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Grimdark Espionage Action

Posted in 40k, Conversions, paintjob, Pointless ramblings with tags , , , , , , , , , , , , , on June 25, 2018 by krautscientist

Hey everyone, something a little bit different for today: Since I am currently waiting for the bitz intended for my next Deathwatch Marine, I thought it was time for a fun little distraction, and fondly remembering my Boba Fett repaint from a while back, I decided to delve back into the wider nerd culture for a bit — so what is this about?

This particular project was actually the result of several circumstances coming together to form the perfect storm: When I recently worked on the Celestial Lions Astartes for my Dethwatch Killteam, I noticed how much all the pouches and webbing on the Reiver armour reminded me of the gear worn by Solid Snake, one of the protagonists of the Metal Gear series. And then Adam Wier, of Between The Bolter And Me, presented his own, very cool Metal Gear-inspired model just the other day, and that really sealed the deal for me: I wanted to build and paint my own model inspired by the Metal Gear series.

For those of you not in the know, Metal Gear is a series of stealth-based games — and also one of the founding fathers of modern stealth games, really, at least were video game consoles are concerned. The games always feature a hard bitten veteran codenamed Snake (who is also the game’s protagonist in most cases, although it’s not always the same man). The task is usually to inflitrate some kind of rogue nation or military installation, fight against a special unit consisting of a collection of veritable carnival freaks, then deal with a walking nuclear tank – the eponymous Metal Gear – in order to avoid nuclear war. There are lots of highly entertaining (and often challenging) stealth sequences, and just before you get to fight any kind of boss, everything screeches to a halt while you and your opponent wax poetical about war, peace, love on the battlefield and the intricacies of nuclear deterrence for a solid twenty minutes. Yeah, it’s that kind of series…

Even so, or probably because of it, the Metal Gear series is one of my favourite videogame series. I love it because of everything – and in spite of everything – that makes it great and terrible: its brilliantly weird, Japanese take on western action films, its sometimes hamhanded storytelling. Its brilliantly quirky characters. If you haven’t played the series, and you have even the slightest appetite for Japanese video game quirkiness, I suggest you give it a spin. And if you’re already aware of Metal Gear, well, I think you’ll get an extra chuckle or two out of the rest of this post 😉

Anyway, the first Metal Gear Solid was a massive blockbuster (and arguably a system seller) back on the first Playstation, and it still has a safe place in my heart, so I wanted to build a model based on Solid Snake, protagonist of the first couple of games. Here’s what I came up with:

On the face of it, it’s a really simple kitbash, merely using one of the Easy to Build Primaris Reivers and a handful of bitz: The Reiver armour is already suspiciously similar to a bulkier version of Solid Snake’s sneaking suit anyway, so I only added an extra pouch here and there and shaved off any parts that were too 40k — like purity seals. I also tweaked the gun a bit, to make it resemble the iconic SOCOM pistol wielded by Snake in the games.

As for the general look and pose of the model, I used some artwork by Yoji Shinkawa, the Metal Gear series’ art director, as reference material:

Illustration by Yoji Shinkawa

Of course the Primaris proportions are a bit wonky when compared to the sketch — where Solid Snake is fairly slender, the Primaris based version looks a bit more chunky. Which is why I decided to leave the backpack off, so as not to make him even more massibe. Even so, I think the combination of the pose, pistol silhouette and flapping bandana make the model instantly recognisable.

Speaking of the bandana, the most involved part of the conversion was actually to transform a fairly standard Space Marine head (from the old Dark Angels Veterans, I believe) into a suitable representation of Snake, complete with bandana and Snake’s glorious mullet haircut. I achieved the former by using a paper place mat (having already made some very good experiences with the material while designing the bases for my Ordo Scriptorum warband). The latter was sculpted with a bit of GS.

Here’s the reference material I used, the actual in-game model of Solid Snake from Metal Gear Solid 2: Sons of Liberty:

And here’s a look at the tweaked head, warts and all:

When it came to painting the model It was clear to me from the start that the head was what would make or break the model, and funnily enough, painting it instantly transformed it into Snake’s face. Take a look:

As for the rest of the model, I once again needed some reference material, since Yoji Shinkawa’s sketches are fantastic for setting the mood or creating a strong impression of a character, but they are also a bit too abstract to be used as something to base a colour scheme on. Once again, I decided to base my paintjob on Solid Snake as he appears in the first game (and its subsequent remake, “The Twin Snakes”), mostly because the Reiver armour matched that particular getup pretty well:

Here’s a look at a PIP version with most of the main colours in place:

It’s a fairly monochromatic colour scheme, certainly — not something I would have chosen for one of my “regular” INQ28 characters, but in this case, it was all about matching the official material. That’s also why I ultimately decided against adding any symbols or freehands: My original plan had been to add the logo of FOXHOUND, Solid Snake’s unit, on one of the pauldrons, in place of a chapter icon, so to speak, but it felt like a colourful area like that would actually have detracted from the rest of the model and the overall look and feel.

When it came to basing the model, I discovered that the new Sector Mechanicus bases were just the perfect choice: While they might be ever so slightly too bland for 40k proper, they seemed like a perfect recreation of the kind of military base surroundings Snake usually finds himself in. I went for a pretty simple, gunmetal look, with some suitable decals applied before the weathering for an extra layer of detail. Here’s the painted base:

And while this project was intended as a mere fun distraction, or a gaiden project, to remain true to the subject, I decided I might as well use it to teach myself a new technique. Now Metal Gear Solid is set in a military base in Alaska, and parts of the game actually play out during a snowstorm, so I thought it might be fun to include some snow on the base — which meant I had to experiment with making my own model snow — definitely a first for me!

I was lucky enough to be able to fall back on one of Ron Saikowski’s incredibly helpful hobby articles from the fabulous From The Warp blog, and chose the easiest recipe from the post: Just mix PVA glue with Sodium Bicarbonate (baking soda) and just a drop of water. And while it took a couple of minutes to get the mixture just right, I ended up with a substance that didn’t just look like snow but almost behaved like the genuine article as well, caking and piling up like actual, miniature snow — how delightful 😉

Here’s the same base with the snow applied on top:

I was even able to tease out some singular “flakes” and add smaller clumps of the stuff to Snake’s left leg, to tie him into the base a bit better — seriously, all of this basically took about five minutes and ended up looking so convincing that I was pretty much blown away!

But anyway, without further ado, here’s my – slightly 40k-inspired – version of FOXHOUND special operative Solid Snake. Age hasn’t slowed him down one bit:

I actually cannot stop grinning when I look at the model. It’s a weird little piece, to be sure, but I also think he turned out pretty well, dodgy proportions and all 😉

A closer look at Snake’s face:

And, finally, another look at the model on its base:

Man, that was fun! And while I have zero plans to build any more MGS-related homages, I quickly realised that coming up with 40k versions of classic MGS trope can be a seriously entertaining thought experiment: Fellow hobbyist Bjorn Firewalker mentioned the brilliant idea an Imperial Knight serving as the eponymous Metal Gear! A Sicarian Ruststalker would make for an excellent AdMech-style Grey Fox. And it does, of course, make complete sense that Snake would be a Space Marine from a particularly cursed founding (referred to only as the “Pueri Terribili”).

