, I used some artwork by Yoji Shinkawa, the Metal Gear series’ art director, as reference material:

Illustration by Yoji Shinkawa

Of course the Primaris proportions are a bit wonky when compared to the sketch — where Solid Snake is fairly slender, the Primaris based version looks a bit more chunky. Which is why I decided to leave the backpack off, so as not to make him even more massibe. Even so, I think the combination of the pose, pistol silhouette and flapping bandana make the model instantly recognisable.

Speaking of the bandana, the most involved part of the conversion was actually to transform a fairly standard Space Marine head (from the old Dark Angels Veterans, I believe) into a suitable representation of Snake, complete with bandana and Snake’s glorious mullet haircut. I achieved the former by using a paper place mat (having already made some very good experiences with the material while designing the bases for my Ordo Scriptorum warband). The latter was sculpted with a bit of GS.

Here’s the reference material I used, the actual in-game model of Solid Snake from Metal Gear Solid 2: Sons of Liberty:

And here’s a look at the tweaked head, warts and all:

When it came to painting the model It was clear to me from the start that the head was what would make or break the model, and funnily enough, painting it instantly transformed it into Snake’s face. Take a look:

As for the rest of the model, I once again needed some reference material, since Yoji Shinkawa’s sketches are fantastic for setting the mood or creating a strong impression of a character, but they are also a bit too abstract to be used as something to base a colour scheme on. Once again, I decided to base my paintjob on Solid Snake as he appears in the first game (and its subsequent remake, “The Twin Snakes”), mostly because the Reiver armour matched that particular getup pretty well:

Here’s a look at a PIP version with most of the main colours in place:



It’s a fairly monochromatic colour scheme, certainly — not something I would have chosen for one of my “regular” INQ28 characters, but in this case, it was all about matching the official material. That’s also why I ultimately decided against adding any symbols or freehands: My original plan had been to add the logo of FOXHOUND, Solid Snake’s unit, on one of the pauldrons, in place of a chapter icon, so to speak, but it felt like a colourful area like that would actually have detracted from the rest of the model and the overall look and feel.

When it came to basing the model, I discovered that the new Sector Mechanicus bases were just the perfect choice: While they might be ever so slightly too bland for 40k proper, they seemed like a perfect recreation of the kind of military base surroundings Snake usually finds himself in. I went for a pretty simple, gunmetal look, with some suitable decals applied before the weathering for an extra layer of detail. Here’s the painted base:

And while this project was intended as a mere fun distraction, or a gaiden project, to remain true to the subject, I decided I might as well use it to teach myself a new technique. Now Metal Gear Solid is set in a military base in Alaska, and parts of the game actually play out during a snowstorm, so I thought it might be fun to include some snow on the base — which meant I had to experiment with making my own model snow — definitely a first for me!

I was lucky enough to be able to fall back on one of Ron Saikowski’s incredibly helpful hobby articles from the fabulous From The Warp blog, and chose the easiest recipe from the post: Just mix PVA glue with Sodium Bicarbonate (baking soda) and just a drop of water. And while it took a couple of minutes to get the mixture just right, I ended up with a substance that didn’t just look like snow but almost behaved like the genuine article as well, caking and piling up like actual, miniature snow — how delightful 😉

Here’s the same base with the snow applied on top:

I was even able to tease out some singular “flakes” and add smaller clumps of the stuff to Snake’s left leg, to tie him into the base a bit better — seriously, all of this basically took about five minutes and ended up looking so convincing that I was pretty much blown away!

But anyway, without further ado, here’s my – slightly 40k-inspired – version of FOXHOUND special operative Solid Snake. Age hasn’t slowed him down one bit:





I actually cannot stop grinning when I look at the model. It’s a weird little piece, to be sure, but I also think he turned out pretty well, dodgy proportions and all 😉

A closer look at Snake’s face:



And, finally, another look at the model on its base:

Man, that was fun! And while I have zero plans to build any more MGS-related homages, I quickly realised that coming up with 40k versions of classic MGS trope can be a seriously entertaining thought experiment: Fellow hobbyist Bjorn Firewalker mentioned the brilliant idea an Imperial Knight serving as the eponymous Metal Gear! A Sicarian Ruststalker would make for an excellent AdMech-style Grey Fox. And it does, of course, make complete sense that Snake would be a Space Marine from a particularly cursed founding (referred to only as the “Pueri Terribili”).

Such silliness aside, the model is actually too blatant an homage to actually work as a character in proper 40k lore, of course. I already have Inquisitorial Operative Tybalt Renner as a more subtle shout out to the Snake archetype for that:

All the more reason, however, to just cut loose this time and have a little fun with a blatant homage to a video game character 😉

On a related note, this article wouldn’t be complete without a shout out to Tale of War’s absolutely incredible “Snaker – the Last Soldier” model:

Unfortunately, the model is no longer available – for fairly obvious reasons, I suppose – and I missed my chance to pick one up — oh well, at least now I have my own – slightly dodgy – version of Snake, at least.

