Grimdark video games?!

Posted in 40k, Inq28, Inquisitor, Pointless ramblings, Totally worth it with tags , , , , , , , , , , , , , , on November 26, 2017 by krautscientist

Hey everyone, something a bit different today — I hope you’ll appreciate the variety, even if it means a lack of new painted models. So what is this about?

It’s very common for hobbyists to talk about their inspiration: Whether it comes down to creating conversions or narratives, most of us will inevitably build on influences and concepts from many different sources, such as film, art, literature or personal experiences from RPG groups. To wit, the entire 40k universe itself is based on so many different influences, and has grown into a massive, unwieldy, eclectic and brilliant mixture of a thousand references, ranging from 80s pop culture to every SciFi and gothic cliché ever.

Today’s post, therefore, will deal with yet another possible source of inspiration when it comes to get a feeling for the kind of narrative that would work in the 40k universe, and the kind of characters that would populate such a narrative. And while I draw lots of my own hobby inspiration from the aforementioned media (with sources as diverse as David Lynch’s Dune adaptation, Mervyn Peake’s Titus Groan & Gormenghast and Charles Dickens as some of my favourite influences), today I would like to talk about another possible influence: the wonderful world of video games.

Now some of you may remember that I am a huge video game nerd. It’s a medium that I have been endlessly fascinated with for a very long time now, and it continues to interest aesthetically, narratively and professionally .

I could wax poetical on the many fascinating, obscure or downright grotesque features that turn digital games into such a riveting subject for me, but that’s not really the focus of this blog. So let us rather focus on a couple of games that have influenced my hobby life by inspiring characters, narratives or just a general style in my own hobby work.

Before we begin, however, a disclaimer of sorts: By no means is the following collection of titles and influences an exhaustive collection, nor is it intended to be. It’s also very possible that you know each and every one of those games, so the post could turn out to be old news to you. And finally, to be fair, this post has also been simmering away in the back of my head for quite a while now, so be warned that it may actually have moved away from actual 40k a bit, dealing – at least to some degree – more with games and game series that I find inspiring, period. That being said, if you enjoy 40k and Inquisitor and all that, and if you are interested in visually and/or narratively interesting videogames, the following titles might be worth a look. And who know: Just like me, you may even get an idea for an army, a conversion or an INQ28 retinue out of it. So let’s take a look:


I. Legacy of Kain series

It seems weird to me that the Legacy of Kain series seems to have become almost a bit obscure by today’s standards, when it used to be a rather common household name in video game circles – and even a veritable system seller – during the late 90s and early 2000s.

The series’ development history is rather complicated and convoluted, with different developers and teams adding their own perspective to the series, and acclaimed video game writer Amy Hennig (possibly best known for her role on Naughty Dog’s Uncharted series these days) ending up with the task of somehow binding it all together into a semi-coherent overarching narrative.

Fascinating as those tribulations are, however, I don’t even want to get into the details here. Suffice it to say that the series started with Blood Omen: Legacy of Kain (basically “The Legend of Zelda” with vampires), which was followed by Legacy of Kain: Soul Reaver (basically “Tomb Raider” with Vampires). The series deals with the vampire Kain and his rise (and fall) in the gothic world of Nosgoth, and it introduced both a pretty interesting cast of characters as well as a very distinct look and feel. Just check out Soul Reaver’s intro movie:

One of the series major narrative arcs deals with the conflict between the – seemingly completely amoral – vampire overlord Kain and his fallen former lieutenant Raziel, turned into a twisted wraith at Kain’s behest and now out for revenge — although things turn out to be much more complicated than that, as the series’ narrative is just about as convoluted as its development history. It can be a bit overdesigned and wordy in places, but it’s well worth checking out for yourself!

So why does the series appear on my list? There’s the very grimdark setting, for one: Nosgoth is a very dark and gothic place, where everything’s gone to hell in a handbasket because the man destined to be the world’s saviour refused the ultimate sacrifice – his own life – electing instead to become a depraved, immortal vampire emperor, ruling a failing empire. If that isn’t grimdark, I don’t know what is.

But there’s more: Kain’s dealings with his vampire lieutenants and their ultimate fates remind me a lot of of 40k’s Daemon Primarchs and Traitor Legions: There’s a gravitas and a sense of lost grace here that should seem very familiar to anyone who likes 30k and 40k. There’s also a fair share of purple prose (and some truly excellent voice acting) to be had, so if you want to get a feeling of what a Chaos Space Marine might feel like after millennia of corruption and simmering regret, the Legacy of Kain series provides some very good inspiration on that account!

After several unsuccessful attempts at reviving the series in recent years, it’s unlikely we’ll ever see another entry. The games available so far still tell a (fairly) complete tale of hybris, revenge and redemption, however, and are well worth your time, provided you are prepared to deal with a bit of technical clunkiness (in the earlier games in particular). The entire series, minus the first Blood Omen, is still available via, among others. The games cost about 5,00 Euros a pop, and if the series’ premise interests you, I recommend you just snatch them all up: I played nearly all of them back to back, a couple of years ago, and it really helps to get a grip on the rather complicated storyline. You can also read up on the games on Nosgothic Realm, an incredibly expansive fansite.

II. Primal

Like Legacy of Kain, Primal used to be a fairly high profile release back when it first came out in 2003. A Playstation 2 exclusive developed by Sony’s own Cambridge studio, Primal was a fairly ambitious project with incredible production values for the time. Not all that many people seem to remember it these days, which is a shame, especially since it has some rather interesting connections to Games Workshop — but we’ll be getting there in a minute…

The game’s basic premise seems clichéd enough: Perky goth chic Jen is nearly killed by a daemon who just happened to infiltrate a gig of her boyfriend’s Nu-Metal band (I swear I am not making this up!). With Jen’s boyfriend abducted, she finds herself transported to the fantasy dimension of Oblivion, which consists of four realms. The forces of order and chaos, respectively, seek to establish control over these realms, and Abaddon, Lord of chaos, has come dangerously close to toppling the precarious balance of power.

So it falls to Jen, accompanied by adorable gargoyle helper Scree, to travel to the four realms, learn how to transform into different demon forms and re-establish the balance between chaos and order.

Mechnically speaking, Primal is one of those third person action adventure the early 2000s were so very fond of (think Tomb Raider with less climbing and more character interaction). If that doesn’t sound like much to write home about, it’s important to point out that Primal’s production values, its narrative and its pretty excellent cast take the whole affair into some rather interesting directions, so it’s far more interesting than its rather cookie-cutter premise would led you to believe.

There’s yet another reason why Primal would be interesting for every discerning fan of GW’s various IPs: Travelling the game’s world, you cannot shake a general feeling of …familiarity. Take the game’s four realms, serving as its massive levels, and their respective inhabitants: There’s Solum and the Ferai (totally not slightly more lawful-neutral Khorne-worshipping Beastmen), Aquis and the Undine (totally not victims to some kind of slightly Nurglite plague), Aetha and the Wraith (totally not Slaaneshi vampires) and, finally, Volca and the Djinn (totally not worshippers of Tzeentch). The latter, in particular, seem rather GW-ish in design — to the point where the Djinn would make for excellent Tzeentchian champions or daemon princes, as you can see in this video (starting at 11:40, in case YouTube’s timecode widget refuses to work):

Those similarities are far from coincidental, however, as Primal’s lead artist was none other than Mark Gibbons, one of GW’s most prolific artists and illustrators during the early to mid-90s. You know, the guy who did pieces like this:

Artwork by Mark Gibbons

His touch is very noticeable, and there is more than a little vintage GW in the character designs and artwork as well as the art design in the game proper:

What’s more, while the four realms and their inhabitants clearly recall GW’s chaotic factions, the whole idea of of four discreet realms in the game also somewhat recalls the realms that now appear in Age of Sigmar, even though AoS didn’t come around until fairly recently.

An emulated version of Primal is still available on the PlayStation Store (both for the Playstation 3 and 4), and it’s very much worth the price of admission: It may be trying a bit too hard to be edgy and grownup for today’s standards. and it may not be great literature, but the main characters’ banter makes them genuinely endearing, and the production values are still great, even from a modern perspective. And if nothing else, it’s a fascinating example of Mark Gibbons creating something that should feel more than a little familiar for longtime hobbyists, albeit in a different medium and for a different employer.

III. Dishonored series

This next entry is a far more recent series: If you are even slightly into video games right now, chances are you’ve heard of the Dishonored series. It is also one of my current favourites. And it feels a lot like an Inquisitor campaign every now and then, but maybe that’s just me 😉

Dishonored is set in the Empire of the Isles, a setting that invokes Great Britain (in the first game) and its colonies (in the second game) during the early 19th/early 20th century, albeit with a twist: Much of the Empire’s culture seems oddly familiar, but Dishonored’s world also presents a strange and intriguing clash of fantasy, (steampunk) technology and magic. What’s more, there’s a very particular look and feel to the whole affair, ranging from the – almost painterly -realism of its character design (call me crazy, but there’s more than a bit of New Objectivity to be found in the games’ art design) to the general bleak atmosphere of the world, with decadent nobles scheming and vying for power, as disinfranchised smallfolk suffer under their cruelty. Dishonored’s world is very dark, but also quite fascinating. It poses some interesting moral questions and goes to some rather interesting places with them. The way in which the games explore the morality of nonlethal solutions to many of its problems is just one very poignant example.

