Archive for INQ28

The State of the Hunt, Week 29/2018: Hot weather and heavy armour

Posted in 40k, Blood Bowl, Conversions, Inq28, Inquisitor, Orcs & Goblins, state of the hunt, Totally worth it, WIP with tags , , , , , , , , , , , , , , , , , , , , , , on July 16, 2018 by krautscientist

A bit of a transitional post for today, as I don’t have any completed models to share with you at the moment — that’s what I get for touting my own productivity in my previous post, I suppose ๐Ÿ˜‰

But anyway, both the warm weather and various other distractions have kept me from painting anything lately. That doesn’t mean I haven’t been doing any hobby-related work, though: At least I have some WIP impressions to share with you! ๐Ÿ™‚

I. The Long Watch:

So far, my Primaris-based true scale Deathwatch killteam numbers four completed members, as you will probably remember:

Thanks to several bitz drops, I have been able to start work on the next two members of the team. First up, I wanted to include a Watch-Brother from the Castigators, a fourteenth founding Ultramarines successor, and Commissar Molotov’s own DIY chapter — given Mol’s role as the doyen of the INQ28 movement, I felt this would be a nice little shout out to him ๐Ÿ˜‰

So far, my Deathwatch conversions have been an attempt to convey the character of the Marines’ respective chapters through the actual conversion, and I did have a rather nifty idea for the Castigator, if I do say so myself: Seeing how the chapter icon prominently features a hand holding a whip, and given the fact that the Deathwatch seem to be all about crazy weapons nowadays, I thought it would be cool to get a little creative with the model’s equipment ๐Ÿ˜‰

Take a look:

The model is based on one of the Primaris Lieutenants from the Dark Imperium boxed set that I was able to snap up on ebay — the pose was quite perfect for what I had in mind, and it was really easy to replace the model’s power sword with the whip from the Necromunda Escher sprue — it’s a good thing we actually get two of those whips in the Necromunda boxed set ๐Ÿ˜‰

I wasn’t quite sure at first whether or not the whip look would work, but I do think the Marine wears it rather well: The bigger scale makes the weapon look a bit more plausible, and the model’s dynamic stance definitely matches the weapon.

Apart from the weapon swap, I only really added a bit of additional gear to the model’s belt and swapped in a Deathwatch backpack and shoulder pad (replacing the stock shoulder pad did take a bit of careful sawing, though, as the pauldron and arm were one bit). I also really wanted to have one member of the squad wear an Mk. VII helmet, for that classic mid-to-late 90s Space Marine look, and I still had a vintage metal Deathwatch head in my bitzbox, so that seemed like the perfect option to go with.

Commissar Molotov also kindly offered to send over a custom Castigators shoulder pad, although I am pretty much committed to freehanding the chapter icon onto the right pauldron — how much harder than an actual lion head can it possibly be, right? Plus it would save me the hassle of having to saw through another Space Marine arm ๐Ÿ˜‰ I would really like Molotov to name this fellow, though!

That’s not all, though: Thanks to a supply drop from fellow hobbyist Augustus b’Raass, I received yet another Primaris Marine, which allowed me to start yet another Watch-Brother, a Lamenter this time around. It felt like my kill team still needed someone with a massive gun, so I decided that the role would fall to the Lamenter. After doing a bit of research on the matter, I bought the model for Rodricus Grytt (from Kill Team Cassius), because it would give me both the weapon, backpack and Deathwatch shoulder pad I needed in one go.

So the biggest part of the conversion was to make Rodricus’ arms fit the Primaris body — something that actually turned out to be surprisingly easy, with just a bit of tweaking:

I did have to carefully cut off the right upper arm from both the “donor” model and the Primaris Marine, though, in order to make it all work together — I only really had to do this because I wanted to be able to replace the stock Primaris shoulder pad, however.

Regarding the details, I chose some bitz with teardrop symbols to match the Lamenters’ inconography. As for the helmet, I have a funny story to go with that one: Having tried, half a dozen times, and unsuccessfully, no less, to sell Commissar Molotov on this particular helmet for his true scale Lamenters Watch-Brother, I realised that the only way I was going to ever see this helmet used in that capacity was to build my own Lamenter — so here we are ๐Ÿ˜‰

In order to add to the bulky look created by the helmet and massive weapon, I also added some additional armour plates to the model’s hip, although they are not all that visible in the above picture — trust me, though: They are there ๐Ÿ˜‰

As for the pose, I would have preferred something a little more grounded and stable, but I only had the one Primaris Marine to work with, so I did the best I could. Given his pose, the Marine obviously isn’t in the process of firing his weapon, but rather seems to be lugging it from point a to point b. So what do you guys think: Does he work better looking straight ahead like this:

Or looking off to the side, like this:

I also tried having him look towards the barrel of his gun, but the model ended up looking very unbalanced that way, plus it would also obscure a lot of the detail on the faceplate. Anyway, would love to hear your feedback on this!

In any case, many thanks to Augustus b’Raass, of course, for sending over the model for the conversion! Cheers, buddy! ๐Ÿ™‚


II. Golden Girl

Ever since the recent release of Age of Sigmar’s 2nd edition’s starter box and the accompanying models, everyone and their mother have been going crazy over the new Nighthaunt models (and some hobbyists, like the ever-inspirational Jeff Vader, are already having a field day with the, admittedly very nice, skeleton-ghost thingies).

However, nobody’s been talking about what must be the entire release’s single coolest model: The female Stormcast Eternal coming with the Easy To Build Easy To Build Stormcast Sequitors:

Seriously, I love this model! It’s almost perfect, really: The pose, the very cool face, the clean lines. I don’t care much for the weird mace head, but that’s Stormcast Eternal weapon design for you. Anyway, I knew right off the bat that I wanted to turn this lady into an Inquisitrix — my first Inquisitrix, actually, something I have wanted to do for a long time, ever since seeing PDH’s brilliant take on Naeve Blacktalon.

So here’s what I have so far:


Like I said, I really love this model, which is why I have decided to keep the conversion fairly subtle for now: I merely replaced that weird He-Man-style weapon with something a little more 40k (a thunder hammer from the plastic Mk. III Marines with an eagle head from the Imperial Knight Questor) added a holstered pistol at the hip and an Inquisitorial rosette and replaced the design on the shield with an Ordo Malleus-style heraldic device (quite a bit of work, that last one):

I am actually a bit reluctant to add too many more gubbins to her: Much of the model’s coolness comes from its very clean lines, mostly created by juxtaposition of the static pose and the flowing robes, and I don’t want to ruin that by overcluttering her. A bit of extra gear on her belt, maybe, but don’t expect me to go crazy on the grimdark bitz. In the end, I am pretty confident she’ll look perfectly at home in the middle of an Inquisitorial warband.

If there is one problem with the model, it’s that this girl is tall — almost freakishly so, and even moreso when using the elevated base the model actually came with — a veritable plinth, that one. She is just as tall as a Primaris Marine, and that’s not counting the base.

So the first thing I did was to drop the base and go with something a bit less vertical — the very cool readymade base that came with the Primaris Marine Augustus send me seems like an excellent standin for now. As for her actual height, I guess I’ll be able to get away with it because she’s an Inquisitrix: The Inquisition definitely has the kind of crazy tech at its disposal that could allow for all kinds of body augmentation. It would arguably be more of a problem if I wanted to turn her into, say, a Sister of Battle, for instance.


III. This is going to sting a little…

There’s also another addition to my Blood Bowl team, as my friend Annie gave me a very cool model for my birthday. This delightful little Kromlech goblin nurse, who will be the Orkheim Ultraz’ medic from now on:

Expect to see this little guy painted sooner rather than later! And a heartfelt thank you to Annie for – another – lovely contribution to my team! ๐Ÿ™‚


IV. In closing…

Before I wind up this post, I want to elaborate about one of the aforementioned distractions that have kept me from painting. Some long time readers may remember that I am a bit of a video game fiend, so it’s probably not too surprising to learn that one thing keeping me from painting at the moment is…a video game:

I have been slightly addicted to playing Hollow Knight for the last couple of days, and I only really bring this up because I am fairly confident that quite a few readers of this blog might enjoy the game just as much as I do: It’s a 2017 indie action adventure that has been receiving quite a bit of hype recently, after being released for the Nintendo Switch. I bought the PC version last weekend and have been unable to tear myself away from it ever since. For those of you a bit familiar with videogames, it’s as though Dark Souls had been reimagined as a sidescrolling Metroidvania…with bugs (the animals, mind you, not the technical gaffes). It’s highly addictive, incredibly atmospheric, and also very cute and very creepy at the same time. If that sounds like it might be your thing, check out the game here.