I also got a bit of a chuckle out of staging a classic Metal Gear Solid scene like this…

…with my new model. Take a look:

Anyway, that’s it for today! I would love to hear any feedback you might have about my version of Solid Snake! And, as always, thanks for looking and stay tuned for more! 🙂

“METAL…GEAR?!”

INQ28: On the Road Again…

Posted in 40k, Conversions, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , on June 4, 2018 by krautscientist

Yet more INQ28 this week — but with a dash of Necromunda for a change: As some of you might remember, my little gang of malcontents, mutants and pit slaves codenamed “The Road Crew” should really work well in both settings. And after all, there were still some models that finally needed to be finished, so I got to work.

You see, when I recently finished Worker #9, that was actually a case of the ragtag robot jumping the queue, when there were still a couple of Road Crew members that should have been painted first. These gentlemen:

My idea for the Road Crew was to use the classic Necromunda concepts of both Scavvies and Pit Slaves and build a gang that basically bridged the gap between both, while also channelling all kinds of postapocalyptic influences and sources — which is why you can see a lot of Mad Max, Fallout or even Borderlands in these characters. Of the three guys above, two weren’t even originally built as members of the Road Crew, but when I went through my cupboard of shame, they seemed like interesting enough additions to round out the gang. And now it was finally time to get them painted. So let’s take a look:

 

I. Chainsaw Mayhem

First up, the tried and true teen slasher concept of a masked villain with a chainsaw — a true classic, this one:

In fact, the original model started out as nothing more comlplicated than wanting to come up with some kind of insane minor villain to serve as a sort of miniboss in games of Necromunda or INQ28 — most of the inspiration for the character came from an old late 90s WD article on various pulpy monster and villain archetypes for use in Necromunda. I also drew some inspiration from a very cool Khornate cultist with a chainsaw built by morbäck, if I remember correctly.

The conversion itself was fairly straightforward: The model basically uses most of a Dark Vengeance cultist, with the hooded head from another cultis. The most involved part of the kitbash was to splice in an Ork chainsword to replace the nozzle of the heavy flamer — and with that, the underhive maniac was basically finished. It’s actually a bit shocking how the model was built all the way back in 2013

I wanted to paint him in the tried and true Road Crew recipe, that is dark grey fatigues, scuffed yellow armour, and some red detail to add in another spot colour. However, during the painting process, I realised that the colour balance was off, so I had to make some eleventh hour additions to the model: The chance to include more yellow elements was achieved by adding a shoulder pad to the model’s left shoulder and an armour plate over its crotch (which should make brawls in the underhive ever so slightly less dangerous and also has the added benefit of breaking up that massive, red apron a bit, from a visual standpoint):

Of course a masked maniac with a chainsaw seems like the perfect occasion for quite a bit of gore, right? And indeed, I did contemplate adding some Tamiya Clear Red to the model for quite a while. I also realised, however, that due to the way a chainsaw works, I would basically have to paint blood onto the entire blade of the weapon, which seemed like a pretty surefire way to have it all look completely over the top — always a big risk when working with blood effects.

So in the end, I decided that less is more, and went without the blood — almost, that is, because I couldn’t help adding at least some blood to the “bag o’ bones” on the model’s back.

Anyway, here’s the finished model. Meet Sawtooth, everyone:



Granted, a maniac wielding a chainsaw may not be the most original character in the Road Crew, but he was still great fun to finish, and I think he’ll look great with the rest of the family. And even if he has a certain pulp charm about him, I think it makes sense that he would add a bit of a ‘mutant madman’ angle to the crew — on top of the Mad Max angle and the tragic gladiator angle and all the other postacpocalyptic references and influences that are already there 😉

 

II. Only Sane Man…?!

Now this second model wasn’t built for the Road Crew either. It was originally planned as some kind of Imperial Guard veteran and started life as the result of some idle kitbashing:

The base model was yet another chaos cultist. I swapped the arms and a rifle from the Tempestus Scions kit, which made for a slightly more soldierly look. A head from the Space Wolves’ scouts was chosen for a suitably grizzled veteran look. And that was about it.

When I went through my unpainted models a while ago, I liked the idea of a more human Road Crew member without any obvious mutations or augmentations — maybe a former soldier of the Astra Militarum who had come to the underhive in an attempt to escape something that had happened in his former life? Anyway, that led to this guy being drafted into the gang as well.