From a gameplay perspective, the Dishonored games can be visceral, combat-focused revenge fantasies or elegant stealth games — or anything in between, really, purely based on your preferred way of playing. What’s so mechanically great about the games is how they accomodate your playstyle and choices and make the world adapt accordingly in many interesting ways. Like I said, it’s one of my favourite game series at the moment 😉

As for the series’ position on this list, Dishonored can also feel very Inqusitor/INQ28 at times. It would be easy to imagine Dishonored’s Empire of the Isles as a civilised world within the Imperium of Man, and as the setting for an INQ28 campaign. For instance, whenever I read Apologist’s incredibly cool world building for his “Death of a Rubricist” setting, Dishonored is one of the things I feel acutely remembered of. Plans within schemes are very much at the heart of the series, and if you are into Inquisitor and its particular way of storytelling and world building, you’ll take lots of inspiration away from Dishonored — in fact, the world building alone is basically worth the price of admission!

Dishonored 2_20161120161254

The series consists of two main games (Dishonored and Dishonored 2) and one major spin-off campaign for each of the main games. Dishonored gets “The Knife of Dunwall” as a nearly game-sized DLC, whereas Dishonored 2’s spin-off campaign, “The Death of the Outsider” was recently released as a standalone title. All of the games are available on PC, Playstation 3/4 or Xbox 360/One, and I would very much recommend to check out the entire series, starting with the first title. If you’re even a bit like me, you’ll want to explore every nook and cranny of this truly breathtakingly realised world!

And while we are talking about Dishonored, let’s not forget about…

III.b …the Thief Series

Because I would be remiss not to mention the Thief series, which seems like Dishonored’s spiritual prequel (and a highly acclaimed stealth series in its own right). Thief only makes this particular list by association, it’s true, but the main reason for that is that its world is a fair bit more medieval (and thus less 40k) than Dishonored’s. Even so, fans of INQ28 and/or Mordheim in particular will doubtlessly find a lot to like about Thief’s dark, steampunk-ish world. Just to give you an idea, when I read the description of Queen Mab during the opening chapters of Dan Abnett’s novel Pariah (the first and, alas, to date only entry in the Eisenhorn vs. Ravenor series), I felt instantly reminded of The City from the Thief series.

IV. Resonance of Fate

A strange entry, this one, mostly because Resonance of Fate is a JRPG, with all the baggage and strangeness that entails: Now Japanese role playing games clearly aren’t for everybody, as they tend to have a particular tone and feel, one that is often informed by the peculiarities of Japanese pop culture. Personally speaking, I have a long personal history of playing JRPGs, however, going all the way back to the 8- and 16-bit days, so I can usually stomach, or even appreciate, the weirdness inherent to the genre.

Resonance of Fate is, on the face of it, very Japanese in many ways: It’s an eclectic combination of fantasy, cyberpunk, turn-based battles fought with guns (and almost ridiculous amounts of acrobatics) and classic JRPG tropes. What makes the game a definite candidate for this particular list, however, is its peculiar setting, Basel:

Basel is a multileveld city built around a massive central elevator. It was orginially constructed as a combined retreat for humanity and an atmospheric cleaning device, but it grew and became more complicated and essentially turned into a massive, sprawling city over the  centuries — a veritable Hive city by any other name.

And while Basel may look strange and far different from the hive cities of 40k, the game really does an excellent job of depicting a society that has developed around the basic challenge of living within a massive machine: Towns and villages are wedged into Basel’s open spaces, with giant cogs ticking away in the background. The strata of older cultures and settlements are clearly visible in many places, and most people have clearly forgotten the massive facility’s original use, content to eke out a living among its unknowable mechanisms. The rest of the setting confirms to this basic conceit: Instead of dragons and orcs, you get to fight modern bandits and runaway biological experiments.

Which is all a rather roundabout way of saying that, in spite of its copious amounts of JRPG tropes, Resonance of Fate can almost feel like a Japanese take on Necromunda. Which, in turn, can make it fascinating to check out for a fan of GW’s various 40k-related settings.

When all is said and done, however, Resonance of Fate is still a very Japanese game indeed, with all the tropes and quirkiness that entails. If you can stomach the occasional weirdness (the odd jokes, the dressup meta game, the weird gender stereotypes and the sometimes awkward pacing and dialogue), it’s a fascinating, quirky little game. The following video shows some of the gameplay, and I had an especially strong Necromunda moment starting at 6:26, with the heroes passing through the artifacts of prior civilisations while making their way from Basel’s highest level, the Chandelier, to the lower residential areas:

The fact remains that Resonance of Fate can be a bit of an acquired taste — even moreso, arguably, than mainstream JRPGs like Final Fantasy. You may want to take a look at the game’s prologue below to find out whether the general tone and style is for you:

V. Basically anything by Yasumi Matsuno

Yasumi Matsuno is a fascinating director and author because he stands for a very particular kind of RPG world and storytelling. Instead of fairy tale romps that end with the heroes defeating a mustache twirling demon lord to save the world, Matsuno’s games (and game worlds) are invariably steeped in realpolitik: They always deal with the politics going on in the background, the shady deals and painful sacrifices that keep kingdoms and empires going while creating tragedies for the protagonists. Unlike most roleplaying games, Matsuno’s titles usually don’t put you in the shoes of the idealistic hero saving the world due to sheer spunk and virtue: You just do your best while history – and politics – march on relentlessly in the background. And even if you should end up saving the world, don’t expect anyone’s thanks for it! Chances are, you’ll go down in history as a dangerous heretic…

There are also numerous shout outs to real world history: Tactics Ogre is basically a medieval fantasy version of the Yugoslav Wars. Final Fantasy Tactics (very much Tactics Ogre’s spiritual sequel) is basically the War of the Roses with dragons and Chocobos (it is also one of the finest strategy RPGs ever devised by man).

While all of Matsuno’s games are very much worth checking out, I want to point you towards some titles in particular, starting with Vagrant Story: a strange and darkly beautiful game that is one of my all-time favourites, and maybe Matsuno’s definitive piece of work:

Vagrant Story is a take on Western RPG and dungeon crawler conventions with a fascinating story about different factions trying to get their hands on the dark magics resting within the lost city of Leà Monde.

You’re cast in the role of one Ashley Riot, basically a medieval special ops soldier. Your goal is to infiltrate the lost city, rescue the hostages taken by a religious cult and prevent its members from claiming the city’s dark power for their own. You soon find out that things are far more complicated, however, and that there are more parties interested in Leà Monde and its legacy.

Vagrant Story is known for several things: Its incredible art design. Its dark and mature storytelling. Its punishing take on western roleplaying and dungeon crawling conventions. And, certainly not least of all, its acclaimed English translation by Alexander O. Smith, among others, adding an extra layer to an already incredibly elegant narrative.

I don’t even want to tell you too much about Vagrant Story, because it has to be experienced firsthand. It’s a punishing and darkly mysterious experience. If you enjoy deep, ambiguous tales and thought-provoking narratives, you should check it out. It’s quite a ride, indeed, and it can be had for a song on the PlaystationStore.

One of Yasumi Matsuno’s biggest mainstream games, set in the same world as Final Fantasy Tactics and Vagrant Story, is Final Fantasy XII, a mainline entry in the colossally successful Final Fantasy series.

Like Matsuno’s other games, FF XII is a triumphant exercise in world building, with a setting that seems like it could actually exist somewhere and wouldn’t wink out of existence the moment you switch off your console. Once again, there’s also a lot of background politics at play here, with history’s gears very much in motion while your band of heroes is gallivanting around the world of Ivalice.

It’s a rather interesting subversion of many of Final Fantasy’s classic tropes, as well as a fascinating look at what Matsuno can get up to with a bigger budget — at least partially so, as he had to drop out of the project late into its development. The game is still quite something, though! It’s still widely available on Playstation consoles, with a remastered version (“Final Fantay XII – The Zodiac Age”) released earlier this year.


As for its influence on my 40k hobby, among many other things, let’s just say that I am still looking for a way of creating a 40k-compatible way of incorporating Final Fantasy XII’s Judges into my INQ28 setting…


Matsuno’s obvious love for the classic western pen & paper RPG finally came full circle with Crimson Shroud, released in 2012 as a fairly obscure download-only title for the Nintendo 3DS (at least in the west):

In many ways, Crimson Shroud mirrors many of Vagrant Story’s story beats (and much of its general look and feel): A small group of adventurers infiltrates the ruins of a palace in search of the eponymous artifact. There they encounter not only many vicious creatures, but also a dark and tragic story going back centuries. The narrative is both concise and nuanced, especially for a smaller digital release like this.

What makes Crimson Shroud truly captivating, however, are the lenghts to which the game actually emulates classic pen & paper roleplaying — to the point where you throw virtual dice to determine the outcome of most actions in the game and all the characters and monsters are displayed as actual miniatures mounted on their own small bases and placed within diorama-like backgrounds, making the whole thing seem like an actual tabletop roleplaying session.