So yeah, that’s it for today! Let’s hope I’ll be able to get something finished again before long — I’ll definitely keep you guys posted! ๐Ÿ˜‰

Until then, please feel free to let me know what you think about these WIPs! And, as always, thanks for looking and stay tuned for more!


2018 Round-Up: The first six months

Posted in 30k, 40k, Chaos, Conversions, Inq28, Inquisitor, Orcs & Goblins, paintjob, Pointless ramblings, state of the hunt, World Eaters with tags , , , , , , , , , , , , , , , on July 2, 2018 by krautscientist

Hey everyone, a bit of a retrospective for today, as it was my birthday last week, and we also already have the first half of 2018 behind us — what better occasion to take a look the first half of my hobby year, right?

When talking about personal hobby output, I am actually really happy with 2018 so far! Some of you may remember that my entire output for 2017 consisted of these twelve models:

And while I still like each and every one of those models, twelve wasn’t exactly a number to be proud of, so I really wanted to finish more stuff this year. And by the look of it, this at least seems to have worked. Take a look at the models I have managed to finish over the first half of 2018:

That’s over thirty painted models — and quite a bit less unpainted plastic. I have to admit I am a bit proud of myself ๐Ÿ˜‰

Special focus was given to making a dent in my – rather substantial – backlog of unpainted INQ28 models: I’ve been converting warband after warband for years now, so it was finally time to actually get some of them painted. So here’s what I have to show for my troubles:

First up, Inquisitor Arslan’s Ordo Hereticus warband:

This retinue took shape over several years, with some classic metal models finding their way into Arslan’s service. I am pretty happy that the team still managed to come together into a coherent – and very quintessentially Ordo Hereticus – collection.

Still motivated from my breakthrough with Arslan’s little band of misfits, I pushed onwards and (mostly) finished yet another Inquisitorial retinue: Redactor Orlant’s Ordo Scriptorum warband:

This project is particularly dear to me, both because it features my spin on fellow hobbyist PDH’s concept of the Ordo Scriptorum and because it features several homages and shout outs: Redactor Orlant himself, his astropath and the Bureacultist accompanying the warband were all directly inspired by pieces of artwork from the late Wayne England. Orlant’s interrogator is actually a shout out to PDH’s own Inquisitor Inson (it’s the same guy during his younger years). And I also snuck in a pretty blatant shout out to a pretty well-known literary character from fairly recent pop culture.


After a predominantly red and a predominantly blue warband, I next turned mit attention to a …predominantly yellow gang of models — weird how this strange colour dynamic only became obvious to me in hindsight…

Anyway, I also completed some models for my Road Crew, a relatively long-running project at this point, and basically managed to complete the warband — at least for now:

I’ve been a big fan of Dreadnought-sized models for a good long while now, so it was clear that I would also have to paint some new killer robots ๐Ÿ˜‰ One is the scrap-robot Worker #9 you can see in the picture above, the other was a second Contemptor for my 30k World Eaters:

Both happen to use the same head — an OOP World Eaters Dreadnought head given to me by Augustus b’Raass when I visited him in Amsterdam last summer.

And the most recent warband I have been working on: Truescale Deathwatch Killteam based on Primaris Marines:

This is one of those projects that…just happened somehow, when the original plan was simply to build and paint one archetypal, 2nd edition influenced Space Marine. As you can see, four members have been finished so far, the bitz for a fifth member are currently on their way to me (at least that’s what I hope), and there could be two more members after that.

Apart from that, I also had a bit of fun with two slightly more humorous projects that served as shout outs to popular nerd culture — like my repaint of an old 80s Boba Fett action figure:

And my recent Primaris-based conversion of Solid Snake, one of the protagonists of the Metal Gear series:

And I am also really happy to have completed a couple of female characters for my INQ28 collection:

Granted, I’ll admit that these mostly fall into a similar design mold (on account of being mostly based on Dark Eldar Wyches), but at least it’s a start, right? ๐Ÿ˜‰

So, as you can see, it has been a pretty successful hobby (half-)year so far. In additon to the finished models, I have also managed to learn a couple of new techniques, such as…

  • using a pigment liner to create some very fine detail (cheers again to Jeff Vader for providing the idea!)
  • painting black armour — well, or at least: cheating my way to something that actually looks like properly painted black armour
  • freehanding a chapter icon
  • creating my own model snow and applying it to a base (for which Ron Saikowski’s post over here was, once again, invaluable)
  • using non-caucasian skin tones

To give credit where credit is due, however, all that productivity didn’t just happen, but there were two circumstances, in particular, that have lit a fire under me, painting-wise: There are Azazazel’s frequent hobby challenges that have been a lot of fun to participate in — plus they also provide a lovely view at an entire community of hobbyists giving the respective challenges a go. The fact that Azazel himself is a highly prolific and very talented hobbyist does help, of course ๐Ÿ˜‰

And I also have to give a shout out to my friend Annie: Our shared hobby sessions have become a fixture that keeps me painting and forces me to actually finish some stuff — while Annie herself is beavering away on spectacular, often Blood Bowl-related projects, like her Flying Dwarfsmen here:

Speaking of Blood Bowl, I won’t leave you today without sharing something new, however: Annie recently gave me some of the Ork balls from the new version of Blood Bowl. Now my own Ork team was cobbled together using bitz and bobs from old plastic WFB Orcs, so I didn’t really have any Blood Bowl balls, which is why I was very happy about this small gift. It also features what must be the best ball design of all times, but we’ll be getting to that in a minute. First, let’s take a look at the painted balls:

Now the two leather balls on the left are pretty standard fare, obviously, but that ball-squig just has to be one of my favourite models of all time. I decided to go for an archetypal squig-red instead of the more leathery official paintjob, and I am just in love with this little guy:

Whoever sculpted this delightful little creature, bless their heart, even made sure the squig was…erm…anatomically correct:

But seriously, isn’t that the best facial expression you have ever seen?

So here’s my team, the Orkheim Ultraz, with their brand new sports gear:

I still have a couple of unpainted team members sitting on my desk, so maybe this will be one of my next projects? After red, blue and yellow groups of models, respectively, green seems like the logical choice ๐Ÿ˜‰

In fact, there’s more I would still like to paint this year, of course:

My Renegade Knight Armiger, for one:

I am still incredibly pleased with this conversion, and since I have pledged it for the yearly ETL event over at The Bolter & Chainsword, this will become my big hobby project for July — at least that’s what I hope. Keep your fingers crossed for me! ๐Ÿ™‚

And while I will definitely need to give more attention to my 30k World Eaters again later this year, the one part of that collection I would really love to see finished this year are my converted versions of Argel Tal, both in human and daemonic form:

And while we are on the matter of wishes, I would really like to see more comments and interaction — here, but also on other blogs. In that respect, it feels like social media platforms have really done quite a number both on hobby forums and on individual blogs, with so many readers these days content to just fly by and leave a Like, if even that. Now don’t get me wrong, I do appreciate each and every reader and each and every Like, but what keeps little places like this going is to actually hear suggestions, questions or words of encouragements from their readers.

So please feel free to let me know what you think about my hobby output for 2018 so far! I would love to read your comment! And, as always, thanks for looking and stay tuned for more! ๐Ÿ™‚

There’s no ‘I’ in ‘Killteam’ — oh wait, there is!