Such silliness aside, the model is actually too blatant an homage to actually work as a character in proper 40k lore, of course. I already have Inquisitorial Operative Tybalt Renner as a more subtle shout out to the Snake archetype for that:

All the more reason, however, to just cut loose this time and have a little fun with a blatant homage to a video game character 😉

On a related note, this article wouldn’t be complete without a shout out to Tale of War’s absolutely incredible “Snaker – the Last Soldier” model:

Unfortunately, the model is no longer available – for fairly obvious reasons, I suppose – and I missed my chance to pick one up — oh well, at least now I have my own – slightly dodgy – version of Snake, at least.

I also got a bit of a chuckle out of staging a classic Metal Gear Solid scene like this…

…with my new model. Take a look:

Anyway, that’s it for today! I would love to hear any feedback you might have about my version of Solid Snake! And, as always, thanks for looking and stay tuned for more! 🙂



INQ28: On the Road Again…

Posted in 40k, Conversions, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , on June 4, 2018 by krautscientist

Yet more INQ28 this week — but with a dash of Necromunda for a change: As some of you might remember, my little gang of malcontents, mutants and pit slaves codenamed “The Road Crew” should really work well in both settings. And after all, there were still some models that finally needed to be finished, so I got to work.

You see, when I recently finished Worker #9, that was actually a case of the ragtag robot jumping the queue, when there were still a couple of Road Crew members that should have been painted first. These gentlemen:

My idea for the Road Crew was to use the classic Necromunda concepts of both Scavvies and Pit Slaves and build a gang that basically bridged the gap between both, while also channelling all kinds of postapocalyptic influences and sources — which is why you can see a lot of Mad Max, Fallout or even Borderlands in these characters. Of the three guys above, two weren’t even originally built as members of the Road Crew, but when I went through my cupboard of shame, they seemed like interesting enough additions to round out the gang. And now it was finally time to get them painted. So let’s take a look:


I. Chainsaw Mayhem

First up, the tried and true teen slasher concept of a masked villain with a chainsaw — a true classic, this one:

In fact, the original model started out as nothing more comlplicated than wanting to come up with some kind of insane minor villain to serve as a sort of miniboss in games of Necromunda or INQ28 — most of the inspiration for the character came from an old late 90s WD article on various pulpy monster and villain archetypes for use in Necromunda. I also drew some inspiration from a very cool Khornate cultist with a chainsaw built by morbäck, if I remember correctly.

The conversion itself was fairly straightforward: The model basically uses most of a Dark Vengeance cultist, with the hooded head from another cultis. The most involved part of the kitbash was to splice in an Ork chainsword to replace the nozzle of the heavy flamer — and with that, the underhive maniac was basically finished. It’s actually a bit shocking how the model was built all the way back in 2013

I wanted to paint him in the tried and true Road Crew recipe, that is dark grey fatigues, scuffed yellow armour, and some red detail to add in another spot colour. However, during the painting process, I realised that the colour balance was off, so I had to make some eleventh hour additions to the model: The chance to include more yellow elements was achieved by adding a shoulder pad to the model’s left shoulder and an armour plate over its crotch (which should make brawls in the underhive ever so slightly less dangerous and also has the added benefit of breaking up that massive, red apron a bit, from a visual standpoint):

Of course a masked maniac with a chainsaw seems like the perfect occasion for quite a bit of gore, right? And indeed, I did contemplate adding some Tamiya Clear Red to the model for quite a while. I also realised, however, that due to the way a chainsaw works, I would basically have to paint blood onto the entire blade of the weapon, which seemed like a pretty surefire way to have it all look completely over the top — always a big risk when working with blood effects.

So in the end, I decided that less is more, and went without the blood — almost, that is, because I couldn’t help adding at least some blood to the “bag o’ bones” on the model’s back.

Anyway, here’s the finished model. Meet Sawtooth, everyone:

Granted, a maniac wielding a chainsaw may not be the most original character in the Road Crew, but he was still great fun to finish, and I think he’ll look great with the rest of the family. And even if he has a certain pulp charm about him, I think it makes sense that he would add a bit of a ‘mutant madman’ angle to the crew — on top of the Mad Max angle and the tragic gladiator angle and all the other postacpocalyptic references and influences that are already there 😉


II. Only Sane Man…?!

Now this second model wasn’t built for the Road Crew either. It was originally planned as some kind of Imperial Guard veteran and started life as the result of some idle kitbashing:

The base model was yet another chaos cultist. I swapped the arms and a rifle from the Tempestus Scions kit, which made for a slightly more soldierly look. A head from the Space Wolves’ scouts was chosen for a suitably grizzled veteran look. And that was about it.

When I went through my unpainted models a while ago, I liked the idea of a more human Road Crew member without any obvious mutations or augmentations — maybe a former soldier of the Astra Militarum who had come to the underhive in an attempt to escape something that had happened in his former life? Anyway, that led to this guy being drafted into the gang as well.

This time around, the painting process worked like a charm. So here’s “Sarge”:

While the model uses the same colour scheme as the rest of the Road Crew, I tried to make him look just a bit less unkempt: His equipment is still in pretty good shape, which hints at his past as a professional soldier. And while he has adopted the Road Crew’s emblematic scuffed yellow, it’s still possible to imagine him in his previous life.


III. Yikes! Another Saw…?!

So that’s two down, but I have yet another model to share with you today, and not only is it my favourite of the bunch, but also the one guy who was legitimately planned for the Road Crew from the beginning. Meet “Cirque”, a heavily muscled brute who’s at the forefront of every raid and gang fight, with his trusty eviscerator:

I am really happy with this particular conversion, but to give credit where credit is due, Cirque actually directly borrows ideas from two models I saw online and loved instantly: Plib’s Necromunda Scaly/Brute here…

Model built and painted by Plib

…and Jeff Vader’s older chrono gladiator:

Model built and painted by Jeff Vader

It’s plain to see how my conversion is basically my attempt at throwing both models into a blender and end up with a combination of the elements I liked most about both of them. Mission accomplished, I’d say 😉 There’s also something about combining Ork bitz and those creepy chaos cultist gas masks that just works every time, if you ask me.