If that sounds weird, it certainly is, and it’s not exactly easy to pick up and play. But everything that’s fascinating about a Matsuno game – such as the nuanced storytelling and excellent world building – also make an appearance here, creating a sublime narrative experience almost on par with Vagrant Story. Plus the game is a fascinating love letter to western tabletop gaming, as seen through a distinctly Japanese lense.


Honorary mention: Incubation

Okay, let’s treat this last game as a bit of an out of competition entry, but I still need to mention Incubation: Released in 1997 as part of the – then pretty successful (at least in Germany) – Battle Isle series, Incubation basically worked as the first really cool squad-based Space Marine game without even being a GW-licensed title.

Incubation probably seems incredibly primitive by modern standards, but back then, it felt like a revelation: I remember loving GW and 40k even back then and hoping they would end up making a game based on their IPs that didn’t suck — but it actually never came to that, at least not back then. But a German developer made a game about vanilla SciFi-troopers (totally not Space Marines) fighting against a slightly weird alien race (totally not the Tyranids), and after playing it, I kept asking myself why GW couldn’t have come up with that kind of game — or at least given the license to these guys…

Funnily enough, Incubation is actually still available as part of the Battle Isle Platinum Pack, but I couldn’t really tell you whether or not it has aged all that gracefully. I will affirm though that it felt like an excellent Space Marine game long before GW themselves got their act together on that front, and that’s enough to be included in this list!


So yeah, so much for my – entirely subjective and woefully incomplete – list of video games that have fed into my hobby over the years. I would love to hear your feedback, both on the nature of this post as well as on the actual choices I have made: Was this an interesting subject, in spite of only dealing with the actual hobby in a slightly roundabout way? And did I miss any games that should be included on this list? You are very welcome to contribute your own favourites!

In any case, thanks for looking and stay tuned for more!


The State of the Hunt, Week 43/2017: I Aten’t Dead

Posted in 40k, Blood Bowl, Conversions, Orcs & Goblins, Pointless ramblings, state of the hunt, WIP with tags , , , , , , , , on October 28, 2017 by krautscientist

Hey everyone, it’s been quite a while since my last update, for which I apologise. There’s been a lot of RL related business keeping me occupied, plus I have also been in a bit of a hobby slump for quite a while now, unfortunately. Oh, and did I mention I’ve also managed to catch the mother of all colds yet? Because that happened as well, during my annual seaside vacation a fortnight ago:

As always, sitting by the seaside and relaxing was rather lovely, indeed. Unfortunately, though, it also happened to be pretty rainy and cold this year, so the minor cold I had already brought along to my vacation flared up again with a vengeance, turning my head into something that felt very much like a Nurglite blight grenade — very fitting, considering I had brought the recent copy of WD with me to take a closer look at the new Death Guard models (full review forthcoming). And I am still dealing with the fallout of that, as the Grandfather keeps lavishing his gifts on me…

Anyway, for these reasons, I haven’t been doing all that much hobby related stuff recently. However, I did want to post an update to demonstrate the blog is still going, and I also actually do have something new to show you, even if it’s nothing earth-shattering. So what is this about?


My friend Annie hasn’t given up on wanting to teach me how to play Blood Bowl quite yet, so she recently made another attempt at slowly walking me through the rules of the game — this time, with the help of the Blood Bowl II videogame on PS4, which actually helped on several levels: One, I am a huge videogame fiend, so wrapping something in a digital game will usually make it easier to get me interested. Two, it was good to be eased into the game via a slowly building tutorial campaign: It’s a format I am fairly familiar and comfortable with, and it happens to parse out the information slowly enough for my mangled World Eaters mind to hold on to 😉

I’m not going to lie to you, though: It was still slow going. But I do feel like I actually have a far better grasp of the game’s interlocking mechanisms and systems now and can actually make some simple, albeit tactically sound, decisions. Go me, right? 😉

Playing the game was also pretty great for yet another reason, though: It was really cool to see it all in motion and to get an actual idea of what a game of Blood Bowl would actually look like in-universe. There’s a great sense of physicality (and brutality) to the animations, and seeing it all play out like that really gave me an appetite to go and build some more Blood Bowl models…

Now of course the obvious way would have been to just go and get some of the new, shiny Blood Bowl models, but then I am really fond of my already existing team, the Orkheim Ultraz, mostly kitbashed from leftovers before a re-released Blood Bowl boxed set was even a thing:

I also think those guys are a nice enough match for the look of the Ork Teams in the Blood Bowl videogames, to be honest.

So I went back to them in an effort to add some more team members to the Ultraz and sticking to using what was already in my bitzbox instead of rushing out to buy yet more plastic crack. So here’s what I came up with:

First up, the appearance of the goblin referee kinda inspired me to come up with a goblin model of my own. I mean just look at this delightfully evil looking little guy:

So I dug through my bitzbox to find some spare goblin bitz I could use to build a gobbo to accompany my two Night Goblin players:

Here’s my WIP attempt:

The old multipart goblin plastic kits are among GW’s earliest multipart regiment kits from the late 90s, but they still work like a charm for building Blood Bowl models. Plus some of that armour really looks like old timey football and rugby gear, which is a great coincidence! I would love to build another goblin like this, but alas, I find myself lacking a single torso piece to make it happen. Oh well…


I also built another thrower for my team. Now my first thrower was already assembled in a suitably heroic (and archetypal) pose:

So I knew I needes something slightly different this time around. So the new guy is actually throwing a squig now…

…because, let’s face it, sometimes an orc jus’ gots to throw one o’ them squigs 😉

The thrower itself was mainly made from leftover WFB and 40k orc boy parts, with most of the conversion work focused on splicing together a suitable arm and hand to hold the squig. The squig itself is a part of a goblin character from the old “Battle for Skull Pass” WFB starter set.

All in all, I am pretty happy with this WIP: The thrower is similar enough to his buddy to make both of the read as members of the same character class, while they are also different enough to read as characters.


And last but not least, I also wanted some additional heavy hitters: One of the only things I actually bought for my Blood Bowl team was a box of Black Orcs, so I wanted to make some more Black Orc blockers as well. The first two I built and painted are pretty cool, if I do say so myself, but they are also looking a bit cookie-cutter: They are basically standard Black Orcs with their weapons snipped off:

One thing that struck me when playing Blood Bowl II, however, was how massive and slab-like Black Orcs seem in the game: You really get the impression from watching them that there’s not much they couldn’t happily slap around all day:

So for my next two blockers, I wanted to add some variety (in order to suitably differentiate them from the already existing models) and also make them look dead ‘ard. So I went for a mix of suitably interesting bitz and spliced in some ogre fists and additional armour plates here and there. Take a look:

The first guy’s pose is basically identical to one of the finished model’s, but I think the added bulk and spiky fist make him look just different enough to be interesting. I also used an Ork Nob head (and steel jaw) for that extra bit of character.

The second Black Orc I built turned into an even more involved conversion, as I really wanted his pose to go beyond what the two basic body layouts for Black Orcs can do. It ended with some serious tweaking to his right arm — and with replacing his legs with those of an 40k Ork Nob:

I am really happy with this guy, to be honest: He’s rather massive and very close to that implacable look and feel I loved about the Black Orcs in the videogame.

So yeah, here are the new additions to the Orkheim Ultraz’ team roster:

Painting these guys should be enjoyable enough — I think I’ll be saving them for Annie’s and my next joint hobby session 😉


So there, nothing too spectacular for now, but I’m still at work. And it goes without saying that I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

The State of the Hunt, Week 37/2017: Finally, paint!

Posted in 40k, Chaos, paintjob, state of the hunt, World Eaters with tags , , , , , , , , , , on September 11, 2017 by krautscientist

Oh boy, I finally have something painted to share with you! Now, in all fairness, the model featuring in today’s update was actually painted a while back, and  I merely took my sweet time to finally put the finishing touches to it, but it’s a project that is very close to my heart, indeed. So what is this about?

Juan Diaz’ model for Be’lakor, the Dark Master, is basically one of GW’s definitive Daemon Prince models (the other one would be the classic Chaos Space Marine Daemon Prince — also sculpted by Juan Diaz, as it happens). The more recent plastic version closely mirrors many design cues of those classic models, but for all its options, it really doesn’t come close to capturing what made them so cool. Be’lakor, in particular, is a model I have always wanted in my collection, but it somehow never quite happened.

Interestingly enough, it turned out my friend Annie had an old metal Be’lakor, originally bought to be used as a coach for her chaos Blood Bowl team, in her cupboard of shame — and when I learned of that fact, a couple of years ago, my quest to get my hands on that model began: I repeatedly tried to sweet-talk her into letting me have it, mostly because I liked the idea of owning a metal version of the model. Now most of the kinks of Finecast seem to be have been (literally, in some cases) straightened out, but I still preferred the more reliable, for lack of a better word, properties of metal.