Posted in 40k, Conversions, Inq28, Inquisitor, paintjob, WIP with tags , , , , , , , , , , , , , , , , , , , , , , on June 11, 2018 by krautscientist

For this week’s update, let’s return to the wonderful world of true scale Astartes for a bit: While I am not exactly a fan of how their lore seems to have been wedged sideways into the 40k background, there’s little doubt that the release of the Primaris Space Marines has provided us with an excellent way of building decently proportioned true scale models for INQ28 without having to spend ages on getting the basic build right. For instance, I had lots of fun building and painting the most archetypal, 2nd edition-style Space Marine I could come up with a while ago, Brother Arcturus Diomedes of the Ultramarines:

Back when the Primaris Marines were released, I picked up the box with three “Easy To Build” Primaris with the plan of eventually turning them into more Deatwatch Marines and end up with small a true scale killteam for my INQ28 collection — even if an entire squad of Astartes would be complete overkill in an actual game. The project just seemed too interesting to get hung up on the practicalities — well, that and true scale Deathwatch Marines have been a bit of a hobby horse for Commissar Molotov, one of the godfathers of INQ28, so working on my own killteam would also be a nice tribute to his own work.

However, progress with the actual assembly of the killteam’s members turned out to be slower than expected for two particular reasons: One, it did take quite some time for me to choose which chapters to go with for the members of the squad. In theory, their chapter identity is only really shown on their left shoulder pad, admittedly, but I really wanted to include various callbacks to their chapter of origin on the rest of the models as well. And while it felt tempting to just go with all the classic First Founding chapters, it would also have been a bit lazy — there are 1,000 chapters in the galaxy, after all. How likely would it be, then, that any given killteam should only feature members from the original Space Marine legions/chapters?

The other difficulty came in the form of the seriously weird poses on some of the snapfit Primaris — I only have myself to blame for that, however, as I could simply have purchased the “proper” multi-part kit.

Anyway, the first additional member for the killteam was converted fairly quickly last year: A Watch-Brother hailing the Iron Hands (and possibly the Killteam’s squad leader):

We’ll be seeing this guy again in a little bit…

And then the rest of the team just somehow refused to come together for the aforementioned reasons — until I had an idea recently: How about going with a Crimson Fist as one of the next members? And how about building him as an homage to this particular piece of artwork by Karl Kopinski:

Artwork by Karl Kopinski

Building models to resemble artwork has become a bit of a sub-hobby of mine lately, and so the task quickly drew me in. And I made this guy:

Granted, I had to simplify some parts of the illustration – mostly due to the fact that, funnily enough, even the Primaris’ bigger scale does not allow for all the detail present in the art – and I also made some minor adaptations, allowing for the fact that my version is intended as a member of the Deatwatch, but I am pretty happy with the kitbash — if nothing else, it definitely does mitigate the stock model’s super weird pose.

The conversion is also a bit of a lesson in thriftiness, as the model uses leftover parts from a plastic chaplain Cassius I picked up a while ago to build a (30k) Word Bearers chaplain. That project left me with Cassius’ left arm and right (Deathwatch) shoulder pad, and ultimately both the shoulder pad and his left hand (complete with snazzy Deathwatch bolt pistol) were grafted onto my Crimson Fist.

I also didn’t have any proper Deathwatch backpacks left, so I had to kitbash one using a regular Space Marine backpack, a sensor array from a Terminator torso front and some small aerials painstakingly shaved off a Space Marines auspex.

So that left me with three members for the killteam, at least:

And I was also really in love with the Crimson Fist conversion, so I decided to paint him right away.

One thing that I decided fairly early during the painting process was that I wanted to use a different skin tone this time around, due to the fact that the Crimson Fists seem to have a distinct Latin American/Hispanic element in their background. So I decided to forego my usual recipe for baseline (caucasian) Astartes skin and go for something slightly different. And in a flight of fancy, I decided to use some very old GW Bronzed Flesh paint that must be more than 20 years old at this point:

And it still worked just fine, too! Most importantly, though, it made for a slightly different skin tone, which seemed like a good way to introduce some much needed ethnic diversity and also underline the fact that all members of the killteam hail from different chapters and, by extension, different planets as well.

As you can see, my Staedtler pigment liner really came in handy once again, and I really went to town on all the little pieces of parchment ๐Ÿ˜‰ The bottles of Microsol and Microset I picked up in Amsterdam last year, also ended up being supremely helpful when it came to making that Crimson Fists decal conform to the shoulder pad’s curved surface.

As for the armour, I followed the same approach I had developed for Brother Diomedes: Cover up any sub-par edge highlighting with sponged-on scratches and damage — fortunately enough, the resulting look really fits the Deathwatch rather nicely, if I do say so myself ๐Ÿ˜‰

So after another round of fine tuning, and after completing the base, the killteam’s next member was finished:



Vargo Diaz
Brother of the Deathwatch
Crimson Fists Astartes Chapter

As you can see, he does have one …erm crimson fist, at least.ย  I did consider painting the power fist red as well, but then the arm would have ended up being predominantly not-silver, when a silver arm is such an integral part of the Deathwatch livery, so limited the use of red to the right hand.

There’s also another little element I wanted to include: In the original Inquisitor rulebook, the 54mm model for Brother Artemis (basically the forefather to all Deathwatch Marines) had those little rectangles on his bolter designed as displays/buttons for the different kinds of ammunition stored in the weapon:

so I thought it might be fun to include this in a bit of a shout out to the classic model and its paintjob. So I put some Roman numerals on the panels: The right side side has ‘I’ and ‘II’, as shown above, the other one has ‘III’ and ‘IV’:

When it came to basing Brother Diaz, I went for the same basic look I had already used on my first Deathwatch Marine. I included an ork skull this time around, however — I think it’s an entertaining little meta touch to feature an alien skull from the respective chapter’s nemesis Xenos race, so Tyranids for Ultramarines, Orks for Crimson Fists and a Necron head for the Iron Hand. Speaking of which…

There was still this guy:

And, still feeling motivated after my quick completion of Brother Diaz, I decided to paint him as well. After all, I am still very happy with the conversion, based on combining a snapfit Primaris with quite a few parts from Ennox Sorrlock, from Deathwatch:Overkill…

…as well as a new breastplate and left arm courtesy of the Kataphron Destroyers.

Anyway, I quickly got to work and dressed the Iron Hand in the same kind of scuffed black armour as his peers:

In this case, the paintjob also had the added benefit of tying together the various parts of the slightly more eclectic conversion.

According to the underlying basing theme, I also constructed a base, featuring a half-buried Necron skull and spine this time around:

Remembering the (brilliant) alternate history Dornian Heresy and the various more or less obvious parallels and connections between the Necrons and Iron Hands, I decided to mirror the blue glow I used on the Iron Hand in the eye of the Necron skull — it seemed like a nice tongue in cheek meta joke ๐Ÿ˜‰

The model’s arms and backpack were painted separately, for the most part — although I couldn’t really help myself, as usual, and had to glue everything together, even while the last few painting steps were still happening:

Putting the finishing touches on the model turned out to be quite a bit of fun, however, so I already have the (mostly) finished model to share with you:


Vorlik Ulrach
Brother of the Deathwatch
Iron Hands Astartes Chapter

I really like the model, and I think his armoured bulk works really well now that he’s been painted — both for an Iron Hand and for the leader of a Deathwatch killteam!

And there’s more, as I have already started assembling yet another possible member for the team, provisionally from the Celestial Lions, wearing a suit of Recon armour:

Yeah, I know: Technically speaking, the model is basically a Primaris Reiver. But after seeing a particularly nice Reiver-based Deathwatch Marine converted and painted by Jeff Vader, I realised that the stripped-down, sleeker armour matches the “Special Ops” look of the Deathwatch rather nicely — I also think it makes sense for the killteam to have a recon expert.

As for his chapter, I chose the Celestial Lions mostly because they have a bit of an African influence, and I had originally picked up that particular head for its decidedly non-caucasian feature — once again, in an attempt to make my collection of models a bit more ethnically diverse than your usual gang of bald, white Astartes. That being said, I realised too late that the Lions have a bit of a history with the Inquisition — oh well, I’ll find some kind of explanation for it, I am sure — in fact, fellow hobbyist Aramis K brilliantly suggested over at The Bolter & Chainsword that this member of the Celestial Lions might be a specialist for hunting down “Ork Snipers”… ๐Ÿ˜‰

Going forward, there are a few chapters I would definitely like to feature: Right now, I have plans for three more members for the killteam: A Carcharodon, a Lamenter and one of Commissar Molotov’s own Castigators, as an additional shout out ๐Ÿ˜‰

But that’s a story for a future post. For now, here’s what Killteam Ulrach looks like right now:

And seeing how I am actually working towards the completion of a squad here, I think these guys make for a fairly cool contribution to Azazel’s current “June-Unit” community challenge as well! ๐Ÿ˜‰

Once again, I would love to hear any thoughts you might have! And, as always, thanks for looking and stay tuned for more!