This time around, the painting process worked like a charm. So here’s “Sarge”:




While the model uses the same colour scheme as the rest of the Road Crew, I tried to make him look just a bit less unkempt: His equipment is still in pretty good shape, which hints at his past as a professional soldier. And while he has adopted the Road Crew’s emblematic scuffed yellow, it’s still possible to imagine him in his previous life.

 

III. Yikes! Another Saw…?!

So that’s two down, but I have yet another model to share with you today, and not only is it my favourite of the bunch, but also the one guy who was legitimately planned for the Road Crew from the beginning. Meet “Cirque”, a heavily muscled brute who’s at the forefront of every raid and gang fight, with his trusty eviscerator:


I am really happy with this particular conversion, but to give credit where credit is due, Cirque actually directly borrows ideas from two models I saw online and loved instantly: Plib’s Necromunda Scaly/Brute here…

Model built and painted by Plib

…and Jeff Vader’s older chrono gladiator:

Model built and painted by Jeff Vader

It’s plain to see how my conversion is basically my attempt at throwing both models into a blender and end up with a combination of the elements I liked most about both of them. Mission accomplished, I’d say 😉 There’s also something about combining Ork bitz and those creepy chaos cultist gas masks that just works every time, if you ask me.

Not only was Cirque my favourite model from this particular bunch, he was also a blast to paint. So here he is, in all his twisted glory:




Oh, and I actually did get to use Tamiya Clear Red on a saw, after all: Since Cirque’s weapon allowed for a slightly more subdued effect, he provided the perfect opportunity to include some blood but not overwhelm the entire model with it. Take a look:

So, once again, that’s three less unpainted models, and I am actually really happy with the results:

Even better, however, is the fact that these three are basically the last models I had planned for the Road Crew, so all that’s left for me is to paint the gang’s ride, an old Gorkamorka vehicle,…

…and then this project will be finished — at least for now. Here’s the entire Road Crew so far:

 

=][=

The Road Crew

The deeper levels of St.Sabasto’s Reach’s primary hive cluster – colloquially known as „The Orphans‘ Cradle“ – is crisscrossed by a network of tansportation tunnels originally created – and mostly still used – to move the vast amounts of goods necessary to keep the world’s overly bloated population alive. Ranging from cramped maintenance shafts that are mere crawlspaces to multi-laned transport ways allowing for vehicle traffic, the warren of tunnels and substations has become a living space for many underhivers, from the indentured personnel manning the various installations and the maintenance workers to gatherings of escaped slaves and convicts seeking something resembling a life in freedom, even if it should be a life in squalor and darkness.

The so-called „Road Crew“ is one such group and has begun to attract former pit slaves, soldiers of fortune, twists and other malcontents from the hive’s lower reaches, trying to eke out an existence between the underhive fighting pits and minor raids on the biggest transport thoroughfares.

 

From left to right:

  • Crusher Vex, also know as “Old Man Claw”, a former pitfigthing champion
  • Grimspyke “the Impaler”, another champion in the fighting pits and former opponent of Crusher Vex
  • Sawtooth, a mute and slightly unhinged former manufactorium worker
  • “Tiny the Brute”, a member of the mutant underclass of St. Sabasto’s Reach and current war-captain of the Road Crew
  • “Doktor” Solon Antonov, a former, low-ranking Magos of the Velsian Adeptus Mechanicus who disappeared from his posting as a workforce and slave prospector on the world of St. Sabasto’s Reach, only to emerge as the leading figure of the Road Crew
  • Cirque, a physically imposing mutant and one of the Road Crew’s fiercest fighters
  • Sarge, a veteran of the Astra Militarum with a dark past
  • “Papa Anjevin”, a particularly unhinged mutant styling himself the Road Crew’s shaman-priest
  • Chopper, a diminutive mutant wielding a massive chainblade.

Back row:

  • Worker #9, an ancient automaton of ambiguous origin

 

Looks like a pretty cool gang at this point, doesn’t it? And while the project is basically finished, it’ll be easy enough to add new gang members as needed — after all, a gang of underhive rabble always has need of new recruits. And as fellow hobbyist Dragonlover recently pointed out, I really need at least one more member with a red traffic sign — if only for the shout out to the original inspiration for this warband’s name… 😉

Oh, and before I forget: Not only are these guys yet more neglected models that I have finally managed to paint, they also work as contributions for Azazel’s community challenge for June, with the aim of finishing squads and units — or, like in this case, warbands. Plus I am actually fairly confident I’ll be able to squeeze in that vehicle before the end of the month…

For now, however, I would love to hear your thoughts on these latest models — or, indeed, on the entire warband, so please leave a comment! And, as always, thanks for looking and stay tuned for more!