Not only was Cirque my favourite model from this particular bunch, he was also a blast to paint. So here he is, in all his twisted glory:

Oh, and I actually did get to use Tamiya Clear Red on a saw, after all: Since Cirque’s weapon allowed for a slightly more subdued effect, he provided the perfect opportunity to include some blood but not overwhelm the entire model with it. Take a look:

So, once again, that’s three less unpainted models, and I am actually really happy with the results:

Even better, however, is the fact that these three are basically the last models I had planned for the Road Crew, so all that’s left for me is to paint the gang’s ride, an old Gorkamorka vehicle,…

…and then this project will be finished — at least for now. Here’s the entire Road Crew so far:



The Road Crew

The deeper levels of St.Sabasto’s Reach’s primary hive cluster – colloquially known as „The Orphans‘ Cradle“ – is crisscrossed by a network of tansportation tunnels originally created – and mostly still used – to move the vast amounts of goods necessary to keep the world’s overly bloated population alive. Ranging from cramped maintenance shafts that are mere crawlspaces to multi-laned transport ways allowing for vehicle traffic, the warren of tunnels and substations has become a living space for many underhivers, from the indentured personnel manning the various installations and the maintenance workers to gatherings of escaped slaves and convicts seeking something resembling a life in freedom, even if it should be a life in squalor and darkness.

The so-called „Road Crew“ is one such group and has begun to attract former pit slaves, soldiers of fortune, twists and other malcontents from the hive’s lower reaches, trying to eke out an existence between the underhive fighting pits and minor raids on the biggest transport thoroughfares.


From left to right:

  • Crusher Vex, also know as “Old Man Claw”, a former pitfigthing champion
  • Grimspyke “the Impaler”, another champion in the fighting pits and former opponent of Crusher Vex
  • Sawtooth, a mute and slightly unhinged former manufactorium worker
  • “Tiny the Brute”, a member of the mutant underclass of St. Sabasto’s Reach and current war-captain of the Road Crew
  • “Doktor” Solon Antonov, a former, low-ranking Magos of the Velsian Adeptus Mechanicus who disappeared from his posting as a workforce and slave prospector on the world of St. Sabasto’s Reach, only to emerge as the leading figure of the Road Crew
  • Cirque, a physically imposing mutant and one of the Road Crew’s fiercest fighters
  • Sarge, a veteran of the Astra Militarum with a dark past
  • “Papa Anjevin”, a particularly unhinged mutant styling himself the Road Crew’s shaman-priest
  • Chopper, a diminutive mutant wielding a massive chainblade.

Back row:

  • Worker #9, an ancient automaton of ambiguous origin


Looks like a pretty cool gang at this point, doesn’t it? And while the project is basically finished, it’ll be easy enough to add new gang members as needed — after all, a gang of underhive rabble always has need of new recruits. And as fellow hobbyist Dragonlover recently pointed out, I really need at least one more member with a red traffic sign — if only for the shout out to the original inspiration for this warband’s name… 😉

Oh, and before I forget: Not only are these guys yet more neglected models that I have finally managed to paint, they also work as contributions for Azazel’s community challenge for June, with the aim of finishing squads and units — or, like in this case, warbands. Plus I am actually fairly confident I’ll be able to squeeze in that vehicle before the end of the month…

For now, however, I would love to hear your thoughts on these latest models — or, indeed, on the entire warband, so please leave a comment! And, as always, thanks for looking and stay tuned for more!


Episode 40k: A New Coat of Paint

Posted in Conversions, paintjob, Pointless ramblings with tags , , , , , , , , , , , , , , , on May 21, 2018 by krautscientist

Hey everyone, something rather different today — but first, to get you all in the right mood:

Episode 40K

Somewhere in Germany. Having rediscovered an old action figure thought long lost, a hobbyist by the name of KRAUTSCIENTIST embarks upon a fun tribute project.

Will he be able to return colour to one of the galaxy’s pre-eminent bounty hunters, the scoundel known as BOBA FETT?

As the release of a new Star Wars film looms near, KRAUTSCIENTIST touches brush to model….


Well, that should tell you most of what you need to now about today’s post. I’ll be heading out to watch Solo: A Star Wars Story later this week, and I thought the release of a new Star Wars film would be the perfect occasion to actually finally tackle that aforementioned tribute project — so what is this about?

Let me prefrace this by saying that I used to be a massive Star Wars fan during my childhood and early teens: I saw the old trilogy (Episodes IV to VII) on TV around the age of ten, and together with the – mostly excellent – Star Wars video games released by Lucas Arts all through the 90s, the series became one of my great nerd passions during those years (to the point where I can still quote entire TIE Fighter cutscenes by heart, ridiculous as that may be). I was a diehard fan (albeit one who was always rooting for the Galactic Empire). The (first) cinematic re-release of the touched up first trilogy came out shortly before I finished school, then the following prequel trilogy wasn’t really all that great — I don’t hate it as viciously as many people, but it did feel as though I had outgrown Star Wars a bit at that point. Which, with the benefit of hindsight, actually put me in a perfect place to see the new films, as I went into them without any big preconceptions or expectations, and so far, I have been having a blast with all of them — let’s hope the trend continues with Solo. But anyway, the thing to remember here is that I used to love Star Wars with a burning passion for quite a few years.

The other important thing is to understand that Star Wars action figures used to be a bit of a holy grail for me during my childhood: My first contact with Star Wars happened when the films were broadcast in German television for the first time (I believe) during the late 80s — in any case, it was enough of an occasion for some new merchandise to be released (mainly books and a neat book-audiobook combo for children), yet the original action figures had long disappeared from the shelves by then. This may be hard to imagine nowadays, with myriads of Star Wars action figures in all shapes and sizes freely available — but back then, if you actually wanted some Star Wars action in your life, you either had to get creative and proxy stuff with the action figures you had (I even went so far as to paint a certain MotU figure glossy black to create a poor standin for Darth Vader at one point) , or you had to be extremely lucky and find some of the original figures during yard sales and the like.

That exact thing gappened to me one day when I actually struck a rich ore of used Star Wars action figures at a local flea market, and I must have bought at least a dozen or so. My only regret was that the Darth Vader figure was already gone by the time I showed up: A childhood friend had actually managed to snap it up earlier in the day, and I would end up buying it from him for a whopping 20 Deutsche Marks — made even worse by the fact that the figure was actually pretty terrible, even in its complete form,…

yet the one I bought from my friend didn’t even have the terrible cape OR the shitty lightsaber. Oh well…

Some of Kenner’s old Star Wars action figures were much cooler, though. For instance, Kenner also released an action figure of everybody’s favourite bounty hunter,Boba Fett, and while it was functionally very simple and didn’t feature any bells and whistles, it’s also a surprisingly cool figure, given the time in which it was produced: Something I have always liked about Boba Fett’s outfit is how strangely workmanlike it seems, with the scuffed armour and the little pouches on the legs with tools sticking out of them: Like there’s just a guy underneath it all, albeit one who must have had a rather colourful life. Boba Fett really seems like the epitome of the “used universe” design philosophy Star Wars brought to the SciFi genre, and the 1979 action figure does a surprisingly good job of channeling most of that appeal. Here’s what it’s supposed to look like:

I think they actually did a pretty great job with the outfit (it even has the little pouches on the shins). In fact, according to, Boba Fett was indeed one of the best selling Star Wars action figures. The same article also answered one of my big childhood questions, incidentally — I always thought that bright red rocket in his bag looked suspiciously like something that might actually be launched via a hidden switch, but it was permanently attached to the figure and always seemed to have been — well, turns out there is more to that particular story:

Boba Fett was the first new mail-away action figure created for The Empire Strikes Back; although advertised as having a rocket-firing backpack, safety concerns led Kenner to sell his rocket attached. A few early samples of this toy is considered “a rare and precious commodity”, and one of the rocket-firing prototypes sold at auction for $16,000 in 2003.