INQ28: On the Road Again…

Posted in 40k, Conversions, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , on June 4, 2018 by krautscientist

Yet more INQ28 this week — but with a dash of Necromunda for a change: As some of you might remember, my little gang of malcontents, mutants and pit slaves codenamed “The Road Crew” should really work well in both settings. And after all, there were still some models that finally needed to be finished, so I got to work.

You see, when I recently finished Worker #9, that was actually a case of the ragtag robot jumping the queue, when there were still a couple of Road Crew members that should have been painted first. These gentlemen:

My idea for the Road Crew was to use the classic Necromunda concepts of both Scavvies and Pit Slaves and build a gang that basically bridged the gap between both, while also channelling all kinds of postapocalyptic influences and sources — which is why you can see a lot of Mad Max, Fallout or even Borderlands in these characters. Of the three guys above, two weren’t even originally built as members of the Road Crew, but when I went through my cupboard of shame, they seemed like interesting enough additions to round out the gang. And now it was finally time to get them painted. So let’s take a look:


I. Chainsaw Mayhem

First up, the tried and true teen slasher concept of a masked villain with a chainsaw — a true classic, this one:

In fact, the original model started out as nothing more comlplicated than wanting to come up with some kind of insane minor villain to serve as a sort of miniboss in games of Necromunda or INQ28 — most of the inspiration for the character came from an old late 90s WD article on various pulpy monster and villain archetypes for use in Necromunda. I also drew some inspiration from a very cool Khornate cultist with a chainsaw built by morbรคck, if I remember correctly.

The conversion itself was fairly straightforward: The model basically uses most of a Dark Vengeance cultist, with the hooded head from another cultis. The most involved part of the kitbash was to splice in an Ork chainsword to replace the nozzle of the heavy flamer — and with that, the underhive maniac was basically finished. It’s actually a bit shocking how the model was built all the way back in 2013

I wanted to paint him in the tried and true Road Crew recipe, that is dark grey fatigues, scuffed yellow armour, and some red detail to add in another spot colour. However, during the painting process, I realised that the colour balance was off, so I had to make some eleventh hour additions to the model: The chance to include more yellow elements was achieved by adding a shoulder pad to the model’s left shoulder and an armour plate over its crotch (which should make brawls in the underhive ever so slightly less dangerous and also has the added benefit of breaking up that massive, red apron a bit, from a visual standpoint):

Of course a masked maniac with a chainsaw seems like the perfect occasion for quite a bit of gore, right? And indeed, I did contemplate adding some Tamiya Clear Red to the model for quite a while. I also realised, however, that due to the way a chainsaw works, I would basically have to paint blood onto the entire blade of the weapon, which seemed like a pretty surefire way to have it all look completely over the top — always a big risk when working with blood effects.

So in the end, I decided that less is more, and went without the blood — almost, that is, because I couldn’t help adding at least some blood to the “bag o’ bones” on the model’s back.

Anyway, here’s the finished model. Meet Sawtooth, everyone:

Granted, a maniac wielding a chainsaw may not be the most original character in the Road Crew, but he was still great fun to finish, and I think he’ll look great with the rest of the family. And even if he has a certain pulp charm about him, I think it makes sense that he would add a bit of a ‘mutant madman’ angle to the crew — on top of the Mad Max angle and the tragic gladiator angle and all the other postacpocalyptic references and influences that are already there ๐Ÿ˜‰


II. Only Sane Man…?!

Now this second model wasn’t built for the Road Crew either. It was originally planned as some kind of Imperial Guard veteran and started life as the result of some idle kitbashing:

The base model was yet another chaos cultist. I swapped the arms and a rifle from the Tempestus Scions kit, which made for a slightly more soldierly look. A head from the Space Wolves’ scouts was chosen for a suitably grizzled veteran look. And that was about it.

When I went through my unpainted models a while ago, I liked the idea of a more human Road Crew member without any obvious mutations or augmentations — maybe a former soldier of the Astra Militarum who had come to the underhive in an attempt to escape something that had happened in his former life? Anyway, that led to this guy being drafted into the gang as well.

This time around, the painting process worked like a charm. So here’s “Sarge”:

While the model uses the same colour scheme as the rest of the Road Crew, I tried to make him look just a bit less unkempt: His equipment is still in pretty good shape, which hints at his past as a professional soldier. And while he has adopted the Road Crew’s emblematic scuffed yellow, it’s still possible to imagine him in his previous life.


III. Yikes! Another Saw…?!

So that’s two down, but I have yet another model to share with you today, and not only is it my favourite of the bunch, but also the one guy who was legitimately planned for the Road Crew from the beginning. Meet “Cirque”, a heavily muscled brute who’s at the forefront of every raid and gang fight, with his trusty eviscerator:

I am really happy with this particular conversion, but to give credit where credit is due, Cirque actually directly borrows ideas from two models I saw online and loved instantly: Plib’s Necromunda Scaly/Brute here…

Model built and painted by Plib

…and Jeff Vader’s older chrono gladiator:

Model built and painted by Jeff Vader

It’s plain to see how my conversion is basically my attempt at throwing both models into a blender and end up with a combination of the elements I liked most about both of them. Mission accomplished, I’d say ๐Ÿ˜‰ There’s also something about combining Ork bitz and those creepy chaos cultist gas masks that just works every time, if you ask me.

Not only was Cirque my favourite model from this particular bunch, he was also a blast to paint. So here he is, in all his twisted glory:

Oh, and I actually did get to use Tamiya Clear Red on a saw, after all: Since Cirque’s weapon allowed for a slightly more subdued effect, he provided the perfect opportunity to include some blood but not overwhelm the entire model with it. Take a look:

So, once again, that’s three less unpainted models, and I am actually really happy with the results:

Even better, however, is the fact that these three are basically the last models I had planned for the Road Crew, so all that’s left for me is to paint the gang’s ride, an old Gorkamorka vehicle,…

…and then this project will be finished — at least for now. Here’s the entire Road Crew so far:



The Road Crew

The deeper levels of St.Sabastoโ€™s Reachโ€™s primary hive cluster – colloquially known as โ€žThe Orphansโ€˜ Cradleโ€œ – is crisscrossed by a network of tansportation tunnels originally created โ€“ and mostly still used โ€“ to move the vast amounts of goods necessary to keep the worldโ€™s overly bloated population alive. Ranging from cramped maintenance shafts that are mere crawlspaces to multi-laned transport ways allowing for vehicle traffic, the warren of tunnels and substations has become a living space for many underhivers, from the indentured personnel manning the various installations and the maintenance workers to gatherings of escaped slaves and convicts seeking something resembling a life in freedom, even if it should be a life in squalor and darkness.

The so-called โ€žRoad Crewโ€œ is one such group and has begun to attract former pit slaves, soldiers of fortune, twists and other malcontents from the hiveโ€™s lower reaches, trying to eke out an existence between the underhive fighting pits and minor raids on the biggest transport thoroughfares.


From left to right:

  • Crusher Vex, also know as “Old Man Claw”, a former pitfigthing champion
  • Grimspyke โ€œthe Impalerโ€, another champion in the fighting pits and former opponent of Crusher Vex
  • Sawtooth, a mute and slightly unhinged former manufactorium worker
  • “Tiny the Brute”, a member of the mutant underclass of St. Sabasto’s Reach and current war-captain of the Road Crew
  • “Doktor” Solon Antonov, a former, low-ranking Magos of the Velsian Adeptus Mechanicus who disappeared from his posting as a workforce and slave prospector on the world of St. Sabastoโ€™s Reach, only to emerge as the leading figure of the Road Crew
  • Cirque, a physically imposing mutant and one of the Road Crew’s fiercest fighters
  • Sarge, a veteran of the Astra Militarum with a dark past
  • “Papa Anjevin”, a particularly unhinged mutant styling himself the Road Crew’s shaman-priest
  • Chopper, a diminutive mutant wielding a massive chainblade.