 

Episode 40k: A New Coat of Paint

Posted in Conversions, paintjob, Pointless ramblings with tags , , , , , , , , , , , , , , , on May 21, 2018 by krautscientist

Hey everyone, something rather different today — but first, to get you all in the right mood:

Episode 40K
A NEW COAT OF PAINT

Somewhere in Germany. Having rediscovered an old action figure thought long lost, a hobbyist by the name of KRAUTSCIENTIST embarks upon a fun tribute project.

Will he be able to return colour to one of the galaxy’s pre-eminent bounty hunters, the scoundel known as BOBA FETT?

As the release of a new Star Wars film looms near, KRAUTSCIENTIST touches brush to model….

 

Well, that should tell you most of what you need to now about today’s post. I’ll be heading out to watch Solo: A Star Wars Story later this week, and I thought the release of a new Star Wars film would be the perfect occasion to actually finally tackle that aforementioned tribute project — so what is this about?

Let me prefrace this by saying that I used to be a massive Star Wars fan during my childhood and early teens: I saw the old trilogy (Episodes IV to VII) on TV around the age of ten, and together with the – mostly excellent – Star Wars video games released by Lucas Arts all through the 90s, the series became one of my great nerd passions during those years (to the point where I can still quote entire TIE Fighter cutscenes by heart, ridiculous as that may be). I was a diehard fan (albeit one who was always rooting for the Galactic Empire). The (first) cinematic re-release of the touched up first trilogy came out shortly before I finished school, then the following prequel trilogy wasn’t really all that great — I don’t hate it as viciously as many people, but it did feel as though I had outgrown Star Wars a bit at that point. Which, with the benefit of hindsight, actually put me in a perfect place to see the new films, as I went into them without any big preconceptions or expectations, and so far, I have been having a blast with all of them — let’s hope the trend continues with Solo. But anyway, the thing to remember here is that I used to love Star Wars with a burning passion for quite a few years.

The other important thing is to understand that Star Wars action figures used to be a bit of a holy grail for me during my childhood: My first contact with Star Wars happened when the films were broadcast in German television for the first time (I believe) during the late 80s — in any case, it was enough of an occasion for some new merchandise to be released (mainly books and a neat book-audiobook combo for children), yet the original action figures had long disappeared from the shelves by then. This may be hard to imagine nowadays, with myriads of Star Wars action figures in all shapes and sizes freely available — but back then, if you actually wanted some Star Wars action in your life, you either had to get creative and proxy stuff with the action figures you had (I even went so far as to paint a certain MotU figure glossy black to create a poor standin for Darth Vader at one point) , or you had to be extremely lucky and find some of the original figures during yard sales and the like.

That exact thing gappened to me one day when I actually struck a rich ore of used Star Wars action figures at a local flea market, and I must have bought at least a dozen or so. My only regret was that the Darth Vader figure was already gone by the time I showed up: A childhood friend had actually managed to snap it up earlier in the day, and I would end up buying it from him for a whopping 20 Deutsche Marks — made even worse by the fact that the figure was actually pretty terrible, even in its complete form,…

yet the one I bought from my friend didn’t even have the terrible cape OR the shitty lightsaber. Oh well…

Some of Kenner’s old Star Wars action figures were much cooler, though. For instance, Kenner also released an action figure of everybody’s favourite bounty hunter,Boba Fett, and while it was functionally very simple and didn’t feature any bells and whistles, it’s also a surprisingly cool figure, given the time in which it was produced: Something I have always liked about Boba Fett’s outfit is how strangely workmanlike it seems, with the scuffed armour and the little pouches on the legs with tools sticking out of them: Like there’s just a guy underneath it all, albeit one who must have had a rather colourful life. Boba Fett really seems like the epitome of the “used universe” design philosophy Star Wars brought to the SciFi genre, and the 1979 action figure does a surprisingly good job of channeling most of that appeal. Here’s what it’s supposed to look like:

I think they actually did a pretty great job with the outfit (it even has the little pouches on the shins). In fact, according to Toyworth.com, Boba Fett was indeed one of the best selling Star Wars action figures. The same article also answered one of my big childhood questions, incidentally — I always thought that bright red rocket in his bag looked suspiciously like something that might actually be launched via a hidden switch, but it was permanently attached to the figure and always seemed to have been — well, turns out there is more to that particular story:

Boba Fett was the first new mail-away action figure created for The Empire Strikes Back; although advertised as having a rocket-firing backpack, safety concerns led Kenner to sell his rocket attached. A few early samples of this toy is considered “a rare and precious commodity”, and one of the rocket-firing prototypes sold at auction for $16,000 in 2003.

Anyway, the picture above shows you how Boba Fett would have looked in his ideal form.

Now he was also among the figures I picked up back in the day. Here’s what mine looked like, however:

I don’t even blame the poor guy: At this point, he has gone through several pairs of hands and probably survived several childhoods and all kinds of weird adventures — and at a biblical age for an action figure, as a stamp on the plastic shows: Designed in 1979, this figure is very probably older than me!