But Annie wouldn’t be convinced, so I ultimately abandoned my devious scheme — I did still mention being interested in that model every so often, though…

Still, it was a very sweet surprise when Annie gave me her Be’lakor for my birthday back in June: I was really happy to finally have gotten my hands on the model, and I made her a promise to honour the gift by giving the model a cool paintjob.

Before I could do that, there were some very minor repairs to take care of, however: Annie had cut off the model’s sword, due to her plan of using it as a Blood Bowl coach, so that area needed some cleanup. Ultimately, this turned out to be a blessing in disguise, because it allowed me to replace Be’lakor’s somewhat Slaaneshi looking sword with the Hellblade from a herald of Khorne. While I was at it, I added some more, pretty subtle, Khornate touches, because I really wanted to turn the model into a servant of the War God, for obvious reasons. I had to take care not to mess with the model’s silhouette and purity of design to much, however, so I kept it fairly low key.

And then it was already time for painting, and what better venue to start this endeavour than one of Annie’s and my regular hobby sessions?

I knew that Be’lakor would look absolutely terrific in red, so I started by applying the same red skin recipe that had already served me really well on my Daemon-Primarch version of Angron and some other daemon models. Here’s the model after the first step of the recipe, a healthy drybrush with Mephiston Red:

Since most of the model’s surface is bare skin, it didn’t take long at all to get it mostly finished. Here’s Be’lakor just a short while later:

With most of the hard work out of the way, I was free to lavish some extra care on areas that I wanted to have some pop, such as the sword (painted in my usual, turquoise daemon weapon paintjob), the face or the chaos star on the model’s chest, highlighted to look almost like molten metal:

Most of this happened over the space of one evening, while Annie was sitting opposite me, cleaning about a dozen metal Slann models for yet another Blood Bowl team. Only some minor touches remained for the next day.

However, a bit of a setback happened when I knocked the almost finished model off my desk, thereby shattering it into almost all of its different parts. For a moment there, I was frustrated enough to just toss it all into a box and never look at the mess again, but that wouldn’t have been exactly fair to Annie, would it? So I grit my teeth and put it all back together.

In the end, repairing the damage turned out to be mercifully easy. So all that remained was to build a base for Be’lakor.

I ended up following an approach by my buddy Augustus b’Raass, building up a small mound for Be’lakor to stand on with Milliput, pressing some small stones into the putty when it was still soft. Then the whole thing was covered in a generous layer of Vallejo’s Sandy Earth Paste (I cannot recommend that stuff enough, by the way!), and then I selectively added some patches of my usual basing mix of tiny pieces of slate, cork chaff and modeling sand. So here’s what the base looked like before painting:

Of course the really important thing was to make sure again and again that the model would sit flush atop the base, so I checked and double-checked that by carefully putting Be’lakor on there in between all the different detailing steps:

As you can see, I decided to give Be’lakor a relatively big base, in spite of the model’s relatively small size. I made this choice both for gaming reasons (at least in theory…) and because I thought a larger base would make for a better canvas for the excellent sculpt, giving it the space it needed.

So I quickly painted the base last weekend, and so I finally ended up with a finished model. Take a look:

I am pretty happy with the outcome: Not only does the model look really cool in red, if you ask me, but Be’lakor also definitely works as a Khornate Daemon Prince: He basically looks like a massive modern Bloodletter anyway:

So while I can now use him as Be’lakor, I feel tempted to give him a new name and backstory: In fact, I have this half-formed concept in the back of my head about a daemonic legion created both to support and haunt the World Eaters’ 4th assault company: As I’ve said many times, Lorimar and his followers remain wary of the daemonic, as they fear giving in to the blessings of the pantheon too much will turn them into the same raving madmen as the rest of their legion. But what if Khorne keeps wanting to tempt – and punish – them and has created a daemonic legion for that exact purpose: One daemon born for every broken promise and forsaken oath, a constant reminder of the company’s inevitable doom…? Wouldn’t you agree that my new “Khornate Be’lakor” would be the perfect leader for such a Brazen Legion?

In any case, he fits in well enough with the small daemonic posse I already have…

But that’s a story for another day. For now, I am just really happy to finally have this guy in my collection — and very thankful to Annie for putting him there! So please let me know what you think in the comments! And, as always, thanks for looking and stay tuned for more!

The State of the Hunt, Week 35/2017: Do the robot!

Posted in 30k, 40k, Chaos, Conversions, Inq28, Inquisitor, state of the hunt, WIP, World Eaters with tags , , , , , , , , , , , , , , , on August 31, 2017 by krautscientist

I know I should really be painting some stuff for a change, but relatively little hobby time I have at the moment somehow invariably ends up going towards indulging flights of fancy — hey, at the very least, you get to look at some new kitbashes, alright? 😉

Ever since I built my first Dreadnought, back in 2010 or thereabouts, I have always loved the slightly bigger scale and particular clunkiness afforded by this particular unit type, so I find myself going back to building Dreadnoughts and killer robots on a fairly regular scale — go figure! Today, I have no less than three walking deathmobile projects to share with you, so strap yourselves in:

I. The Blight That Walks…

First up is yet another addition to my alarmingly growing (or should that be mushrooming…?!) Death Guard project. In all fairness, though: It was always clear that a Dreadnought would have to enter the equation at some point, wasn’t it? 😉

The thriftiest option seemed to be to go for the Dark Vengeance Helbrute as a base model — well, that and I really like that particular model: Painting my original DV Helbrute for my World Eaters was great fun, in spite of its mutated look not gelling all that well with the overall look and feel of my army. But that same fleshy hideousness of course perfectly matches the general Death Guard vibe, if you ask me 😉

So here’s what I have so far:

I erm…borrowed a couple of ideas from the recent work of fellow hobbyists, like GuitaRasmus and Marius Perdo, among others, yet I also tried to put my own spin on things. It’s still a fairly economical conversion, however, because I think the Dark Vengeance Helbrute doesn’t really need too much work to read as a Nurglite model.

Now the belly obviously needs some cleanup and smoothing over, but the general look is there. Incidentally, the above pictures are in greyscale because I actually used a mix of GS and Milliput that ended up making for a vile, pistachio-ice cream colour Oh, I also my tried and true tin-foil trick again, putting a piece of the stuff between the plastic and GS while sculpting, so both parts are easy enough to separate when everything has dried, while still remaining form fitting. So the belly remains a separate piece, which should be super handy for assembly reasons:

Still a bit of detail work left to do as well, although I suspect I’ll be playing it fairly safe with this guy. Going all out on the pantjob should be fun, though 😉

II. Underhive Heavy Metal

Back when the first plastic AdMech kits were released, the Kastelan Robots were one of my first purchases. One of them was turned into a counts-as Contemptor for my 40k World Eaters:

The other one was was saved for future use, although my idea of what to do with the model actually went through several revisions: The original plan was to turn him into a Colossus-pattern robot for my small Iron Warriors project, but that plan never really quite got off the ground, and it finally went under for good when Forgeworld ended up producing actual models to represent the Iron Circle.

Later I realised it would be cool to turn the model into some kind of patched up, ancient servitor/former war machine as another colourful addition to my Pit Slave/Underhive project, The Road Crew:

But while I really liked that idea, it never really materialised either, apart from some early kitbashing. But then two things happened. One, I got my hands on one of the old Forgeworld World Eaters Dreadnoughts, courtesy of my buddy Augustus b’Raass, and the head of the machine just turned out to be perfect for this project. Two, I saw what fellow hobbyist WarbossKurgan did with his rather beat-up Kastelans, and that provided the inspiration I needed to wade back into the fray. So here’s what I have now:

As you can see, I have gone for a really ragtag appearance so far, with many tacked on armour plates and strange bits and bobs that suggest all kinds of field repairs — only fitting for the underhive, really. The rounded, 50s retro-futuristic SciFi look is still there, but it’s covered by layers and layers of later additions or replacements: In fact, I really love the idea of making the machine’s origins even more ambiguous: Is it a refurbished heavy duty servitor? An AdMech construct or an ancient warmachine? Or could it be even older…?

There were also several pieces of inspiration for the model: There’s quite a bit of Mad Max and Fallout going on there, but probably the biggest influence was the ABC Warrior Robot, possibly the best thing about the old Judge Dredd film:

And while we are on the subject of influences, using part of a barrel as one of the model’s shoulder pads is actually a bit of a shout out to The Road to Jove, Aaron Dembski-Bowden’s and David Sondered’s graphic novel project:

This also ties into something else I was actually pushing for: A general look of asymmetry: the pauldrons are one example of this, but there are also the arms: The gun arm is massive and beefy, the other one is strangely skeletal, probably due to having been replaced or repaired at some point.

Anyway, after getting nowhere with this model for ages, I am actually pretty happy with the progress I have made. The next step will be to add more details, like cabling and a bit more battle damage. And then, painting the model should be rather enjoyable. I think I’ll be going for a mix of darkened, oily metal and the Road Crew’s trademark, heavily weathered yellow armour I also want to pick a collection of decals that may or may not hint at the machine’s past — in any case, it should make the model even more interesting! And it’ll make for a cool addition to the project:

III. Immortal Hunter

And finally, yet another model: This one was actually built earlier than the other two, but I don’t think I’ve shared it with you yet.