Back row:

  • Worker #9, an ancient automaton of ambiguous origin


Looks like a pretty cool gang at this point, doesn’t it? And while the project is basically finished, it’ll be easy enough to add new gang members as needed — after all, a gang of underhive rabble always has need of new recruits. And as fellow hobbyist Dragonlover recently pointed out, I really need at least one more member with a red traffic sign — if only for the shout out to the original inspiration for this warband’s name… ๐Ÿ˜‰

Oh, and before I forget: Not only are these guys yet more neglected models that I have finally managed to paint, they also work as contributions for Azazel’s community challenge for June, with the aim of finishing squads and units — or, like in this case, warbands. Plus I am actually fairly confident I’ll be able to squeeze in that vehicle before the end of the month…

For now, however, I would love to hear your thoughts on these latest models — or, indeed, on the entire warband, so please leave a comment! And, as always, thanks for looking and stay tuned for more!


INQ28: More Grimdark Librarians of the 41st Millennium

Posted in 40k, Conversions, Fluff, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , , , , , on May 28, 2018 by krautscientist

Hey everyone, after last week’s “blast from the past” diversion of repainting an old Star Wars action figure, let’s return to my Ordo Scriptorum retinue once again for this week. Allow me to share the latest completed inquisitorial operatives with you:

While most work on Inquisitor Orlant’s retinue is being spent on actually finishing models that have been built years ago, in an effort to make a dent in my painting backlog, the warband also keeps taking on new members as it develops. Take a look:

I. Screaming into the void

Let’s start with a very recent addition to the project: When most of the characters for Inquisitor Orlant’s retinue had already been hammered out, and while I was making good progress on the project, PDH, whose thoughts on the nature of the Ordo Scriptorum had originally inspired the project to begin with, pointed out to me that Orlant still needed his own astropath: One of Peter’s ideas for an organisation dealing so heavily in secrets lost and rediscovered knowledge was that every Inquisitor of the Ordo would have their own astropath, to better relay whatever secrets they had discovered to their superiors in the most direct fashion imaginable in the 41st millennium. And while the idea of having to come up with a totally new model to represent an astropath had me slightly wary for about five minutes, I also realised that this would provide me with yet another chance to channel inspiration I had drawn from Wayne England’s artwork.

I instantly recalled his illustrations for the various psyker disciplines (originally printed in the Dark Heresy rulebook and recently reused both for the 8th edition 40k rulebook and a Warhammer Community post). One in particular, seemed pretty ideal as a starting point for an astropath. This one here:

Illustration by Wayne England

My original plan was to use the Dark Eldar Medusae model as a base for the conversion, seeing how it already seemed so close to the artwork in many ways:

And while this would have worked pretty well, I discovered that the model had gone out of production. So instead of going on a wild goose chase in an attempt to procure it, I decided to force myself to actually use the bitz I already had at my disposal to come up with my own astropath conversion.

So here’s my interpretation. It’s not a perfect fit, but I think you’ll be able to see a certain resemblance:

Fortunately enough, I still had a pair of legs from the plastic Necromancer — they even came with a book worn at the hip, which was a fun little coincidence. A torso piece from the Genestealer Hybrids provided both the astronaut look that seemed rather fitting for an astropath, but also a slightly eerie, ever so subtly Gigeresque quality that matched the somewhat sinister general vibe of the warband.

And the Empire flagellant head with an almost picture perfect representation of the hairstyle appearing in the artwork, was a bit of a godsend, of course — that being said, the process of adding a Greenstuff bandage across the astropath’s eyes actually had me on the verge of a screaming fit, as the material just wouldn’t stick to the darn face. I am really glad I managed to pull it off in the end ๐Ÿ˜‰

Possibly the most involved part of the conversion was to build a suitable staff: It was spliced together from the haft of a Dark Eldar Hellion glaive and a couple of imperial bitz.

Oh, and here’s an angle matching the artwork that inspired the conversion a bit more closely:

Again, I’ll admit that my astropath isn’t really a perfect reproduction of the artwork, but rather takes some pointers from the illustration.

When It came to painting the model, my Ordo Scriptorum recipe was well established enough at this point to turn the paintjob into a pretty straightforward affair — I did discover that those Genestealer hybrid torso pieces look absolutely terrific when painted in glossy black, incidentally ๐Ÿ˜‰

One area where I had to compromise a bit was the bandage across the model’s eyes: My original plan had been to try and add some lettering to it, but I quickly realised that there was just not enogh space there to come up with something that wouldn’t turn into a jumbled mess of squiggles, so I decided to leave the bandage bare. I also went for a slightly darker colour to create a better contrast against the pale face. In the end, I think it was a sensible choice that makes the model less similar to the art, but arguably makes it work better in and of itself.

Anyway, here’s the finished model:


Ordo Scriptorum Astropath


All Inquisitors of the Ordo Scriptorum are assigned an astropath at the same time they receive their Inquisitorial Rosette. This agreement and gift from the Adeptus Astra Telepathica goes back to the beginning of the Ordo Scriptorum, when they were a breakaway sect of the Ordo Hereticus. The need for such a fine tool has proven its worth countless times, for having direct access to telepathic communication has saved many lives. In the eyes of the Ordo Scriptorum, the sooner mistakes are exposed to the relevant authorities to rectify the better.

And here’s a – slightly tweaked – comparison picture showing the artwork and the actual model side by side:


You are probably all familiar with the old Warhammer adage of “When in doubt, use MOAR SKULLZ!”, and as it turned out, Inquisitor Orlant’s warband also needed at least one additonal skull ๐Ÿ˜‰

Seriously, though, while looking at the warband and comparing it to the one that had come before, Inquisitor Arslan’s retinue, I realised that Arslan’s merry gang featured two pretty cool servo-skulls/familiars, while such a model was missing from my Ordo Scriptorum team. But servo-skulls are a cool and quintessental part of 40k, and also a sensible wargear choice for an Inquisitor, and I also happened to still have the servo-skull from the Deathwatch:Overkill boxed set in my bitzbox, so I decided to add him to the warband:

I didn’t really change anything about the skull, as it already had that slightly sinister, yet elegant vibe that I think fits the Ordo Scriptorum rather well. I did make sure the servo-skull’s trailing cables interacted with some torn book pages on the base, however.

So here’s the finished servo-skull:

Certainly not a major player in the warband, but good fun and easy to finish. Moving on ๐Ÿ˜‰


III. Masked Bodyguard

Now where the astropath and servo-skull are recent additions to Inquisitor Orlant’s warband, the next model in line had been sitting on top of my pile of unpainted models for a rather long time. We are talking about this lady here:

I originally started working on the modelย  back in 2013 as an homage to Bruticus’ brilliant Prima Carnifexa Absoluta:

Model built and painted by Bruticus

Model built and painted by Bruticus


Bruticus had originally envisioned his character as a member of a sun cult, venerating the Emperor of Manking in his sun aspect. and I loved both the concept and its execution so much that I wanted to build a model similar to Bruticus’ character.

I originally started with a Blood Angels Sanguinary Guard helmet, a torso from a Coven Throne Vampire and some Dark Eldar Wych parts. To be perfectly honest, however, the inital build rather lacked direction, moving from a very Dark Eldar-eque model…

…to something that seemed more like some kind of gladiator:

The one element that remained firmly in place was the concept behind the head: I always knew I wanted to splice together a Sanguinary Guard helmet (chosen for its obvious sun motif) with the lower half of a female Wych head. The initial conversion lacked a lot of finesse, however:

Thanks to some very helpful feedback from the Ammobunker’s INQ28 board back in the day, I realised that the face might have been a good idea, but it needed far more work. So I cut it all apart again, shaved some tiny amounts of plastic, carefully sanded down the mask’s features to be less masculine, very carefully glued it all together again, and ended up with this:

In the end, some WFB Empire arms were what finally made the model come together, turning it into its final incarnation as a masked bodyguard:

When it came to actually making the character a part of Orlant’s retinue, the feedback was generally unfavourable: Most commenters argued that the rather elegant carnival getup didn’t really mesh well with a warband mostly occupied with exploring sunken libraries and dusty archives.