Anyway, the picture above shows you how Boba Fett would have looked in his ideal form.

Now he was also among the figures I picked up back in the day. Here’s what mine looked like, however:

I don’t even blame the poor guy: At this point, he has gone through several pairs of hands and probably survived several childhoods and all kinds of weird adventures — and at a biblical age for an action figure, as a stamp on the plastic shows: Designed in 1979, this figure is very probably older than me!

But while the actual wear and tear on the figure’s official paintjob actually recalled Boba Fett’s scuffed in-universe look, I came up with the idea of giving the figure a new coat of paint, as a fun little experiment. I had wanted to do this for quite a while, but when I finally came upon dear Boba again last week, I knew I needed to make it happen.

The first thing I had to do was to at least try to get rid of some of the more egregious mold lines — it’s a relatively cheaply made action figure, after all, with all that entails. I couldn’t get rid of them all without damaging the underlying detail – a particularly pesky mold line running straight down the helmet proved all but completely resitant to my efforts – but I did my best. I also shaved off the  date stamp and the made in Honkong sign. Then the entire figure was scrubbed down and given an undercoat of Army Painter’s uniform grey, which seemed ideal because it already matched Boba Fett’s “official” overalls fairly closely on colour.

Speaking of the official colours,  I did quite a bit of research before actually starting to paint. And little did I know that Boba Fett’s costume is not only one of the most complicated outfits of the original Star Wars trilogy, it’s also one of the more disputed ones, with many different variants and discussions concerning it various details and minutiae. To wit, the costume is even noticeably different between both of Boba Fett’s canonical appearances:

Left: The Empire Strikes Back, right: The Return of the Jedi

Plus there was also the fact that, allowing for the fact that they were basically producing a rather cheap action figure, Kenner’s designers also played loose with the design, simplifying quite a few of its elements.

In the end, I dug up as many production photos, fan art and merchandise pictures as I could find and tried to aim for a stable composite between all of the established versions, trying for a look that isn’t obsessively faithful to any one source, but tries to be authentic nonetheless.

Among many other sources, this picture of Hot Toys’ Sixth Scale Figure turned out to be the most consistently useful reference material:

This was my first experience repanting an action figure, although I understand repaints like that are a bit of a thing in certain circles. One thing I can tell you is that I could really get used to the bigger, far more forgiving scale 😉

So, without further ado, here’s my repainted Boba Fett:

The back is the part where the action figure diverges the most from the actual movie costume, greatly simplifying the complexity and shape of the jet pack. I just played it by ear and tried to come up with a solution that was at least reasonably close to the official sources.

The scuffed and worn look was achieved via a mix of washes, sponge weathering and scratch marks that were actually painted on by hand. I also tried my hand at recreating – or at least approximating – some of the markings that appear on the armour:

The emblem on the ride side of the chest was a bit of a cop-out, as I just used a small decal from the Imperial Knight decal sheet. To make up for that lack of fidelity, however, I did the best I could to freehand the Mandalorian skull symbol on both shoulder pads (incidentally, I discovered that the symbo shows a stylised Mythosaur skull — sheesh, that sounds stupid, even for Star Wars 😉 ).

One thing I am crazy happy with is the markings I freehanded onto the left side of the helmet:

So here’s a comparison showing you the figure before and after my ministrations:

And just for fun, here’s my repainted Boba next to the  – rather lovely – Disney Infinity version (I couldn’t tell you anything about the actual video game, I just swooped in to snatch two or three of the figures once they ended up in the bargain bin):

I can safely say that this has been a rather enjoyable little gaiden project: While I don’t have any immediate plans of doing something like this again, I did have a blast repainting this guy!

Oh, and I would be remiss not to mention that this isn’t actually the first time Boba Fett has managed to sneak into my hobby life. Because there’s this guy, The Mandalorian:

The model was started as a fun experiment after I had seen several Boba Fett kitbashes online — plus I realised that one of the old Khorne Berzerker helmets already had the perfect Mandalorian look 😉 After building the model, I actually turned it into a member of Inquisitor Antrecht’s INQ28 warband, and even came up with a tongue in cheek background vignette for the character.

To be perfectly honest, however, the model is precisely the kind of pop-cultural shout out I said I was wary of in my previous post, because – at the end of the day – this guy is still clearly Boba Fett 😉 Building and painting the model was still great fun, however, and I think I did a reasonably good job with the much smaller bitzbox I had back then.

So yeah, so much for a post that has been a bit of a blast from the past. I hope you enjoyed the change of topic — and if not, don’t fret: We’ll be back in familiar waters from now on. Of course I’d love to hear what you think about my Boba Fett homage(s), so feel free to leave a comment!

As always thanks for looking and stay tuned for more!

Oh, and may the Force be with you! 😉

INQ28: Worker #9

Posted in 40k, Conversions, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , , on April 23, 2018 by krautscientist

Yet another INQ28-related project this week — but one that could easily do double duty for games of Necromunda as well: It’s killer robot time! 🙂

Back when the Kastelan Robots were first released, I bought them pretty much right away, because I was fascinated with the conversion potential inherent in the kit. The first Kastelan was immediately entered into the service of the ruinous powers and became a counts-as Contemptor for my World Eaters:

As for the second Kastelan, my plans were more vague. The original idea was to turn him into a part of my small Iron Warriors killteam, channelling some of the old Jes Goodwin sketches for the Colossus, the same pattern of robot originally used in Perturabo’s Iron Circle bodyguard (at least in the older fluff, before Forgeworld tweaked the different robot designs and designations a bit):

I felt that it would be reasonably easy to approximate the design from the sketch with a couple of bitz, so I quickly got to work on an early prototype, splicing in a new head and experimenting with a couple of different setups:

Unfortunately, things ground to a halt partway through the building process, and the model ended up half-finished. This is what the poor Kastelan looked like for the better part of two years.

And that could have been the end of the poor robot, until I started working on my Road Crew project and came to the realisation that some kind of massive killer robot would be a really cool addition to that particular gang of malcontents from the underhive!