One of my favourite 30k models I have done so far is my plastic World Eaters Contemptor, Vaako the Immortal:

Now when I visited Augustus b’Raass in Amsterdam, he was awesome enough to magnetise Vaako’s weapon options for me. But that left me with two useable weapon arms, and when I recently managed to get a pretty good deal on the plastic Contemptor body, I thought about putting those weapons to good use — and then I just love cutting up that terrible, clunky monopose kit. I’m just weird like that. 😉

I also wanted to find out whether the aforementioned head from the OOP Forgeworld World Eaters Dread  would work on a Contemptor. So I made another 30k Contemptor for my World Eaters. Again, this guy is still missing some detail, but I am already pretty happy with the general setup.

The left arm is a smaller version of the Ursus Claw harpoons the World Eaters would mount onto their void ships and the Titans of the Legio Audax:

It was originally built quite a while ago (drawing some inspiration from a similar conversion by fellow hobbyist sheep) as an additional CC option for my 40k Dreadnoughts/Helbrutes, but it arguably works even better on the taller Contemptor. Together with the multimelta, it suggests that this Contemptor’s specialty is actually hunting for heavier prey, such as enemy warmachines or Dreadnoughts…

Here’s the recipe for the Ursus Claw arm, in case anyone’s interested: The basic arm is the CC arm from the Blood Angels Librarian Dreadnought, I mostly merely replaced the actual weapon
Now the harpoon itself was made from an old axle bit from an ancient model truck kit — although it would be really easy to find a suitable replacement for that bit
the spike is an element that appears on many of GW’s terrain kits and was cut off from a small wall section
the light grey part right underneath the tip was a piece of a Chaos vehicle bulldozer bit shaved down to make a connection bit between the tip and the haft of the weapon
the barrel for the chain consists of two Chaos Marauder Horsemen shields, a roll of chain from an Ogre Kingdoms kit and a piece of chain, once again from an Ogre Kingdoms kit, I believe — sorry for not being more precise, but I got those bitz from an Ogre Kingdoms joblot I bought via ebay.

So yeah, that makes three massive killer-robot-cyborg dudes. What can I say — building those things is just so much fun 😉

Of course I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

The State of the Hunt, Week 33/2017: Idle hands…

Posted in 40k, Conversions, Inq28, Inquisitor, state of the hunt, WIP with tags , , , , , , , , , , , , , , , on August 17, 2017 by krautscientist

So I find myself in a bit of a motivational slump at the moment, trying to work up the motivation to actually paint some of my recently completed Death Guard models, especially my biker lord, since he’s my pledge for the August Arena event over at The Bolter & Chainsword. But while I remain committed to that plan, I just couldn’t seem to get started, and the fact that I’ve been distracted by other stuff – including other hobbies – recently, didn’t really help.

At the same time, cutting up little plastic men is never really all that far from my mind, so when I received a rather nice bitz drop from fellow hobbyist Aasfresser, my interest was piqued:

Among the bitz were some early 90s plastic berzerkers (say what you will about them, as far as monpopose models from the early 90s go, I think they’re pretty great!) and a plastic CSM from around the same time — I’ve never even owned one of the latter before, and while the model hasn’t aged all that gracefully, I do think those were pretty much ahead for the curve for their time, especially when compared to the pretty atrocious 2nd edition plastic Space Marines.

There were also all kinds of chaotic bitz and bobs — but it might surprise you to learn that something altogether different caught my eye and gave me an idea…


I. A thing in a jar

As I discovered to my delight, Aasfresser had also included one of those creepy embryonic rats that come with the Skaven Stormfiends kit. Having one of those things in my hands made me remember my half-buried thoughts about a possible conversion project, and then things just started falling into place: I recalled a certain John Blanche sketch from the 4th edition 40k rulebook, Aasfresser told me about his own plans for those via PM and ‘doesn’t that new 40k objectives kit contain a pretty cool incubation tank…?’

Anyway, here’s what I had when I came to 😉

As you can see, I basically added that incubation tank from the Sector Imperialis Objectives to the undercarriage of a Kataphron Destroyer, and I think it works pretty well. A word of warning to those of you who are considering a purchase of the objectives kit, however: While it contains many excellent parts, the cast seems to be plagued with the same gooey texture and loss of detail we have already seen on some of the basing kits. The components are still serviceable, but they are not as sharp and crisp as the stuff you get when you purchase a 40k squad (or AoS unit).

Those problems notwithstanding, the combined parts made a rather convincing new home for that creepy little embryo: I love the idea of the Adeptus Mechanicus keeping strange and creepy experiments inside incubation tanks and vats and maybe taking them along for expeditions and battles to field-test them. Or maybe this is a particularly degenerate member of the Adeptus itself?

In any case, I did my best to make the small creature inside the tank as creepy as I could: All signs of its ratty progeny (the face and tail) were carefully shaved away, and a new face was spliced in. I also added some more cabling and some injectors and vials for that extra bit of AdMech madness. Here’s a closer look:

Given the enlarged brain, I thought it would be cool to go for a face with the eyes and mouth sewn shut, so I used one of the trophy heads from the Plaguebearer kit. Yeah, pretty unhinged — I know 😉

Now the back of the tank is fully detailed as well, with a pretty nifty array of cogitator banks, so I wanted to have some kind of Magos or tech thrall on there, monitoring the vital signs, collecting readings and stuff like that. Now my original plan was to have the operator as an actual, separate individual, but comments from fellow hobbyists over at the B&C made me reconsider — and realise that there’s actually nothing more AdMech than having a hardwired servitor on there for just that one purpose, is there?

So here’s a mockup for the operator/servitor:

And here’s a view from the front, without the tank in the way 😉

The servitor itself looks pretty faceless, but that’s arguably the point of such a creature, right? 😉

All in all, I think the model is really starting to come together — and the cradle for the servitor also goes some way towards making the whole ensemble look more believable as an actual AdMech machine.

So the model should be a pretty cool addition to the small AdMech freakshow I have already built and painted for my INQ28 collection:

II. Primaris premiere

Sawing through all of those Kataphron Destroyer bitz also led to another conversion: I recently purchased a box of three snapfit Primaris Marines, so I could experiment on the new Space Marine models at some point. Say what you will about the way the bigger Marines have been shoehorned into the setting (personally, I hate it!), but the models are pretty cool and provide the perfect go-to template for building true scale Astartes for use in INQ28, among other things. So I returned to yet another conversion I had been planning for a while — although having the Primaris Marines to work from certainly made this project quite a bit easier!

As you can probably tell from looking at the model, this is supposed to be an Iron Hands (Tech-) Marine. I carefully sawed away most of the Primaris torso front and replaced it with a Kataphron Destroyer breastplate. The bionic left arm also came from the Kataphron Destroyers. The backpack and head are from the Deathwatch:Overkill Iron Hands character, and the bionic left hand and axe are from a Master of the Forge.

For the right arm, I tried just tacking on the stock arm, but this highlighted the fact that the new, elongated bolters don’t really work all that well when held in one hand — the arm just seemed ever so slightly unbalanced to me. So I carefully reposed the arm from aforementioned Deathwatch:Overkill model, and I think it works far better:

Funnnily enough, the new gun isn’t really that much shorter, but it still looks quite a bit more balanced, wouldn’t you agree? It probably has something to do with the front of the weapon having a stockier build and looking less “elongated”, for lack of a better word. Plus the cabling also adds a bit of extra visual “counterweight”, as it were.

So that’s it for this week: Nothing groundbreaking, but a couple of – hopefully interesting – kitbashes. As usual, I would love to hear your feedback! And, as always, thanks for looking and stay tuned for more!

The State of the Hunt, Week 31/2017: The Nurgle train has no brakes…

Posted in 40k, Chaos, Conversions, paintjob, state of the hunt, WIP with tags , , , , , , , , , , , , , , on August 1, 2017 by krautscientist

After the fairly copious amount of praise I had for the new Death Guard models last week, it probably won’t be too much of a surprise that I am still happily cutting my way through the chaotic part of the Dark Imperium boxed set at the moment. So a closer look at the Primaris Marines – along with some of their implications for the 40k setting – will have to wait for a bit, while I share a couple of projects I am currently working on. It’s probably for the best, however, as we are currently seeing even more Primaris kits being released, and I would very much like to take those into account as well. Well, that and doing Nurgle kitbashes is just too much fun at the moment 😉

Speaking of which:

I. The kitbashing continues

I am slowly working my way through the Dark Imperium Death Guard models BubblesMcBub sent me, mostly focusing on the Plague Marines for now. There’s not too much to see there, however: I already said in my earlier post that I doubt I’ll be changing too much about them, as I am simply a huge fan of Maxime Pastourel’s sculpts on these guys! So my work on them is mostly limited to taking of a detail here and there to ever so slightly reduce the clutter. It goes without saying, however, that this has the added benefit of giving me some extra bitz to sprinkle among the rest of my conversions 😉