But while that assessment definitely had some merit, I have always felt that there is also another angle to Orlant’s warband and his character, a slightly elegant and debonair look that is present in some elements of the retinue, and in some of its members: the colour of Orlant’s robes, that snazzy scaled cloak worn by his Interrogator or even the deadly elegance of the Clockwork Assassin.

To me, the masked bodyguard was another chance to explore this secondary angle to the warband, and I also like the idea that Inquisitors will attract a motley crew of operatives during their work, and not each of their henchmen – and -women – may be suited to the same kind of task. So if Orlant wants to hit an underground bibliocathedra, he might bring the creepy bureaucultist to help him deal with the place’s ancient filing system, but during a social function, he would definitely need somewhat more presentable retainers. Towards this end, the masked operative might seem like a misfit, but she also presents an interesting glimpse of the versatility present in an Inquisitor’s retinue.

Painting should have been as easy as applying my tried and true recipe again — however, one thing that happened during the painting process was that I decided that I wanted to use a darker skin tone for the character. I was actually rather frustrated when I realised that I would always default to caucasian skin tones when painting, and seeing how I had wanted to try my hand at something different for quite a while, this character seemed like a good occasion to break away from old habits. There was also the fact that the bodyguard and Alizebeth Selandrine shared a similar look, due to both making use of Dark Eldar Wych parts, so going for different skin tones also had the added benefit of making sure the characters would look suitably different from one another.

Anyway, here’s what I came up with:

I am actually really happy with how the skin colour adds a completely different dynamic to the entire figure! There’s also the fact that combining the Venetian carnical getup with dark skin also makes for exactly the kind of eclecticism that seems so quintessentially 40k to me.

Those sheathed blades/throwing knives on the model’s back were a bit of an eleventh hour addition, by the way — they were originally part of the Yvraine model I used to build Countess Mandelholtz, and seemed like the perfect addition to Orlant’s bodyguard.

Here’s a look at the finished model:


Masked Bodyguard

While much of Tiberias Orlant’s work is spent in dusty archieves and long lost bibliocathedra, the tasks of an Inquisitor are manifold, and often make it necessary to move through all layers of Imperial society. For those cases where interaction with the upper strata of the Velsen Sector is necessary, Orlant has cultivated the cover identity of a wealthy and elegant collector of the obscure, with eclectic interests and very deep pockets. Always at his side in the spires and courts of Velsen is a mysterious, masked bodyguard, whose athletic poise and fluid grace betray her utter deadliness.

While working on the model, I realised that I actually tried to channel the look and feel of two particularly cool characters of colour from videogames I have recently enjoyed: Vanasha (from Horizon Zero Dawn)…

and Billie Lurk (from the Dishonored series):

When all is said and done, I am pretty pleased with the finished model! And, as an added benefit, she very much counts as another model for Azazel’sย  “Neglected Model May” challenge, — so that makes four models for the challenge! What’s more, I am confident that next month’s challenge, focusing on units, should give me the incentive to finish the warband’s final member, the jolly chap on the right here:

That one last model is really all that’s still missing for Inquisitor Orlant’s retinue to be finished: The warband certainly has a rather nice and rounded out look by now, if I do say so myself:

So that’s it for this week’s update! I would love to hear any thoughts you might have about today’s models, or about the state of the warband as a whole! Please let me hear your thoughts in the comments!

And, as always, thanks for looking and stay tuned for more!

INQ28: Grimdark Librarians of the 41st Millennium

Posted in 40k, Conversions, Fluff, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , , , , on May 14, 2018 by krautscientist

Hey everyone, time for another update: Now the popularity of last week’s Chaos Armiger conversion hasn’t escaped me — in fact, I already have the next post for this series planned out. However, forgive me if I keep jumping between projects a bit — so it’s back to INQ28 for a bit this week:

Going along with Azazel’s community challenges has served me really well so far this year, so I’ll just stick with what works: This month, it’s “Neglected Model May”, which provides me with some extra incentive to return to my Ordo Scriptorum warband with the intention of finishing a few more of its members — they have surely been neglected for a long enough time at this point! ๐Ÿ˜‰

The interesting thing about Inquisitor Orlant’s retinue is that several members of it were originally built with a very different use in mind, while others – like the Bureaucultist or Interrogator Inson – just kinda “happened”. At the same time, it’s interesting to see how this slightly erratic gestation process still manages to result in something that fits together pretty well, all things considered — at least in my opinion. So for today, let’s take a look at some models that originally started off as something altogether different, before finding themselves recruited into the service of the Ordo Scriptorum.

I. The girl with the Void-Dragon tattoo

Now this one’s an especially interesting case: One of the members for Orlant’s retinue is Alizebeth Selandrine, basically the 40k version of a hacker:

And as both her name as well as the headline for this part of the post already indicate – and as most of you will probably have picked up on by now – Alizebeth is a – very – thinly veiled reference to Noomi Rapace’s protrayal of literary character Lisbeth Salander from the Millennium series. The fun fact is that the model wasn’t originally built to resemble Lisbeth Salander at all, but rather as a homage to Johannus’ fantastic “40k punkette”:

model built and painted by Johannus

As for the conversion itself, it’s pretty simple, really: The body came from a Dark Eldar Wych, while the head with the impressive mohawk is that of a Daemonette of Slaanesh (the same design Johannus used on his model, obviously). I also swapped in an autopistol. All of this made for a fairly convincing female hive ganger (keep in mind that this was all way before the release of the new plastic Eschers, alright?).

Some time after the model had been built, I watched the Swedish Millennium films, and I realised that the model I already had was a dead ringer for Lisbeth Salander, plus a character like that would fit into Inquisitor Orlant’s retinue really well, so I made some tweaks to make the resemblance even bigger and put more emphasis on the hacker angle: Some augmetic plugs and cables were carefully grafted to the model’s head, in order to hint at the implants that allowed Alizebeth to “hack” into cogitators and the Mechanicum noosphere. As you’ll be seeing in a minute, I also added what amounts to the 40k equivalent of a smartphone to her belt.

And when it finally came to painting the model, I actually used stills from the third movie, as there happens to be a particular costume that perfectly matches up with the colour scheme I had established earlier for Orlant and his followers:

Here’s a look at the mostly painted model for comparison:

As you can see, Alizebeth is really even more of a dead ringer for the character who partly inspired her now ๐Ÿ˜‰

When building her base, I decided to feature yet one more shout out by adding a small portable Cogitator (actually a bit from the DFG Eisenkern Stormtroopers):

To be perfectly honest, I am normally a bit wary of literary or pop-cultural references like this: Models built and painted to resemble characters from films or novels can be great fun, but it’s normall pretty hard to actually make them work within the 40k setting without massive suspensions of disbelief. With Alizebeth, however, I felt that she could work both as a shout out to a literary character while also functioning as a 40k character in her own right. Towards this end, I tried to come up with a bit of background for her that actually made the whole hacker concept work within the established 40k lore — I’ll let you be the judges of whether or not I succeeded with that.

Anyway, here’s the finished model:


Alizebeth Selandrine


Born on the orbital shipyards that hang in the void above the forge world Korhold Ultima, Alizebeth’s life was to be spent as a serf to the Tech-Priests of Korhold, although her gift at operating and manipulating machinery marked her out as a candidate for a more exalted position, maybe even for an eventual introduction into the priesthood. Selandrine shunned that fate, however, falling in with a tech-gang and becoming a nuisance for her erstwhile masters: The implants she had received as a preparation for her future training allowed her to conduct noospheric dives and manipulate datastreams and machinery from her hiding place deep within the crawlspaces and maintenance tunnels of the orbital installations. That is where Redactor Orlant found her, during his dealings with the distrustful Tech-Lords of Korhold, and he decided to induct her into his retinue.