But while the actual wear and tear on the figure’s official paintjob actually recalled Boba Fett’s scuffed in-universe look, I came up with the idea of giving the figure a new coat of paint, as a fun little experiment. I had wanted to do this for quite a while, but when I finally came upon dear Boba again last week, I knew I needed to make it happen.

The first thing I had to do was to at least try to get rid of some of the more egregious mold lines — it’s a relatively cheaply made action figure, after all, with all that entails. I couldn’t get rid of them all without damaging the underlying detail – a particularly pesky mold line running straight down the helmet proved all but completely resitant to my efforts – but I did my best. I also shaved off the  date stamp and the made in Honkong sign. Then the entire figure was scrubbed down and given an undercoat of Army Painter’s uniform grey, which seemed ideal because it already matched Boba Fett’s “official” overalls fairly closely on colour.

Speaking of the official colours,  I did quite a bit of research before actually starting to paint. And little did I know that Boba Fett’s costume is not only one of the most complicated outfits of the original Star Wars trilogy, it’s also one of the more disputed ones, with many different variants and discussions concerning it various details and minutiae. To wit, the costume is even noticeably different between both of Boba Fett’s canonical appearances:

Left: The Empire Strikes Back, right: The Return of the Jedi

Plus there was also the fact that, allowing for the fact that they were basically producing a rather cheap action figure, Kenner’s designers also played loose with the design, simplifying quite a few of its elements.

In the end, I dug up as many production photos, fan art and merchandise pictures as I could find and tried to aim for a stable composite between all of the established versions, trying for a look that isn’t obsessively faithful to any one source, but tries to be authentic nonetheless.

Among many other sources, this picture of Hot Toys’ Sixth Scale Figure turned out to be the most consistently useful reference material:

This was my first experience repanting an action figure, although I understand repaints like that are a bit of a thing in certain circles. One thing I can tell you is that I could really get used to the bigger, far more forgiving scale 😉

So, without further ado, here’s my repainted Boba Fett:

The back is the part where the action figure diverges the most from the actual movie costume, greatly simplifying the complexity and shape of the jet pack. I just played it by ear and tried to come up with a solution that was at least reasonably close to the official sources.

The scuffed and worn look was achieved via a mix of washes, sponge weathering and scratch marks that were actually painted on by hand. I also tried my hand at recreating – or at least approximating – some of the markings that appear on the armour:

The emblem on the ride side of the chest was a bit of a cop-out, as I just used a small decal from the Imperial Knight decal sheet. To make up for that lack of fidelity, however, I did the best I could to freehand the Mandalorian skull symbol on both shoulder pads (incidentally, I discovered that the symbo shows a stylised Mythosaur skull — sheesh, that sounds stupid, even for Star Wars 😉 ).

One thing I am crazy happy with is the markings I freehanded onto the left side of the helmet:

So here’s a comparison showing you the figure before and after my ministrations:

And just for fun, here’s my repainted Boba next to the  – rather lovely – Disney Infinity version (I couldn’t tell you anything about the actual video game, I just swooped in to snatch two or three of the figures once they ended up in the bargain bin):

I can safely say that this has been a rather enjoyable little gaiden project: While I don’t have any immediate plans of doing something like this again, I did have a blast repainting this guy!

Oh, and I would be remiss not to mention that this isn’t actually the first time Boba Fett has managed to sneak into my hobby life. Because there’s this guy, The Mandalorian:

The model was started as a fun experiment after I had seen several Boba Fett kitbashes online — plus I realised that one of the old Khorne Berzerker helmets already had the perfect Mandalorian look 😉 After building the model, I actually turned it into a member of Inquisitor Antrecht’s INQ28 warband, and even came up with a tongue in cheek background vignette for the character.

To be perfectly honest, however, the model is precisely the kind of pop-cultural shout out I said I was wary of in my previous post, because – at the end of the day – this guy is still clearly Boba Fett 😉 Building and painting the model was still great fun, however, and I think I did a reasonably good job with the much smaller bitzbox I had back then.

So yeah, so much for a post that has been a bit of a blast from the past. I hope you enjoyed the change of topic — and if not, don’t fret: We’ll be back in familiar waters from now on. Of course I’d love to hear what you think about my Boba Fett homage(s), so feel free to leave a comment!

As always thanks for looking and stay tuned for more!