So I took another long look at the build I had so far and tried to figure out which direction I wanted to take the model into. For one, I took many cues from Jeff Vader’s Actaeon Heavy Assault Servitor:

Model built and painted by Jeff Vader

It should go without saying that borrowing ideas from a hobbyist as supremely talented as Johan is never a bad idea 😉 But where his servitor looked deliberately put together and well kept (that’s the Inquisition’s deep pockets for you), I knew I wanted something more ragtag and improvised, as befits a machine from the underhive. I also wanted to keep the robot’s original function slightly ambiguous, so it wouldn’t be perfectly obvious when it had originally been constructed and what had been its original function. So it shouldn’t surprise you that the ABC/Hammerstein robot from both the Judge Dredd comics and film became another important inspiration for my conversion:

But even so, hammering out the exact look I wanted turned out to be complicated. Which is when WarbossKurgan’s beat-up Kastelans turned up and provided that last bit of inspiration I needed to finally finish the build some time last year:

As you can see, there’s a clear resemblance with Jeff Vader’s aforementioned servitor. I really wanted to add a strong sense of cobbled-together repairwork and later additions to the robot’s original form, though, so I added all kinds of rough armour plates. Asymmetry also became an important part of the conversion, with one of the robot’s arms spindly and skeletal, while the gun arm ended up looking rather massive (to the point that it could even have been taken from a different machine). I also added part of an old barrel as an improvised shoulder pad, in order to achieve that particular underhive je ne sais quoi 😉 Oh, and I happened to find the perfect head — from an old OOP World Eaters Dreadnought given to me by Augustus b’Raass last year. Not only did it fit perfectly, but it also had a suitably brutal, uncaring look for a massive robot (there’s also a bit of Maximilian there, wouldn’t you agree? 😉 ) Speaking of other robots from fiction that inspired this model, let’s not forget Fallout 3’s Liberty Prime and Road to Jove’s Ceathair, who were also on my mind while making the last tweaks on the model.

Anyway, the finished conversion sat on my desk for quite a while, but with my recent committment to finally making a dent in my huge backlog of unpainted INQ28 models, I took it along to one of my regular painting sessions with my friend Annie.

When it came to painting the model, I knew I wanted to go with the same strong yellow I had been using for the rest of the Road Crew so far. My original plan was to undercoat the model silver, then crudely dab on Yriel Yellow, to show how the members of the gang had repainted the robot to fit their livery. After giving the matter some thought, that solution didn’t seem quite practical enough, however, so I borrowed a can of Averland Sunset from Annie. In the end, this made the painting process much easier, so I was able get most of the base colours sorted out in one evening of painting:

Like I said before, I really wanted to add some abiguity to the robot’s appearance: Is he some kind of heavy duty servitor? Or an ancient warmachine? Or something different altogether? The yellow colour hints at a rather more industrial use, but then I also carefully chose some decals that could be seen as military symbols, capaign badges and stuff like that. There’s also the stenciled #9 on the left side of the robot’s torso that would end up hinting at its eventual name.

With all of the main colours and the first pass of washes in place, the next important part was to make the model look suitably dirty, grimy and run down, so I added several passes of sponge weathering, dirt and grime. This was a fun step, but it was also important to know when to stop. Here’s what the model looked like after the weathering steps:

For the crude, additional armour plates, I actually followed my original plan and undercoated them silver, then crudely repainted them yellow, to make it look as though the Road Crew’s members had tried to match the robot’s original paintwork. I also added a tiny drop of Tamiya Clear Red to the robot’s breastplate — I wonder if anyone can guess the reason for that?!

Anyway, time to show you the finished model:


Worker #9

I also designed a base for the model, of course. I tried to match the muddy, rusty underhive look I had chosen for the rest of the Road Crew.

This is such a small detail, but I am actually pretty happy with the faded symbol on the rusty tank I made by combining a couple of old Space Marine decals:

So here’s the entire Road Crew so far, complete with its newest member:

If I have one small regret about the model, it’s that I realised too late that Averland Sunset was a bit different in tone from the Yriel Yellow I had used on the rest of the Road Crew models. Ultimately, however, it’s something I can live with — using yellow spray paint made the experience of painting the big guy much more enjoyable, and the difference in colour could easily be explained away as the robot’s original colour simply being slightly different from the yellow used by the Road Crew.

Anyway, I am pretty happy with having finished another long neglected model! And probably the best surprise is that, what with GW recently having dropped a hint about something called an “Ambot”,…

…there might actually be a chance of a suitable ruleset to use Worker #9 on a gaming table one day 😉

Oh, by the way, just in case you were wondering why I decided to name the robot “Worker #9”, it was actually a shout out to a half-remembered character from Final Fantasy Tactics, another ancient robot with an ambiguous original function:

I only found out the robot’s actual name was Worker 8 when I tried to dig up a picture for this post. Oh well…

It’s still a weirdly appropriate choice of name, though, seeing how the Road Crew itself was named after a throwaway line from the – incredibly entertaining – game Psychonauts.

So yeah, it seems like, after a couple of years, I was finally able to finish both of those Kastelans:

Plus it’s also cool how much mileage I seem to be getting out of that old Forgeworld Dreadnought head 😉

Even though Worker #9 and Raud the Hunter are pretty different in concept and function, the head feels like a perfect match for both of them, wouldn’t you agree?

So that’s it for today’s update. It goes without saying that I would love to hear any feedback you might have! I realise that people seem to be growing more and more used lately to just clicking the Like button and moving on. And while I appreciate your Likes as well, they really aren’t all that motivating, to be honest. So if you enjoyed this post, please consider leaving a comment! 🙂

As always, thanks for looking and stay tuned for more!

Lord of the XII Legion – A Triptych, pt. 7

Posted in 30k, Conversions, Fluff, paintjob, WIP, World Eaters with tags , , , , , , , , , , , , , , , , , , , , , on April 14, 2017 by krautscientist

The Night of the Wolf

Lhorke never saw who fired the first shot. In the decades to come, the World Eaters claimed it came from the Wolves‘ lines, and the Wolves claimed the same of the XII Legion. He had his suspicions, but what was hindsight in the face of catastrophe? Without either primarch giving an order, two Legions fought.

The Night of the Wolf, they’d called it in the years since. Imperial archives referred to it as the Ghenna Scouring, omitting the moment the World Eaters and Space Wolves drew blood. A source of pride for both Legions, and a source of secret shame. Both claimed victory. Both feared they’d actually lost.

Aaron Dembski-Bowden, Betrayer


So I really wanted to complete my most recent converted version of the XII Legion Primarch as soon as possible — and as part of the Loyalty And Treachery III event over at The Bolter & Chainsword, no less, which left me with a fairly tight deadline. But then the model was already pretty much finished, wasn’t it? Here’s where we left off last time:

But I wasn’t perfectly happy yet and thought the model needed some final tweaks before it could be painted. So I gave it another round of conversion touchups:

A rather simple addition was the tangle of viscera Angron is holding in the Wayne England artwork that inspired the conversion: It was simply created with two Skaven tails and a bit of stringy glue.