The one exception is the Plague Champion, because I am really not a fan of his molten face and have wanted to replace it ever since I first saw the model. After giving it a bit of thought, the solution I came up with was to make a press mold of the very same mummified head that’s dangling from the champion’s backpack by a chain, and carefully work it into the cowl the model wears. I’ve also slightly touched up the breathing tube that originally formed most of the model’s face, making it look like several tubes and hoses are feeding into his head now, and have maybe even been sewn to his face. Eww…

Anyway, here’s the model:

In all fairness, the new face is just as disfigured as the old one, but I still prefer it because you can actually make out at least some of the features — plus it actually uses a face sculpted by Morbäck as well now, so there’s that too 😉 To be honest, I’ll probably have to paint the model before I know whether or not it was all worth it, but oh well 😉

In the meantime, I have also managed to get my hands on the three “easy to build” snapfit Plague Marines and just had to start working on them as well. Let me tell you though, these should carry a “hard to convert”  label, at least if you are trying to do something a bit more involved: I felt acutely reminded of the rigid monopose Plague Marines of the early 90s. But they probably weren’t designed to be cut apart in the first place, so the fault is entirely mine — there must be something wrong with me, actually doing most of the conversion work on models that weren’t envisioned as conversion fodder to begin with…

Anyway, my plan was to actually convert a second Blight Launcher Marine, in addition to the one that comes with the kit anyway, and I already showed you the converted Blight Launcher in my last post:

So I grafted it onto the champion from the easy to build kit and made a couple of additional tweaks. Here’s the mostly finished model:

But boy did the model fight me every step of the way: The stock pose is just so weird, and I ended up carefully sawing off the entire upper body in order to tweak it a bit. As you can see, I have also slightly redesigned the blight launcher, splicing in the upper section of a Sternguard heavy flamer to bring it even closer to the “official” design. I also added some tiny strips of chainmail, thanks to a very helpful suggestion by fellow hobbyist Aasfresser, in order to make the right arm and shoulder match the design on the other side:

The backpack with the plasma gun is just a placeholder, of course, as a blight launcher and plasma weapon on the same model would be a bit too much 😉

As for the actual Blight Launcher wielding Plague Marine, he has been tacked together for now. The one change I made was to his faceplate, as I didn’t really like the way the tube directly fed into his helmet, so I spliced in a rebreather:

So here are the two tweaked snapfit Plague Marines:

While I was at it, I also slapped the very creepy leftover power fist on my Blightbringer-based Plague Champion:

II. A recipe for rot

Now I have used several recipes for followers of Nurgle over the years, but none of those really ended up coming together precisely the way I wanted to. For instance, while I am pretty happy with the overall look and feel of my squad of retro Plague Marines,…

…the recipe was not quite what I wanted to use for the new batch of models. So some experimentation was in order.

So for my first test model, I used an undercoat of GW Mournfang Brown spraypaint (which performed quite well):

For the actual paintjob, I ended up giving a paint splatter recipe from one of the recent issues of White Dwarf a try — with a couple of small tweaks.  Here’s how my first test model turned out:

Pretty cool, but not quite there yet, either. The green, for instance, was a bit darker than I had planned — mostly on account of my choosing the wrong shade for it, to be fair.

So I painted another test model, and I think I got it right this time around:

Now we’re talking! This is actually very close to what I have wanted my Plague Marines to look like for ages, and the green on the armour is just right! I ended up with the following steps for the armour plates:

  • basecoat with GW Deathworld Forest
  • wash with GW Ogryn Flesh (or, failing that, Reikland Fleshshade)
  • highlight with GW Ogryn Camo
  • DONE!

As for the skin, I went with one of my tried and true recipes for distressed skin, based on a basecoat of GW Rakarth Flesh with a healthy wash of GW Ogryn Flesh followed by a slightly more focused use of GW Druchii Violet and GW Carroburg Crimson on top.

So out of all the various recipes I’ve tried for followers of Nurgle over the years, this one is really my favourite so far:

So expect to see more of this approach as this project takes shape! 😉


III. The Blight That Rides

Last, but definitely not least, I’ve been challenged by BubblesMcBub, whom I met at the Amsterdam GW store and who was nice enough to provide me with all of the Nurglite goodness, to build a mounted character in a mutual challenge for the August Arena 2017 over at the Bolter & Chainsword — an event, I must add, by none other than my mate Augustus b’Raass, in a funny twist of fate. Now I have to be honest: At first I hated the idea of having to build a mounted character, but after giving it a bit of thought, and seeing how I am on a bit of a Nurgle trip at the moment, I thought it might be fun to build a Nurglite Chaos Lord on a bike. So I made a first, very early mockup:

The idea here was to build the model entirely from leftovers from my bitzbox, so I grabbed an old Deathwing bike from the Dark Vengeance box and a couple of Chosen and Blightking bitz. In fact, I pretty much stuck to the recipe I used for my kitbashed Plague Marines a short while ago, just with a bike thrown into the mix.

Fairly happy with the early mockup, I started to build the model in earnest, replacing the crude poster tac mockup with actual GS: I greenstuffed in a hideous, fat belly in order to blend the lower and upper parts of the body together — and, of course, to make the model look suitably Nurglite. I also added some rolls of fat around the neck and below the helmet. And the Chosen axe was changed to a Plague Sword.  I also started transforming the bike into something far less loyalist. Here’s what I ended up with:

I actually love the way his fat belly is wedged behind the bike’s fuel tank/midsection 😉

An array of tanks and pipes was added to the back of the bike, with its various tubes and pipes feeding both into the bike itself and into the Lord on top of it: I love the idea that a) he probably isn’t even able to get off that bike anymore and b) there’s some vital fluid in that tank that gets pumped into both the bike and the rider, effectively turning them into one creepy organism and sustaining the twisted Astartes:

On a related note, let me also share a small anecdote: I’ve also recently finished an Imperial Fists commander on bike, intended as a small present for Augustus b’Raass, and for entirely subconscious reasons, the Nurgle biker Lord ultimately became something resembling a dark reflection of the loyalist model:

Anyway, back to the model at hand: With most of the heavy lifting out of the way, I was free to keep detailing and tweaking the model. This meant lots of detail work on the bike (both to create rust holes and to add some Nurglite touches).

One thing I realised fairly early was that having to paint this guy as one solid piece would be a nightmare, so I used a trick that already served me so well on one of my Angron conversions and put a piece of tinfoil between the upper and lower body before I started sculpting. Which has resulted in both parts fitting together perfectly, while also remaining separate, so I’ll be able to take him apart as needed for painting:

This also made it far easier to add details and tweaks to the bike. So here’s a better look at it, pipes tubes and icky trophies included:

This step also involved some additional sculpting on the driver, including filling gaps and adding more disgusting details, such as semi-fleshy cables running around and into his torso (visible as darker green parts in the following picture):

And, like I said, it will be really easy to disassemble the model for painting:

The last thing I did, once again thanks to some very cool suggestions over at The Bolter & Chainsword, was to add a small passenger to the back of the bike:

The Nurgling from the Noxious Blightbringer’s backpack has found a new home with the “Blightrider” (hur hur) — and the little guy is obviously having the time of his life 😉

Anyway, here’s the finished conversion, ready for painting:

The deadline for completing the model is September 1st, so expect to see some paint on him fairly soon. That being said, I am still trying to come up with some cool ideas for a suitably impressive base (and, in fact, for a cool basing scheme for all of my new Nurgle models), so if you have any ideas, I would love to hear them!

On a related note, BubblesMcBub’s contribution to the challenge will be a pretty cool Iron Warriors Lord on a lizard, which you can (and should) check out here.


Anyway, as you can see, I am basically having a blast with the Grandfather’s followers right now 😉
Would love to hear your feddback! And, as always, thanks for looking and stay tuned for more!

Dark Imperium — a closer look at the Death Guard models

Posted in 40k, Chaos, Conversions with tags , , , , , , , , , , , , , , on July 25, 2017 by krautscientist

Hey everyone: Once again, sorry for the lack of updates. I returned from my recent trip to Amsterdam full of new hobby ideas — it’s just the sitting down and writing about it part where I seem to falter. It has also been getting harder and harder to get feedback on my posts recently, which makes it all the more tempting to actually build and paint stuff instead of blogging about it…

Be that as it may, here’s another post at long last. And while today’s update started out as a regular (if very late) review of models that come with the Dark Imperium boxed set, it has warped and mutated into something slightly different for a number of reasons: I realised early that I would need to divide my look at the box in two parts, for one. For talking about the Primaris Space Marines will invariably mean taking a look at their implications for the overall setting, both from a modeling and storytelling perspective. And seeing the additional kits they have been receiving recently, that would make for a pretty sizeable post in and of itself.

At the same time, there’s also the fact that I have been bitten by the Nurgle bug on account of the new Death Guard models, and have started to play around with the new sprues. So for today, let us take a closer look at the chaotic side of the Dark Imperium release: The New Death Guard models, designed by Maxime Pastourel and Aly Morrison:

By now, it’s no longer a secret that Maxime Pastourel, aka Morbäck, is not only one of GW’s sculptors, but also one of the people behind one of the best hobby blogs on the internet, and also the owner of what’s probably the best Nurgle army in existence, the Plaguebones. The army was even featured recently on the Warhammer Community page, yet I would argue that you should really head over to Maxime’s own blog for the bigger picture.