Oh, and may the Force be with you! 😉

INQ28: Worker #9

Posted in 40k, Conversions, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , , on April 23, 2018 by krautscientist

Yet another INQ28-related project this week — but one that could easily do double duty for games of Necromunda as well: It’s killer robot time! 🙂

Back when the Kastelan Robots were first released, I bought them pretty much right away, because I was fascinated with the conversion potential inherent in the kit. The first Kastelan was immediately entered into the service of the ruinous powers and became a counts-as Contemptor for my World Eaters:

As for the second Kastelan, my plans were more vague. The original idea was to turn him into a part of my small Iron Warriors killteam, channelling some of the old Jes Goodwin sketches for the Colossus, the same pattern of robot originally used in Perturabo’s Iron Circle bodyguard (at least in the older fluff, before Forgeworld tweaked the different robot designs and designations a bit):

I felt that it would be reasonably easy to approximate the design from the sketch with a couple of bitz, so I quickly got to work on an early prototype, splicing in a new head and experimenting with a couple of different setups:


Unfortunately, things ground to a halt partway through the building process, and the model ended up half-finished. This is what the poor Kastelan looked like for the better part of two years.

And that could have been the end of the poor robot, until I started working on my Road Crew project and came to the realisation that some kind of massive killer robot would be a really cool addition to that particular gang of malcontents from the underhive!

So I took another long look at the build I had so far and tried to figure out which direction I wanted to take the model into. For one, I took many cues from Jeff Vader’s Actaeon Heavy Assault Servitor:

Model built and painted by Jeff Vader

It should go without saying that borrowing ideas from a hobbyist as supremely talented as Johan is never a bad idea 😉 But where his servitor looked deliberately put together and well kept (that’s the Inquisition’s deep pockets for you), I knew I wanted something more ragtag and improvised, as befits a machine from the underhive. I also wanted to keep the robot’s original function slightly ambiguous, so it wouldn’t be perfectly obvious when it had originally been constructed and what had been its original function. So it shouldn’t surprise you that the ABC/Hammerstein robot from both the Judge Dredd comics and film became another important inspiration for my conversion:

But even so, hammering out the exact look I wanted turned out to be complicated. Which is when WarbossKurgan’s beat-up Kastelans turned up and provided that last bit of inspiration I needed to finally finish the build some time last year:



As you can see, there’s a clear resemblance with Jeff Vader’s aforementioned servitor. I really wanted to add a strong sense of cobbled-together repairwork and later additions to the robot’s original form, though, so I added all kinds of rough armour plates. Asymmetry also became an important part of the conversion, with one of the robot’s arms spindly and skeletal, while the gun arm ended up looking rather massive (to the point that it could even have been taken from a different machine). I also added part of an old barrel as an improvised shoulder pad, in order to achieve that particular underhive je ne sais quoi 😉 Oh, and I happened to find the perfect head — from an old OOP World Eaters Dreadnought given to me by Augustus b’Raass last year. Not only did it fit perfectly, but it also had a suitably brutal, uncaring look for a massive robot (there’s also a bit of Maximilian there, wouldn’t you agree? 😉 ) Speaking of other robots from fiction that inspired this model, let’s not forget Fallout 3’s Liberty Prime and Road to Jove’s Ceathair, who were also on my mind while making the last tweaks on the model.

Anyway, the finished conversion sat on my desk for quite a while, but with my recent committment to finally making a dent in my huge backlog of unpainted INQ28 models, I took it along to one of my regular painting sessions with my friend Annie.

When it came to painting the model, I knew I wanted to go with the same strong yellow I had been using for the rest of the Road Crew so far. My original plan was to undercoat the model silver, then crudely dab on Yriel Yellow, to show how the members of the gang had repainted the robot to fit their livery. After giving the matter some thought, that solution didn’t seem quite practical enough, however, so I borrowed a can of Averland Sunset from Annie. In the end, this made the painting process much easier, so I was able get most of the base colours sorted out in one evening of painting:




Like I said before, I really wanted to add some abiguity to the robot’s appearance: Is he some kind of heavy duty servitor? Or an ancient warmachine? Or something different altogether? The yellow colour hints at a rather more industrial use, but then I also carefully chose some decals that could be seen as military symbols, capaign badges and stuff like that. There’s also the stenciled #9 on the left side of the robot’s torso that would end up hinting at its eventual name.

With all of the main colours and the first pass of washes in place, the next important part was to make the model look suitably dirty, grimy and run down, so I added several passes of sponge weathering, dirt and grime. This was a fun step, but it was also important to know when to stop. Here’s what the model looked like after the weathering steps:




For the crude, additional armour plates, I actually followed my original plan and undercoated them silver, then crudely repainted them yellow, to make it look as though the Road Crew’s members had tried to match the robot’s original paintwork. I also added a tiny drop of Tamiya Clear Red to the robot’s breastplate — I wonder if anyone can guess the reason for that?!

Anyway, time to show you the finished model:

=][=

Worker #9


I also designed a base for the model, of course. I tried to match the muddy, rusty underhive look I had chosen for the rest of the Road Crew.