However, there remained another, more substantial addition to complete, and no, don’t worry about the tinfoil on his shoulders: The XII Primarch wasn’t about to get some super tacky coloured hairtips. Rather, I used the tinfoil as a base to build up his cape with some extra GS on top of it:

I wanted Angron’s cape to have a bit more volume and look less like a tacked-on bit, so GS really was the way to go here. At the same time, I really wanted to keep the cape and body as separate parts during the painting progress. So the little trick I came up with was to carefully push some tinfoil down onto the model’s shoulders. Since the foil can be bent to conform to a certain shape, there’s really no need to glue it to the model or attach it otherwise, provided you are careful enough. Yet it will also “insulate” the surface of the model against bonding with the GS added on top, making it easy to take the sub-assemblies apart again. Granted, it would have been even easier had I attached it to something solid. The pauldron’s weren’t glued in yet, however, and so the whole thing turned a bit more finicky than it needed to be. But it worked rather nicely for getting the structure of the cape in place!

As for building up the actual fur on top of the cape, Capt. Jack’s fur tutorial was really invaluable! I tried to adapt it as best I could to my inferior skills. And where that failed, I used an old toothbrush to create some extra texture. Which led to this result:

To show you what’s happened under the hood, so to speak, here’s another look at the GS’ed shoulder area:

And here you can see how the body and cape were still separate pieces at this point, making for much easier and more exact painting:

So just one last step before everything was ready for painting: I had to build the right base for Angron. Now I believe I already mentioned earlier how a sentence from Betrayer provided me with the right context for the model:

In those early years, Angron carried his first axe, the precursor to all others. He called it Widowmaker. It would break this day, never to be used again.

This sentence appears in the description of the event called “The Night of the Wolf” — and everything just fell into place: Why not imagine that my converted model, still wielding the iconic, two-handed axe with the wing-motif from the Wayne England illustration, represented Angron during that fateful night at the tail end of the Ghenna compliance?

Which meant that I needed a fallen Space Wolf — also the owner of that lenght of gut Angron’s clutching in his left fist, incidentally…

A short while later, I had come up with a fitting base:

So with everything in place, it was time to get some paint on the model, and this made me slightly nervous: Not only did I want the model to end up as cool as possible, but this version of Angron was also supposed to serve as a “test run” for when I finally paint the Forgeworld Angron Adam Wier sent me. So I did some research on possible recipes, especially for Angron’s armour. And while I initially thought about merely copying GW’s “official” Custodes colour scheme, I eventually decided on something more bronze and brass than gold, because it just seemed more appropriate for the character (and visibly distanced him from the Emperor’s closest servants who all wear gold). In the end, I discovered ApatheticFish’s painting tutorial and followed it to the best of my ability, and it really clicked for me!

So here are a couple of pictures illustrating the painting process:

First up, Angron with his armour mostly painted, but without his pauldrons:

This picture is interesting because it shows how wonky the model seems without the shoulder pad. It also reveals  the ugly truth of what I had to do to make everything fit together — I am just glad that the pauldrons neatly covered the whole mess up when they were back in place:

In order to add some structural stability to the whole assembly, I painted the base next (then attached the model to it):

Alas poor Hjortulf, we barely knew ye… (trying my hand at the Space Wolves’ Heresy era colours was kinda fun, though!)

So here’s the model with the cape and some detail work left to sort out:

And while the model’s back would end up being almost completely covered by the cape, I did of course completely paint it. Here’s a photo serving as proof that I didn’t skimp on my homework:

So just one final push, and the model would be finished! Fortunately enough, I had a scheduled painting session together with my good friend Annie coming up anyway, so I used this as the perfect opportunity to add a lot of small tweaks and finishing touches and complete Angron’s cape.

And so let’s look at the finished model. Keep in mind that this was the piece of artwork that inspired the conversion in the first place. A fantastic piece by the late, great Wayne England:

Angron by Wayne England

Incidentally, I only found this zoomed-out, higher quality version of the picture when the conversion had already been finished: So there are skulls in that tangle of gore in Angron’s fist — who woulda thunk, huh? 😉

Anyway, without any further ado, here’s the XII Primarch:


The Conqueror, Primarch of the XII Legion

„I am loyal, the same as you. I am told to bathe my Legion in the blood of innocents and sinners alike, and I do it, because it’s all that’s left for me in this life. I do these things, and I enjoy them, not because we are moral, or right – or loving souls seeking to enlighten a dark universe – but because all I feel are the Butcher’s Nails hammered into my brain. I serve because of this ‚mutilation‘. Without it? Well, perhaps I might be a more moral man, like you claim to be. A virtuos man, eh? Perhaps I might ascend the steps of our father’s palace and take the slaving bastard’s head.“

The Primarch Angron to his brother, Leman Russ
from Aaron-Dembski-Bowden’s Betrayer

Okay, guys: Now I do realise that I might have a tendency to be a bit too much in love with my own work, but I have to admit that I am really, really happy with this model! Are there things I could have done better? You bet! The fur on the cape is probably not as good as it could have been. Using a flesh shade for the shadows on the armour didn’t work out quite as well as I had hoped.

But all in all, he really reads as a believable version of Angron to me, and that makes me very happy, indeed! I am also rather pleased with the way his armour has turned out, and if I have one actual regret right now, it’s that the metal looks a bit too flat and monochromatic in the photos, because it works so well in real life — seriously, this guy sparkles from a couple of feet away 😉 I shall endeavour to take some better pictures that actually show off the armour a bit better.

For now, another detail shot at how the Butcher’s Nails, the armour and the partially sculpted cape come together:

And what makes this even sweeter is that the completion of Angron also marks the completion of my vow for the aforementioned “Loyalty and Treachery III” event. I have managed to complete four models I am really pleased with and really nailed down the look I want for my 30k World Eaters:

In addition to Angron, find my detailed thoughts on the rest of the models in the following posts:

And when looking at the bigger picture, I have also come one step closer to completing my fourth (and likely final) incarnation of the XII Primarch. Here are my two converted, Slaughterpriest-based versions of Angron:

So this means two down, one to go:

And finally, Angron among his sons (the meagre extents of my 30k collection so far):

I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

Lord of the XII Legion – A Triptych, pt. 6

Posted in 30k, Conversions, Fluff, WIP, World Eaters with tags , , , , , , , , , , , , , , , , , on March 8, 2017 by krautscientist

Wait, what? We’re back to this guy again?

Indeed, another post focused on the XIIth Primarch, Angron Thal’Kr, The Conqueror, The Red Angel. So what’s up today?