Anyway, back when the first teasers of the new Death Guard models surfaced, I literally made a little squee of delight when I discovered more and more telltale elements of Maxime’s Nurgle conversions both in the artwork and the actual models: I was basically only waiting for him to finally make some Death Guard models, and now they are finally here. And I am more than happy with the outcome! What’s more, I’ve managed to get my hand on most of the Dark Imperium Death Guard models, courtesy of fellow hobbyist BubblesMcBub (cheers, mate!). So let’s take a look at the models and at what I have done so far with some of them.

Oh, and once again, the review over at Convert Or Die should make for some excellent complementary reading — just pointing this out before we get going 😉


Lord of Contagion

What a beast! I probably have this semi-conscious shortlist of what a Nurglite warlord should be in the back of my head, and this guy really ticks all of the boxes for me: Massive? Check! Clad in ancient, pitted Terminator armour? Check. Intestines squelching out of the collapsed parts in the armour? Check! Wielding a massive, vicious close combat weapon? Check, check and check!

It’s really cool how close the Lord of Contagion comes to basically embodying the archetypal warlord of Nurgle — to wit, it’s probably no coincidence that he resembles this iconic piece of artwork, courtesy of Adrian Smith, so much:

By the same token, the Lord of Contagion shows one of the main tenets of the new models’ design: a pronounced medieval influence that is clearly visible on most, if not all, of the new Death Guard models (and, in all fairness, has always played a huge part in GW’s approach to Nurgle). At the same time, the fact that the model is clearly wearing corrupted Terminator armour firmly roots it in the 40k setting — an important balance to get right, but Maxime has really managed to nail it here.

There’s also a fair bit of Typhus in there — in fact, seeing this massive guy, I cannot even begin to imagine how impressive the Death Guard’s First Captain might end up looking, if he gets a redesign, that is.

Speaking of which, it would be really easy to turn the Lord of Contagion into a Typhus conversion: It looks like the head comes as a separate part, so using the head from one the stock Typhus models (or converting something similar) would go a long way towards making this guy look like Typhus. The blade of the weapon should be easy to enough with a suitably impressive scythe as well — although I find myself balking at the mere idea of getting rid of that magnificent axe blade…

Speaking about that axe, it’s obvious how it was inspired by the massive axe from Maxime’s incredible Lord of Skulls conversion, and I was really happy to see it make a return on an “official” GW model! 😉

Oh, and I just love those poor little Nurglings being squashed by the Lord’s left food: It’s a neat touch that provides the suitable amount of Nurglite humour without beeing too on-the-nose about it.

My one possible nitpick is the back mounted icon, as it can seem a bit overwhelming. But having seen the model firsthand, it works fantastically well as an ensemble, so consider this a very minor complaint.

All in all, this guy is a fantastic centre piece model for any Death Guard army — or, indeed, any 40k collection, period. Brilliant work!


Malignant Plaguecaster

Now this guy was a slightly tougher sell for me, mostly because it took me quite a while to even make sense of the model when first seeing it. If nothing else, it’s clearly obvious that we are dealing with a Nurglite Sorcerer here. And indeed, upon closer examination, the Malignant Plaguecaster shares quite a few visual elements with Forgeworld’s older Death Guard Sorcerer:

And yet, it’s precisely by comparing the Plaguecaster to Forgeworld’s model that we can see the problems: Forgeworld’s take is fairly down-to-earth — almost pedestrian, really. And yet it works so well because the pose is sound and powerful. Whereas the Malignant Plaguecaster is hampered by the way his very pose seems strangely unbalanced. The fact that there’s so much going on with the model – a veritable flurry of shapes and curves – doesn’t help either.

Beyond this main aspect, my other two points of contention are the model’s face and staff: Now the the creepy cherub face is an interesting idea — however, I have to say it doesn’t quite come together for me, and is one of the element’s I would change about the model.

And why is the staff so short and silly — it almost looks like a toy. Why couldn’t it have been a scythe — or at the very least, a good bit longer?

On the other hand, one thing I really like, is something you only see when taking a closer look: The ragged shroud pinned to the Plaguecaster’s backpack:

Now this obviously looks like a deathshroud — but it also recalls an insectile wing, wouldn’t you agree? In fact, taking a closer look at the model’s copious mutations, there’s a very cool sense of something dreadful and insectile just waiting to break from the sorcerer’s body any moment now, while also being barely contained by his still almost-human outer shell. What a cool and creepy concept, indeed! It’s just a shame that so much of it gets lost amidst the flurry of different shapes and clashing design elements…

My own approach for the model, therefore, was to keep the sense of something twisting and gestating just underneath the Plaguecaster’s skin, while cutting back on the clutter. I also changed the face and staff, while I was at it:

The face has been covered up with a Cadian rebreather (the hood even has a small indentation in exactly the right spot, which was an awesome coincidence). The staff was turned into something less toylike by splicing in some parts from the bell that came with the Putrid Blightking kit. And I do think the right arm works better at a different angle, giving the model a slightly more grounded pose. As for the right hand, I experimented with the option of giving him some kind of casting hand, but in the end it seemed like he needed some visual counterweight, so to speak, to balance out the staff, and the clunky plasma pistol from the Noxious Blightbringer just did the job rather nicely.

Here’s the Plaguecaster next to my (earlier) sorcerer conversion:

I actually like him much better now, mostly because the slightly streamlined version should be easier to make sense of. I also hope I’ve managed to keep all the cool parts. All things considered, I love this guy’s inclusion in the Dark Imperium box, because where the Lord of Contagion is a perfect model right out of the box, the Malignant Plaguecaster is a delightful little puzzle to be solved by converters, and I had quite a bit of fun, making some tweaks to him!


Noxious Blightbringer:

This guy presents an interesting new character archetype halfway between a sorcerer and a standard bearer, and it seems like the model tries to capture this somewhat new and adventurous concept by having a bit of fun with the established visual language: All of the hallmarks are there, but some get turned up to elevene — such as the bell dangling from the massive, jutting horn growing out of the Blightbringer’s backpack.

It’s also obvious that the Blightbringer leans rather heavily on the medieval parts of the design — or even moreso than the rest of the models, that is. And in fact, this goes a long way to giving this guy his own identity: Between the slightly WFB-styled helmet and the tabard/smock covering the front of the armour, there is something rather darkly medieval and apocalyptic about this guy. Even better then, that he is wearing a clearly identifiable – and mostly standard – suit of Mk. III armour underneath it all!

If I have one piece of criticism, it’s that – once again – there’s almost too much going on with this guy, especially with the massive number of censers dangling from his armour and backpack

All in all, however, it’s a cool and fun little character model, and an interesting exploration of how far the medieval angle can be pushed. I also love the little Nurgling hanging from his shoulder pad 😉

As for conversion options, the model also makes for an excellent Plague Champion (or even Nurglite warlord) with just a minimum of conversion work, as I found out myself: Due to an ebay mixup, I found myself in the possession of an extra Blightbringer model, and having cannibalised it for bitz, I wanted to do something cool with remaining pieces, so here’s what I did:

It was easy enough to carefully cut away the head (while keeping it intact for use on a future project). The weapons were replaced, and I also got rid of some of the censers — while moving one to a different location on the backpack to create a “chain cape” look of sorts:

On a related note, the leftover bell from that same Blightbringer’s backpack turned out to be just the missing piece I needed to breathe some new life into a slightly strange conversion I originally built all the way back when the Putrid Blightkings were released, using some Blightking bitz and an old AOBR plastic Terminator. The model ended up in a strange place between a regular Plague Marine and a Terminator in the end. Pretty cool, but also slightly confusing. Now with the very real scale creep of the new Death Guard models, and with the help of the last leftover parts of my extra Blightbringer, I was able to turn this guy into something that nicely fits the theme of the models I have built so far. An alternate Blightbringer, if you will:


Foetid Bloatdrone:

The Foetid Bloatdrone fills the obvious Dreadnought/Helbrute slot for the Death Guard force contained in Dark Imperium, and it’s certainly interesting to see something that’s almost a Dreadnought, only not.

Of course the Bloatdrone channels some of Forgeworld’s own Blight Drone model:

But while I could never quite bring myself to like the Blightdrone, I actually think the Bloatdrone is really cool — maybe it’s the fact that it’s actually closer in design to the rest of GW’s (plastic) chaos catalogue. Maybe it’s because the Bloatdrone almost seems like a missing link between the Blightdrone and a Dreadnought. Anyway, I really like it, with all its nice Nurglite touches (such as the single eye, the arrangement of the thrusters in an obvious nod to Nurgle’s own symbol, and the “garden syringe” look of the weapons. Oh, and the beautifully disgusting, fleshy back, of course:

It’s also really cool that the Death Guard get their first original vehicle/warmachine beyond the stuff we already know. Now the Helbrute was a bit of a standout model in the Dark Vengeance boxed set, and the Bloatdrone mostly continues this trend, giving us a cool model that should be fun to play around with.