And a closer look at her base:

All in all, I am pretty happy with the finished model: Alizebeth works as a shout out both to the aforementioned literary character, but also to Johannus’ model. And I think she could be a really interesting operative for Inquisitor Orlant, given her technical prowess and inside perspective on the paranoid Velsian branch of the Adeptus Mechanicus…

II. The Clockwork Assassin

The next model actually came into being relatively shortly after the Adeptus Mechanicus was first released as a proper 40k faction, back in 2015. It was originally conceived while I was playing around with the excellent Sicarian Ruststalker kit and was mainly built around the idea of using the brilliantly sinister servo-skull from the Tech-Priest Dominus on one of the Ruststalker bodies. When that worked out really well, I realised that I was almost looking at a cyborg-i-fied version of an Eversor assassin, and decided to push that angle even further. In fact, based on a suggestion by Adam Wier, I even built an Eversor-style pistol for the model and attached it to its backpack. Anyway, here’s the model in question:

As you can see, most of the Eversor hallmarks (a skull face, a wicked Neurotoxin claw, a sword,…) are there, but they are arguably made even creepier by the assassin’s heavily augmented anatomy. Looking at the model makes you wonder who built this chap and why. There’s something rather creepy and sinister about the model, if you ask me.

And, like Selandrine above, the model wasn’t planned for Inquisitor Orlant’s retinue at first. I came upon it while putting together Orlant’s warband and going through my collection of unpainted stuff to see whether there were any possible Ordo Scriptorum recruits hiding there, and found myself thinking “What if…?”

When I originally posted the assassin as part of Orlant’s warband, several people pointed out that it wasn’t really that good a match for the project: Why would a bookish type like Orlant have any need of a vicious creature like this? And while I was just about ready to agree and pull the assassin from the retinue for good, I also really liked the idea of a seemingly unarmed, not very physical Inquisitor who could call on an absolute close combat nightmare like that assassin as a last line of defense: Just imagine advancing on the unarmed Inquisitor, and then that monstrous …thing drops down from the ceiling and basically explodes into deadly action.

One comment from fellow hobbyist Drazuul, in particular, perfectly described the detached and controlled nature I had in mind for Orlant:

I can imagine him calmly tapping his cane in time to the jumps and bounds of his retinue as they descend on unfortunate apostates.

And since I was really in love with that idea, I decided to keep the cyborg assassin. Plus I also thought he might look pretty wicked painted in my Ordo Scriptorum colour scheme ๐Ÿ˜‰

And if I do say so myself, the model turned out rather promising during the painting process:


Regarding the assassin’s base, I wanted to come up with something a little more elaborate — and I really needed to, too, because the base was the biggest in the entire retinue so far. So I decided to pick up the “abandoned library” look yet again. A piece of rubble from the 40k basing kit for large bases (matching the one I used on Orlant’s base) formed the start of the design, then I added the remains of torn books on top of that:

I had already tried to use a paper towel to create torn pages on Interrogator Inson’s base, but while the end result worked out well enough, the pages were too thin. So I went for a slightly sturdier paper placemat this time around, cutting small pages out of it, then covering them in glue and arranging them on top of the base. The end result ended up looking far more convincing, with the individual pages actually well defined enough to work.

Here’s a look at the finished model:


The Clockwork Assassin

This strange and utterly deadly automaton was engineered by the Tech-Priests of Korhold and given to Redactor Orlant as a gift. Clockwork Assassins are normally used as terror weapons by the paranoid masters of Korhold, but they can also become a much sought-after piece of merchandise. Why exactly the Tech-Lords would choose to present a member of the Emperor’s Inquisition with one of these priced weapons remains a mystery at present…

And once again, a closer look at the base:

I cannot begin to tell you how happy I am with those torn pages — but then, I really like the entire model: There’s a deadly elegance about it that I think really fits the look of the entire retinue, when all is said and done.

Funnily enough, here’s what fellow hobbyist Bjorn Firewalker had to say about the Clockword Assassin:

Were I an Inquisitor, I’d order the clockwork assassin disassembled the moment I’m out of the Tech-Lords’ sight, and examined for surveillance devices that may operate without my knowledge, and any codes that would let it act without my approval- to assassinate ME on the Tech-Lords’ orders, being one risk I will not accept. If my personal Tech-Priests clear it, then I will reassemble the clockwork assassin and utilize it- though the knowledge my personal Tech-Priests gain from studying the clockwork assassin will be put to use as necessary, e.g., so I can commission the construction of more clockwork assassins, sell the blueprints to raise funds, blackmail the Tech-Lords by threatening to sell the blueprints, know how to destroy a clockwork assassin if one gets sent after me or someone under my protection, etc.

While that sounds like very sensible thinking indeed, I am pretty sure the Tech-Priests of Korhold have put their creation together in a way that defends them against any attempts of disassembly or reverse-engineering: If you get a Clockwork Assassin and want to keep it in working condition, you’ll have to live with treating it as a black box, as it were. Even so, I think there’s a narrative threat there that might be fun to explore one day…

III. He can even do shorthand!

Now the third model I want to share with you today is probably the least exciting of the bunch, but I am nevertheless happy to have finally found a new home for it. I am talking about this old chestnut here:

This is an OOP servitor/Lexmechanic from one of GW’s old Inquisition releases — the model originally came in a box with an entire metal Ordo Hereticus warband, I believe. My cousin Andy still had many of those old models in his bitz box and was awesome enough to let me have this one — and it arguably makes for a great fit for an Ordo Scriptorum retinue, wouldn’t you agree?

The sculpt has that certain late 90s clunkiness we are used to seeing on many metal models from those days, but it was still easy enough to paint: I went for my tried and true Ordo Scriptorum recipe once again, as you can see:

The fun part was to use my Staedtler 0,05 mm pigment liner once more and reallly give it my all with that fine print on the parchment. I think I managed to do a pretty convincing job there.

So here’s the third finished model for today:


Ordo Scriptorum Autoquill Servitor

Since the Ordo Scriptorum deals with vast amounts of written records, it is no surprise that its members would need to create records of their own, from personal observations to annotations to a certain body of work unearthed during one of their expeditions into the depths of the eternal city. However, such knowledge is often dangerous and could spell certain doom if it ever got out.

For this reason, the Ordo makes heavy use of servants that are either illiterate, physically blind or have been warded in other ways against the various risks inherent in the material the Ordo deals in. The autoquill servitor is one such servant: Lobotomised and possessed of only the merest scrap of intelligence, their stunted minds insulate them against both dangerous secrets and eldritch arcana that might be contained in the notes they take on behalf of their masters…


One cool little detail is that PDH has the same stock model in his Ordo Scriptorum retinue, so it’s fun to imagine that his Inquisitor Inson might have “inherited” the servitor from his former master, Inquisitor Orlant:

models built and painted by PDH


So before I wrap up today’s post, let’s take a look at how Inquisitor Orlant’s warband is shaping up:

I am actually really happy with this project so far: Finally getting some paint on this retinue was one of my big hobby resolutions for 2018, and so far I am making pretty good headway! Just two or three more models, and the retinue should be finished — for the time being, that is…

For now, however, that’s three more members for Inquisitor Orlant’s warband, and three models for Neglected Models May ’18! Please feel free to share any feedback you might have!

And, as always, thanks for looking and stay tuned for more! ๐Ÿ™‚

The State of the Hunt, Week 18/2018: Bad Bank

Posted in 40k, Conversions, Fluff, Inq28, Inquisitor, paintjob, Pointless ramblings, state of the hunt, WIP with tags , , , , , , , , , , , , , , , , on April 30, 2018 by krautscientist

A bit of a an “in-between” post for this week, as I have both a finished model and a rather elaborate conversion to share with you. Once again, both of these have been taken straight out of the Velsen Sector, the little slice of the INQ28 setting DexterKong and I have created for ourselves. So let’s take a look, shall we?