You all know that building different versions of Angron was a pretty big part of my 2016 hobby life: I built and painted a version of Angron in his daemonic form, something I wouldn’t even have thought myself capable of a few years ago:

But I also went back to Angron’s past, converting a version of him inspired by this piece of artwork, probably showing the Primarch during his pitfighting days on Nuceria:

Butcher's Nails cover artwork
It turned out that one of the AoS Slaughterpriests of Khorne makes for a pretty convincing Angron, with a couple of tweaks:

So there was only one last planned model: The “official” Forgeworld Angron very kindly sent to me by Adam Wier. So just get that one painted and we’re done, eh?

Yes, well. It all ended up being a bit more complicated than that…

Here’s what happened: When White Dwarf was relaunched as a monthly magazine, the first issue came with a free Slaughterpriest — incidentally, the design I hadn’t used for my Angron conversion. And at the same time, I had also picked up the same version a bit earlier, when my beloved FLGS went under (still sore, you know).

So I ended up with a spare Slaughterpriest. And I started thinking. What if I were to build…just one more…?!

So yeah 😉

In order to come up with a model that wouldn’t just be a retread of the versions I already had, I thought it would be fun to base this next Angron on the pre-Forgeworld era artwork, such as the iconic illustration of Angron created by the late, great Wayne England for the Horus Heres Trading Card Game:

Angron by Wayne England

And, of course, on the similarly iconic illustration by John Blanche:

Angron by John Blanche

In the era before Angron actually had a dedicated Forgeworld model, there were a couple of elements that appeared in almost every piece of artwork. Most of these were later incorporated into Simon Egan’s model, but some fell by the wayside. Such as the two-handed axe with the ornamental wing and the three spikes crowing Angron’s collar. And of course there’s a certain, stylised and angular charm to Wayne England’s piece of artwork above that would be fun to reproduce.

So I started messing around with a couple of bitz, and I’ve actually already shown you the first attempt at this new model a while ago:

But while this guy already looked pretty cool, he didn’t actually read as Angron all that much — at least not in a way that moved beyond what was already present on the other versions in my possession. And since the model just didn’t come together for one reason or another, I just set him aside for a while.

Until I found myself playing around with some of the new plastic Custodian bitz last week, and suddenly it seemed like I might have the solution on my hands! So after some rigurous cutting, here’s what I ended up with:

Whoa, much better, wouldn’t you agree? Replacing the entire torso with that of a Custodian might seem like a rather radical approach, but it instantly moved the model a lot closer to the artwork that inspired it! And I was able to keep the versions of the previous version that already worked well enough — such as the arms and legs. And, of course, that brilliantly sculpted Slaughterpriest face (that just happens to instantly turn into Angron as soon as you add some cabling).

However, I wasn’t quite there yet: The Khorne icon on Angron’s belt buckle needed to be replaced, for fairly obvious reasons, and I also made some minor tweaks to the pose. Which led to this:

A Custodian tasset served as a pretty good replacement for the Khorne symbol and also recalled the aquila symbol appearing in the aertwork.

Almost there! I did feel the model needed a bit more presence at this point to really read as a Primarch, though. And the collar around Angron’s head wasn’t quite as prominent as in the artwork — it just turned out that fitting all that cabling in there made the entire ensemble a bit less striking than I had hoped:

Good thing, then, that the next addition was really a bit of a happy accident: I always knew that he’d be getting some kind of cape, so I fooled around with a couple of different options. And the solution arrived from the unlikeliest of places, i.e. the cape that comes with the Chaos Terminator Lord kit. With a bit of cutting and fitting, it ended up working very well, plus the cape also gave me the chance of incorporating those three spikes that are another staple of Angron in the classic artwork:

The cape also adds the right sense of bulk: I already liked the model well enough before, but it now has the massive, overmuscled look that sells it as a Primarch, if you ask me. Granted, some fine tuning may yet be in order, but I think I’m on the right track!

Time for a comparison with the other versions of (pre-ascension) Angron in my collection:

Regarding the size of the model, it must be noted that FW’s Angron is still quite a bit taller — he only doesn’t look like it because he’s posed at a very low crouch. But even so, I think the three of them look fairly good together.

So I only made one last addition to the model. Here’s what the latest version of Angron looks like right now:

I’ve added two leather straps to either side of Angron’s chest, in order to add an element resembling the straps appearing in Wayne England’s illustration. They also happen to camouflage the slightly hokey joints where the arms meet the torso. And, once again, they add some more oomph to the model and its stature.

The model is pretty much finished at this point, except for a finishing touch or two: I want Angron to be holding the same tangle of viscera he has in the artwork in his open left hand. And there needs to be something underneath the Primarch’s right foot. Incidentally, this also ties into the question of where my newest version of the XIIth Primarch fits into the timeline:

I see this version of Angron as a depiction of him about halfway through the Great Crusade, shortly before or during the event known as The Night of the Wolf (an event where the XII and VI Legions actually came to blows over Angron’s order of outfitting his legion with the Butcher’s Nails, thereby turning the legionaries into bloodthirsty madmen): There’s a throwaway line in Aaron Dembski-Bowden’s Betrayer about the first and greatest of Angron’s two-handed axes, Widowmaker, being broken and discarded at the end of that battle, so it would be fun to imagine my new version of Angron in that context.

Which is why there’ll probably be a suitably mangled Space Wolf underneath his foot — at least the XIII Legion is off the hook, for once… 😉

One last interesting detail about the model is how the shoulder pads (from MaxMini, I believe) were originally used as a mere stopgap solution, but I really rather like the way they look: They have a certain gladiatorial flair, plus the pteryges on the sides basically perfectly match the ones in the Wayne England illustration. And what’s more: Through sheeer coincidence (or maybe through intervention from the powers of the warp, who knows…) all three converted version of Angron I have built so far have ended up with shoulder pads that were originally sent to me by Augustus b’Raass as part of a bitz drop — that in itself would be enough reason to stick with those shoulder pads, wouldn’t you agree?


Anyway, I am pretty happy that the model has finally come together like that! And just when I thought I finally had all the Angrons I needed, I stumble upon this little gem the other day and almost find myself reaching for my AoS starter box sprues…damn!

Anyway, I would love to hear your feedback! And, as always, thanks for looking and stay tuned for more!