Speaking of which, I think converters should find lots of useful conversion fodder on this model: The thrusters whould work rather beautifully on a Nurglite Daemon Prince, while the main body and faceplate could probably be kitbashed into some rather cool Helbrute and/or fiend variants. We’ll see…


Plague Marines

Definitely the high-point of the release for me! I really love how these guys breathe some new life into one of GW’s most interesting chaos archetypes. There’s just so much going on here at the same time — and in a good way. To wit:

  • the models have many iconic elements that go back to Jes Goodwin’s seminal Plague Marine from the early 90s and, by extension, his original design sketches from the same time:Take a look: the Pickelhaube-styled helmet, the bloated breastplate, the pipes — all accounted for. By the same token, you can find many more classic touches on the models, such as the backpacks basically recalling classic second edition chaos backpacks. I love continuity porn like that! 😉
  • Once again, there’s a distinctly medieval feel about these guys: You’ve got chainmail, decayed wood, and all of those bells…
  • there are some subtle trencher and WW1 touches, even beyond the spiked helmet, such as some of the Blight grenades being designed like German stick grenades. A very fitting and grimdark touch!
  • At the same time, and in spite of all those different visual touches, I love how all of the models are wearing clearly identifiable Mk. III plate!
  • The models also have a great sense of grim determination, which is very fitting for the Death Guard. Yes, they are decayed, shambling monstrosities. But they are also the galaxy’s most resilient footslogging Astartes troops, and they have been for more than ten millennia!
  • And last, but very definitely not least, Morbäck has succeeded at splicing in some very iconic, yet also completely fitting, elements of his own Plaguebone conversions:The guy in the bottom left is basically a Plaguebone (and also one of the best models of the bunch). The cyclopean head on the Marine with the plasma gun is a dead ringer for the converted head on Morbäck’s Lord of Skulls — the list goes on and on!

What’s even better, however, is that each of them is a character! While two of the models share almost the same body, they still end up looking suitably different that we get a squad where every model is an individual exploring slightly different visual archetypes, while the models still make up a coherent squad. That’s just lovely!

So, is there anything I don’t like? Once again, and this is basically spitballing of the highest order, but maybe some of the models are just a tad too busy and stylised for their own good. I’d feel tempted to maybe take of a chain here and a dangling detail there, just to improve the overall flow of the models and de-clutter them a bit. The champion is also arguably the weakest of the bunch, because he just moves too far away from the Plague Marine archetype and looks more like a sorcerer to me (that being said, on the other hand that means he would make for a sweet alternate Plaguecaster) . And the molten face doesn’t quite do it for me, personally speaking.

As a squad in a starter kit, however, these are an improvement over the – already fairly spectacular – Dark Vengeance Chosen. And they also finally provide us with some excellent Plague Marine models once again, when previous iterations were just constantly getting worse, diluting the fantastic concepts of the early models further and further and relying on mushy sculpting and gooey, nondescript mutations.

When it comes to converting these guys, like I said, I don’t think I’ll be making any massive changes to them, as I mostly like them exactly the way they are. Maybe I’ll take off a detail here or change something small there, but nothing too involved, so as not to mess with the models’ inherent character. However, if you should find yourself with two sets of Plague Marines, cutting them up for extra variety should provide lots and lots of fun: Like the Dark Vengeance Chosen that came before, the new Plague Marines seem like challenging, yet all the more promising conversion material — and that’s without even considering the very real prospect of a multipart kit in the (hopefully not too distant) future.

One thing I found really surprising when working with the actual models, however, was how big they actually are: They seem to be using standard plastic Mk. III armour as a template, but it has been scaled up quite a bit, making the models about 1.5 times the size of standard Mk. III models. So my kitbashed Plague Marines do seem ever so slightly stunted next to the new official models:

For the record, I think they still work pretty well — if you don’t look too closely 😉

However, the real surprise came when I compared the new Plague Marine with one of the Putrid Blightking-based models I converted a while ago: The latter were originally conceived as true-scalish and ended up being about the size of standard Terminators. But now…

…it turns out they would actually work very well as standard Plague Marines: Sure, they are slightly more bloated and a bit more medieval, but that can be explained away as a bit of variation between squads. Seems I have five more Plague Marines now 😉

In fact, Impact1 has found out that the Plague Marines can be turned into rather fantastic Death Guard Terminators with a bit of work, on account of their impressive size.

One last thing that should be mentioned about the new Plague Marines is that there’s also the additional set of three snapfit models:

Now I love the fact that these are actually three more original sculpts! At the same time, their poses are noticeably more rigid and betray their snapfit origins. Still, these should make a nice addition to the seven guys from the Dark Imperium box, and they are already making their way to me as of this writing.

If I have one major complaint, it’s the fact that we actually have to get these models to get our hands on the Blight Launcher, seemingly the Death Guard’s new signature weapon. As it happens, I am actually planning to convert another of the three to wield a Blight Launcher, and I already have the weapon mostly prepared:

Really not brain surgery, this one: Just combine a plastic Mk. IV or Mk. III Heavy Bolter with the barrel from a Cadian grenade launcher, throw on some Nurgly bitz as needed — DONE. I cannot even claim being the first to come up with this idea, either: Credit must go to Satarin, among others.

Let me also point out that DuskRaider has made an excellent conversion for Forgeworld’s Necrosius (their aforementioned Death Guard Sorcerer) using the snapfit champion.



Now these were the other part of the new Death Guard release that I didn’t immediately fall in love with: The models just seemed too goofy and over the top to me at first. However, I’ve really grown fond of them over the last couple of weeks, so hear me out:

One reason I like them is because the amount of detail on the models is just insane, with their boils, mutations and disgusting textures rendered in a way that is almost sublime — seriously, you have to see the plastics firsthand to realise how sharp and wonderfully gross the detail on these guys is!

There’s also the fact that so much of their inherent weirdness – the strange angles of their limbs and their manic grins, for instance – gets explained really well, for once, in their background: Those are all symptoms of the disease they are suffering from, and it’s seemingly slowly turns them into something resembling nothing so much as Nurgle’s own Plaguebearers — in fact, this is an excellent callback to established background, were victims of Nurgle’s Rot originally slowly turned into Plaguebearers as well!

In another fairly cool touch, the Poxwalkers pick up on something that was already fairly excellent about the plastic Chaos cultists that came with Dark Vengeance: We get to see some remains of civilian life in the Imperium, as the tattered remains of the Poxwalkers’ clothing show their former station in life: There are miner’s suits and uniforms as well as hazmat suits — or even something that might be a medicae coat. There’s something very fitting (and disturbing) about the thought that people might have been infected while trying to fight an outbreak of the disease — or, even more sinister, while trying to engineer biological weapons? After all, this is the grimdarkness of the far future we are talking about here… 😉

A propos of nothing, let me just point out that the guy wielding what looks like a pipe wrench is actually a perfect model!

So by and large, the Poxwalkers have really managed to win me over — or should that be: get me infected? But still, some of the models are still a bit too out there, though, with features that seem a bit too exaggerated and details that are just one bridge too far. Therefore, my own approach with these models will be to prune back some of those OTT touches while keeping the models’ overall strangeness in place.

I’ve already attempted this with the Poxwalker wearing a torn hazmat suit. Here’s the result:

Now this may not seem like a huge change, but I am far more happy with the model now: Here’s what I did:

1. The oxygen tank messing up the model’s silhouette was cut off and reattached to the model’s back.

2. The hand holding the plague knife was rotated, so it looks less weird

3. On the other hand, the left arm and head were tweaked to actually make them look weirder: The disease is what mutates these guys and locks their joints at strange angles, right? Now in my imagination, the Poxwalkers’ movements should be full of weird twitching and spastic cramps — like something out of Jacob’s Ladder or Silent Hill. Which is why I carefully bent the arm to look even more unnatural. And I significantly changed the angle of the head to make it look like it too was subject to the strange cramps and spasms of the body.

As with the Plague Marines, there’s also a second, snap-fit kit of Poxwalkers available:

Yet for the most part, there’s nothing about these models that the guys in the starter kit don’t alreeady do better. The fat guy is interesting, mostly because that angle hasn’t really been explored in the first batch of Poxwalkers, and I really wish the guy with the goggles and rebreather had been included on the Dark Imperium sprues. But apart from that, these guys are really nothing to write home about.


So, all in all, I am really very happy with the Death Guard part from the Dark Imperium starter box! The Plague Marines, in particular, are a true return to form after years and years of fairly sub-par models from GW. As a starter army, these actually seem like a refined, even more interesting (if also less versatile) version of Dark Vengeance’s CSM starter force. In any case, it goes without saying that they are terrific value for the model and have really given me quite an appetite for all kinds of Nurglite shenanigans — and I am really looking forward to finally seeing the rumoured multipart kits and *gasp* the Plague Terminators! Fantastic work, gentlemen!

So what’s your take on the new Death Guard models? Are you feeling as enthusiastic about them as I am or do you have any gripes? Are there any cool conversions or additional thoughts you would like to share? I would be happy to hear from you in the comments section!

And, as always, thanks for looking and stay tuned for more!