This is such a small detail, but I am actually pretty happy with the faded symbol on the rusty tank I made by combining a couple of old Space Marine decals:

So here’s the entire Road Crew so far, complete with its newest member:

If I have one small regret about the model, it’s that I realised too late that Averland Sunset was a bit different in tone from the Yriel Yellow I had used on the rest of the Road Crew models. Ultimately, however, it’s something I can live with — using yellow spray paint made the experience of painting the big guy much more enjoyable, and the difference in colour could easily be explained away as the robot’s original colour simply being slightly different from the yellow used by the Road Crew.

Anyway, I am pretty happy with having finished another long neglected model! And probably the best surprise is that, what with GW recently having dropped a hint about something called an “Ambot”,…

…there might actually be a chance of a suitable ruleset to use Worker #9 on a gaming table one day 😉

Oh, by the way, just in case you were wondering why I decided to name the robot “Worker #9”, it was actually a shout out to a half-remembered character from Final Fantasy Tactics, another ancient robot with an ambiguous original function:

I only found out the robot’s actual name was Worker 8 when I tried to dig up a picture for this post. Oh well…

It’s still a weirdly appropriate choice of name, though, seeing how the Road Crew itself was named after a throwaway line from the – incredibly entertaining – game Psychonauts.

So yeah, it seems like, after a couple of years, I was finally able to finish both of those Kastelans:

Plus it’s also cool how much mileage I seem to be getting out of that old Forgeworld Dreadnought head 😉

Even though Worker #9 and Raud the Hunter are pretty different in concept and function, the head feels like a perfect match for both of them, wouldn’t you agree?

So that’s it for today’s update. It goes without saying that I would love to hear any feedback you might have! I realise that people seem to be growing more and more used lately to just clicking the Like button and moving on. And while I appreciate your Likes as well, they really aren’t all that motivating, to be honest. So if you enjoyed this post, please consider leaving a comment! 🙂

As always, thanks for looking and stay tuned for more!

Lord of the XII Legion – A Triptych, pt. 7

Posted in 30k, Conversions, Fluff, paintjob, WIP, World Eaters with tags , , , , , , , , , , , , , , , , , , , , , on April 14, 2017 by krautscientist

The Night of the Wolf

Lhorke never saw who fired the first shot. In the decades to come, the World Eaters claimed it came from the Wolves‘ lines, and the Wolves claimed the same of the XII Legion. He had his suspicions, but what was hindsight in the face of catastrophe? Without either primarch giving an order, two Legions fought.

The Night of the Wolf, they’d called it in the years since. Imperial archives referred to it as the Ghenna Scouring, omitting the moment the World Eaters and Space Wolves drew blood. A source of pride for both Legions, and a source of secret shame. Both claimed victory. Both feared they’d actually lost.

Aaron Dembski-Bowden, Betrayer

 

So I really wanted to complete my most recent converted version of the XII Legion Primarch as soon as possible — and as part of the Loyalty And Treachery III event over at The Bolter & Chainsword, no less, which left me with a fairly tight deadline. But then the model was already pretty much finished, wasn’t it? Here’s where we left off last time:

But I wasn’t perfectly happy yet and thought the model needed some final tweaks before it could be painted. So I gave it another round of conversion touchups:


A rather simple addition was the tangle of viscera Angron is holding in the Wayne England artwork that inspired the conversion: It was simply created with two Skaven tails and a bit of stringy glue.

However, there remained another, more substantial addition to complete, and no, don’t worry about the tinfoil on his shoulders: The XII Primarch wasn’t about to get some super tacky coloured hairtips. Rather, I used the tinfoil as a base to build up his cape with some extra GS on top of it:


I wanted Angron’s cape to have a bit more volume and look less like a tacked-on bit, so GS really was the way to go here. At the same time, I really wanted to keep the cape and body as separate parts during the painting progress. So the little trick I came up with was to carefully push some tinfoil down onto the model’s shoulders. Since the foil can be bent to conform to a certain shape, there’s really no need to glue it to the model or attach it otherwise, provided you are careful enough. Yet it will also “insulate” the surface of the model against bonding with the GS added on top, making it easy to take the sub-assemblies apart again. Granted, it would have been even easier had I attached it to something solid. The pauldron’s weren’t glued in yet, however, and so the whole thing turned a bit more finicky than it needed to be. But it worked rather nicely for getting the structure of the cape in place!

As for building up the actual fur on top of the cape, Capt. Jack’s fur tutorial was really invaluable! I tried to adapt it as best I could to my inferior skills. And where that failed, I used an old toothbrush to create some extra texture. Which led to this result:





To show you what’s happened under the hood, so to speak, here’s another look at the GS’ed shoulder area:


And here you can see how the body and cape were still separate pieces at this point, making for much easier and more exact painting:


So just one last step before everything was ready for painting: I had to build the right base for Angron. Now I believe I already mentioned earlier how a sentence from Betrayer provided me with the right context for the model:

In those early years, Angron carried his first axe, the precursor to all others. He called it Widowmaker. It would break this day, never to be used again.