Lord of the XII Legion – A Triptych, pt. 5

Posted in Conversions, Fluff, paintjob, WIP, World Eaters with tags , , , , , , , , , , , , , , , , , , on September 20, 2016 by krautscientist

And so, after a short interlude, we are actually back to Angron: Today I actually intend to deliver on the “Triptych” part of this mini-series, as I show you my completed conversion of Angron in full-on gladiator mode, based on one of the plastic Slaughterpriest models. I already showed you the conversion in the very fist post of this series:

Angron WIP (23)

Interestingly enough, the other version of the Slaughterpriest – the one that was recently included as a pretty awesome giveaway with the first issue of the new White Dwarf – seems to be more more popular at the moment, and it would make for a pretty cool base model for an Angron conversion as well — but the original Slaughterpriest has that wonderfully angry face which made me think of Angron in the first place 😉

As a matter of fact, when I fist discussed this conversion, I completely forgot to mention another model that had been a huge inspiration for this project: PDH’s brilliantly disturbing “Pursser-Sin”, a true scale Emperor’s Children Marine he built for his excellent Slaneeshi INQ28 warband:

Pursser-Sin by PDH

Pursser-Sin by PDH

Peter just has an excellent eye for original conversions, and this one really made me consider using the Slaughterpriest as a Primarch model for the first time — of course there’s also the fact that his turning a Khornate model into a Slaneeshi dog is the biggest possible heresy, so I hope my Angron conversion balances this out a bit… 😉

But anyway, I was really itching to get my plastic Angron painted, so I jumped right in: The first step was to block out all the different basecoat colours:

I decided to use the same recipe for bronze armour between this model and my Daemon-Primarch version of Angron, to create a bit of visual continuity between both models, so I used the exact same steps to paint the various parts of the armour.

The skin recipe is based on Rakarth Flesh as a basecoat — as are all my recipes for human skin. Since the model represents Angron in fairly healthy shape, however, I decided to make his skin look a bit healthier than the tone I usually use on my chaotic models. So I tweaked the recipe a bit, using the following steps:

  • GW Rakarth Flesh was used for the basecoat.
  • the entire skin area was then washed liberally with GW Ogryn Flesh (I loaded up on that wash while it was still available, although I imagine GW Reikland Fleshshade would have worked just as well).
  • the skin was then given a thin coat of GW Cadian Fleshtone for a slightly healthier look

At this point I already had a reasonably convincing flesh tone. However, I went one step further and used a mix of GW Carroburg Crimson and GW Druchii Violet to create shadows and distressed looking skin in select areas, especially around Angron’s cranial implants, around the metallic spine and on his “Triumph Rope” chest scar, giving these areas some extra pop.

Here’s the model with most of the paintjob already in place:

I was definitely getting somewhere, but I wasn’t perfectly happy yet. So I decided to set the model aside for a moment and work on the base instead for a change of pace.

Since the model is supposed to represent Angron either uring his days as a gladiator on his “homeworld” Nuceria or during a sparring match in the Conqueror’s fighting pits, I really wanted the base to have the texture of a sany arena floor. In order to get the texture just right, I decided to try something new and picked up a pot of Vallejo’s Sandy Paste:

Going for a completely unfamiliar tool like this was a bit of a gamble, of course, but fortunately enough, the paste was extremely easy to work with: After getting an idea of what I was up against from this helpful YouTube tutorial, I was able to add it to the base and create the right texture using an old hobby knife. I also decided to add two discarded pieces of gladiatorial equipment half-buried in the sand. A shield from the WFB Vampire Counts Skeletons and a gladiator helmet from MaxMini that Augustus b’Raass had sent me a while ago provided the perfect pieces for the look I wanted. A part of the helmet was carefully shaved off to create a half-buried look. Both bitz were pressed into the still soft paste. Here’s what the base looked like after this step:

I also carefully pressed the model into the paste while everything was still drying, in order to create believable indentations in the sand around his left foot and the pile of skulls his right foot is resting on. Then the base was painted and the mostly finished model was glued to it before I tackled the finishing touches.

To be perfectly honest, there was a stretch during the painting where I wasn’t quite sure whether or not everything was really coming together. In the end, however, a couple of factors really pulled the various parts of the paintjob together:

  • I added some rather subtle blood spatter to Angron’s axes, his armour and to his chest and legs, making it look as though he had just messily vanquished a foe (or ten…). This really added that extra bit of realism to the model that I needed.
  • Once Angron had been glued to the base, his feet and the bottom of his loincloth were carefully drybrushed with the same sandy colour I had used for the base, and once again, this added some realism to the model and made it look more grounded.
  • And finally, the model really started looking like Angron once the trademark facial tattoos were in place: I even painted the markings around his eyes, even though I had been slightly nervous about that area beforehand.

So without further ado, here’s the second part of my Triptych about the Lord of the XII Legion:


Angron Thal’Kr, Lord of the Red Sands

“Come and die, dogs of Desh’ea! I am Angron of the pits, born in blood, raised in the dark, and I will die free!
Come, watch me fight one last time! Is that not what you want? Is that not what you always wanted?
Come closer, you dog-blooded cowards!”

Aaron Dembski-Bowden, Betrayer

Like I said on my previous post on the matter, the metallic spine doesn’t appear in the official fluff, of course, but is rather a feature of the Slaughterpriest model. But I really liked the disturbingly crude nature of it and thought it would perfectly match the brutally invasive style of the cranial implants Angron had received on Nuceria, so I decided to keep it. The same element also appears on my Daemon-Primarch version of Angron. Oh, and I made sure to make the skin on either side look suitably bruised and inflamed…

All in all, I am really vey happy with the finished model, and I do think the guy really reads as Angron now! To wit, here’s another look at that cover artwork of “Butcher’s Nails” that served as an important piece for reference during the painting process:

Butcher's Nails cover artwork
And here’s a closer look at the model’s face, an area that I am pretty happy with:

To allow you to accurately gauge the model’s bulk and size, here are some comparison pictures showing Angron next to…

…one of his power-armoured sons:

Forgeworld’s official Angron model, the still-to-be-painted third and final part of my Triptych 😉


…and finally, the three 30k World Eaters I have managed to paint so far:

So yeah, I am pretty happy with how the second part of this project has turned out! Two down, one to go — well, one and a half, really, because there’s also the rest of Daemon-Primarch Angron’s base left to finish, of course…

Before I wind up this post, allow me to point you in the direction of two related projects from fellow hobbyists. In both cases, I only discovered these models while I was already working on my own, but they are still fantastic alternate interpretations of the same character and archetype — and both happen to be based on the same Slaughterpriest model as well!

First up, there’s Calle’s Angron, a version that is pretty similar in approach to my own, but even more visceral:

Angron conversion by Calle

Angron conversion by Calle

Calle shared his model in the comments to one of my previous posts, but since I really love his take on Angron, I felt it definitely deserved a proper shout out!

And then there’s Reg, whose Daemon-Primarch Angron was instrumental for my own version. Now wouldn’t you know it, he seems to be at least one step ahead of me yet again, building not only another fantastic rendition of the big man himself, but also an entire gang of Angron’s Nucerian gladiator buddies as well. Nuts!

Angron and his gladiators by Reg

Angron and his gladiators by Reg

These are just incredible — I can’t even…
Now if Reg would pnly answer to the PM I wrote to him on Dakka…
Anyway, I am a huge, huge fan of these!

And so another post on the Lord of the XII Legion comes to a close. In closing, I have one final image to share with you, an impression of how Angron might have looked in the arena of Desh’ea. It goes without saying that I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!