I. The Interrogator

First up, my younger version of PDH’s Inquisitor Klien Inson still needed a suitable base. I tried to channel the same “abandoned” library look I had already gone with for Inquisitor Orlant. I also experimented with some kitchen tissue paper, trying to create torn pages and parchment, something I would like to take even further on some of the future models for this retinue:

Another little touch – that didn’t work out quite as well as intended – was to feature the (Pilgrym?!) symbol that appears on the base of Peter’s model on one of the torn pages at Inson’s feet as a further shout out — oh well, you cannot win them all, I guess ๐Ÿ˜‰

I am still rather pleased with the completed model, however — what a fun little project this was! So here’s PDH’s Klien Inson during his (slightly) younger days:

Interrogator Klien Inson
Ordo Scriptorum

Klien Inson is an agent of the Ordo Scriptorum Terra and currently serves as interrogator to Inquisitor Tiberias Orlant. Originally a member of the Dalthan Ordo Xenos, Inson was crippled during a campaign against the Orks at Sword Point. After Insonโ€™s body had been fixed, he resigned from the Ordo Xenos and travelled the pilgrim routes to Terra. It was here that he came before the Ordo Scriptorum and retrained under the watchful eye of Inquistor Stiber Gorst. His work as an agent of the Ordo Scriptorum has led him into the service of Redactor Orlant.


And here’s another comparison shot with both finished models:

I am pretty happy with how my version of Inson takes some colour cues from Peter’s model as well as adopting some elements from Redactor Orlant’s colour scheme:

So that’s three members for my Ordo Scriptorum warband so far,…

…although, as I’ve said before, both the interrogator and bureaucultist weren’t even planned beforehand — that’s serendipity for you ๐Ÿ˜‰

That being said, and as some of you might remember, there are some additional warband members that have already been converted:

From left to right,

  • Alizebeth Selandrine, a voidborn former Mechanicus vassal who can perform noospheric dives (read: a grimdark hacker),
  • a member of the Guild of Parchment Scroteners, a cult given over to the ritualistic destruction of Imperial paperwork
  • a Clockwork Assassin, a deadly automaton gifted to Orlant by the Velsian Adeptus Mechanicus
  • a female duelist with a pretty massive Venetian Carnival vibe
  • barely visible in the back row, an autoquill servitor

I think either Selandrine or the Clockwork Assassin might be next on the painting table.

II. The Crone

Now for today’s main course, as I’ll be sharing a conversion with you that I am rather excited about — and one that I didn’t even expect to be able to work on so soon. The model will also be serving as yet another entry for Azazel’s Assembly April community challenge, incidentally — so, what is this about?

Back when DexterKong and me came up with the Velsen Sector as an asventuredscape, I realised that I wanted a banking House as one of the political players in the sector. The inspiration for this came from Joe Abercrombie’s First Law series (and from his other books set in the same universe), where the banking house of Valint & Balk has a finger in each and every pie, and happens to be one of the most insidious influences present in the entire setting, always playing both sides, so the bank always wins.Which strikes me as both very grimdark and also, unfortunately enough, rather realistic.

So I came up with House Mandelholtz, or “The Mandelholtz House of Imperial Finance”, to quote its full title, Velsen’s own banking house. I see them as one of the sector’s big movers and shakers, and like any good evil banking house from history’s great dark hall of fame, they get to throw around their weight a lot. If you’ve seen the series Taboo and remember the way the East India Company gets protrayed in that series, THAT’S what I want House Mandelholtz to feel like.

Anyway, the Mandelholtz board of directors is a shadowy assembly, and very few people in the sector actually know who holds a stake in the house’s businesses. Which lends itself rather beautifully to all kinds of Inquisitorial dabblings and should work great as a storytelling device.

But a faceless entity isn’t that compelling a player for a miniature-based game setting, so I did want one identifiable character to serve as a chairman or speaker of the board for House Mandelholtz, and I realised pretty quickly that I wanted this character to be female. Dexter and me kept exchanging ideas on the matter, and he basically suggested to base the character on a grimdark version of Maggie Smith in her role in Downton Abbey:

Which seemed like a pretty brilliant idea to me. There was only one problem: I kept drawing blanks when it came to figuring out how to actually build a model for her — especially given the lack of proper female modeling options in GW’s catalogue. So the idea went back on the shelf.

However, when the Triumvirate of Ynnead was released, I knew I had found the base model for my conversion — Yvraine:

I’ll admit this probably doesn’t seem like the most obvious solution to my problem, seeing how the model is so clearly Eldar – or, indeed, Aeldarii – in many ways. The dress with the enormous trailing train, however, was exactly the part I needed for my conversion.

Picking up the entire boxed set just to get my hands on the model seemed a bit extreme, even for my standards. But then fate intervened, and I was able to snap up an Yvraine model from ebay for a pretty okay price (much, much less than a Triumvirate of Ynnead would have cost me, in any case), and when the model arrived in the post, I got to work right away.

Unfortunately, the model was in a really rough condition. Just take a look at the base Yvraine came on, and you can probably guess what I was looking at here:

That’s right, the previous owner used LOTS of glue to assemble the model. At the same time, the different parts had been put together really poorly, and mould lines abounded — but then that’s where the low price tag came from, obviously. And if nothing else, the model’s deplorable condition actually made it easier to start cutting because there was simply so much less left to lose ๐Ÿ˜‰

So I carefully sawed through all the glue and did my best to separate the parts once again. And when I was finished with that part, I got creative. Here’s what I came up with as a first version of the character. Meet Countess Mandelholtz, version 1.0:

“Grimdark Maggie Smith” remained my basic design outline, although – as you can plainly see – the character grew a bit more grotesque during the conversion process: I wanted to make her look like rejuvenat treatments had really taken her as far as possible, but had also taken their toll on her physiology. So a healthy dose of Gary Oldman’s portrayal of Count Dracula was thrown into the mix:

Speaking of vampires, many of the bitz I used to replace Yvraine’s upper body actually came from vampire and undead kits, such as the lower arms and hair (Coven Throne vampires), the ugly, bent back (Crypt Ghouls) or the face (clamshell Necromancer). In fact, carefully cutting the hair off a Coven Throne vampiress’ head and grafting it to the Necromancer face was probably the fiddliest part of the conversion.

Beyond that, the main focus was on making her look much less eldar-like and more Imperial — hence the emblem covering the front of her dress, the small reactor in the back and the frilly sleeves.

But while I was already pretty happy with the model, I also felt it needed some more work. The biggest tweak I made was to change the shoulders in an attempt at making them slightly narrower — the poor countess was looking too much like an ugly guy in drag before ๐Ÿ˜‰

At the same time, I didn’t even want to add too much to the model, so as not to overclutter her: So here’s my finished conversion of Countess Mandelholtz, of the Mandelholtz House of Imperial Finance:

This was really all about the fine tuning. I added some vials (from the Dark Eldar Wracks) to the Countess’ hunched back, trying to keep the effect noticeable but subtle:

I also carefully added some cabling here and there, in order to at least hint at some kind of physical augmentation:

Oh, and I replaced the bottom of her cane with something a little more interesting and ornate.

Of course there was the temptation to go farther still, adding weird insectile limbs emerging from beneath her skirts (like the legs you see on the AdMech Tech-Priest Dominus, for instance), but in the end I decided to keep her more human, both to suitably differentiate her from the sheer weirdness of the AdMech models and because it’s arguably more fun to make the observer wonder what her body looks like underneath her stately dress: Personally speaking, I mostly imagine some kind of augmetic brace or some kind of walking frame — but, like I said, it’s more fun not to actually take that decision and keep people guessing ๐Ÿ˜‰

Apart from that, it seems like she would really have personal retainers for all kinds of menial tasks, such as carrying ledgers and petitions — this seems like such a cool angle for adding some further members of House Mandelholtz. But then, such a warband, if it ever materialises at all, should still be quite a ways off. Countess Mandelholtz, however, seemed like such a promising and influential character for the entire Velsen Sector setting that I simply had to nail down the idea in model form.

All in all, I am very happy with the model so far! Painting the Countess will be one heck of a challenge, though — looks like I’ll have to research some colour schemes for period dresses ๐Ÿ˜‰

Oh, I almost forgot one nifty bonus: Getting the Yvraine model means that I also get to keep the magic Eldar cat, of course ๐Ÿ˜‰ The Gyrinx should work really well as a pet/familiar for another character — in fact, placing it next to my classic Jes Goodwin Runeseer already creates something that closely resembles the piece of art that introduced us to the Gyrinx in the first place. Take a look:

But anyway, so much for today’s update. I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more! ๐Ÿ™‚