This sentence appears in the description of the event called “The Night of the Wolf” — and everything just fell into place: Why not imagine that my converted model, still wielding the iconic, two-handed axe with the wing-motif from the Wayne England illustration, represented Angron during that fateful night at the tail end of the Ghenna compliance?

Which meant that I needed a fallen Space Wolf — also the owner of that lenght of gut Angron’s clutching in his left fist, incidentally…

A short while later, I had come up with a fitting base:


So with everything in place, it was time to get some paint on the model, and this made me slightly nervous: Not only did I want the model to end up as cool as possible, but this version of Angron was also supposed to serve as a “test run” for when I finally paint the Forgeworld Angron Adam Wier sent me. So I did some research on possible recipes, especially for Angron’s armour. And while I initially thought about merely copying GW’s “official” Custodes colour scheme, I eventually decided on something more bronze and brass than gold, because it just seemed more appropriate for the character (and visibly distanced him from the Emperor’s closest servants who all wear gold). In the end, I discovered ApatheticFish’s painting tutorial and followed it to the best of my ability, and it really clicked for me!

So here are a couple of pictures illustrating the painting process:

First up, Angron with his armour mostly painted, but without his pauldrons:


This picture is interesting because it shows how wonky the model seems without the shoulder pad. It also reveals  the ugly truth of what I had to do to make everything fit together — I am just glad that the pauldrons neatly covered the whole mess up when they were back in place:


In order to add some structural stability to the whole assembly, I painted the base next (then attached the model to it):



Alas poor Hjortulf, we barely knew ye… (trying my hand at the Space Wolves’ Heresy era colours was kinda fun, though!)

So here’s the model with the cape and some detail work left to sort out:



And while the model’s back would end up being almost completely covered by the cape, I did of course completely paint it. Here’s a photo serving as proof that I didn’t skimp on my homework:


So just one final push, and the model would be finished! Fortunately enough, I had a scheduled painting session together with my good friend Annie coming up anyway, so I used this as the perfect opportunity to add a lot of small tweaks and finishing touches and complete Angron’s cape.

And so let’s look at the finished model. Keep in mind that this was the piece of artwork that inspired the conversion in the first place. A fantastic piece by the late, great Wayne England:

Angron by Wayne England

Incidentally, I only found this zoomed-out, higher quality version of the picture when the conversion had already been finished: So there are skulls in that tangle of gore in Angron’s fist — who woulda thunk, huh? 😉

Anyway, without any further ado, here’s the XII Primarch:


Angron

The Conqueror, Primarch of the XII Legion

„I am loyal, the same as you. I am told to bathe my Legion in the blood of innocents and sinners alike, and I do it, because it’s all that’s left for me in this life. I do these things, and I enjoy them, not because we are moral, or right – or loving souls seeking to enlighten a dark universe – but because all I feel are the Butcher’s Nails hammered into my brain. I serve because of this ‚mutilation‘. Without it? Well, perhaps I might be a more moral man, like you claim to be. A virtuos man, eh? Perhaps I might ascend the steps of our father’s palace and take the slaving bastard’s head.“

The Primarch Angron to his brother, Leman Russ
from Aaron-Dembski-Bowden’s Betrayer








Okay, guys: Now I do realise that I might have a tendency to be a bit too much in love with my own work, but I have to admit that I am really, really happy with this model! Are there things I could have done better? You bet! The fur on the cape is probably not as good as it could have been. Using a flesh shade for the shadows on the armour didn’t work out quite as well as I had hoped.

But all in all, he really reads as a believable version of Angron to me, and that makes me very happy, indeed! I am also rather pleased with the way his armour has turned out, and if I have one actual regret right now, it’s that the metal looks a bit too flat and monochromatic in the photos, because it works so well in real life — seriously, this guy sparkles from a couple of feet away 😉 I shall endeavour to take some better pictures that actually show off the armour a bit better.

For now, another detail shot at how the Butcher’s Nails, the armour and the partially sculpted cape come together:


And what makes this even sweeter is that the completion of Angron also marks the completion of my vow for the aforementioned “Loyalty and Treachery III” event. I have managed to complete four models I am really pleased with and really nailed down the look I want for my 30k World Eaters:

In addition to Angron, find my detailed thoughts on the rest of the models in the following posts:

And when looking at the bigger picture, I have also come one step closer to completing my fourth (and likely final) incarnation of the XII Primarch. Here are my two converted, Slaughterpriest-based versions of Angron:


So this means two down, one to go:

And finally, Angron among his sons (the meagre extents of my 30k collection so far):

I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!