Archive for fluff

INQ28: On the Road Again…

Posted in 40k, Conversions, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , on June 4, 2018 by krautscientist

Yet more INQ28 this week — but with a dash of Necromunda for a change: As some of you might remember, my little gang of malcontents, mutants and pit slaves codenamed “The Road Crew” should really work well in both settings. And after all, there were still some models that finally needed to be finished, so I got to work.

You see, when I recently finished Worker #9, that was actually a case of the ragtag robot jumping the queue, when there were still a couple of Road Crew members that should have been painted first. These gentlemen:

My idea for the Road Crew was to use the classic Necromunda concepts of both Scavvies and Pit Slaves and build a gang that basically bridged the gap between both, while also channelling all kinds of postapocalyptic influences and sources — which is why you can see a lot of Mad Max, Fallout or even Borderlands in these characters. Of the three guys above, two weren’t even originally built as members of the Road Crew, but when I went through my cupboard of shame, they seemed like interesting enough additions to round out the gang. And now it was finally time to get them painted. So let’s take a look:


I. Chainsaw Mayhem

First up, the tried and true teen slasher concept of a masked villain with a chainsaw — a true classic, this one:

In fact, the original model started out as nothing more comlplicated than wanting to come up with some kind of insane minor villain to serve as a sort of miniboss in games of Necromunda or INQ28 — most of the inspiration for the character came from an old late 90s WD article on various pulpy monster and villain archetypes for use in Necromunda. I also drew some inspiration from a very cool Khornate cultist with a chainsaw built by morbäck, if I remember correctly.

The conversion itself was fairly straightforward: The model basically uses most of a Dark Vengeance cultist, with the hooded head from another cultis. The most involved part of the kitbash was to splice in an Ork chainsword to replace the nozzle of the heavy flamer — and with that, the underhive maniac was basically finished. It’s actually a bit shocking how the model was built all the way back in 2013

I wanted to paint him in the tried and true Road Crew recipe, that is dark grey fatigues, scuffed yellow armour, and some red detail to add in another spot colour. However, during the painting process, I realised that the colour balance was off, so I had to make some eleventh hour additions to the model: The chance to include more yellow elements was achieved by adding a shoulder pad to the model’s left shoulder and an armour plate over its crotch (which should make brawls in the underhive ever so slightly less dangerous and also has the added benefit of breaking up that massive, red apron a bit, from a visual standpoint):

Of course a masked maniac with a chainsaw seems like the perfect occasion for quite a bit of gore, right? And indeed, I did contemplate adding some Tamiya Clear Red to the model for quite a while. I also realised, however, that due to the way a chainsaw works, I would basically have to paint blood onto the entire blade of the weapon, which seemed like a pretty surefire way to have it all look completely over the top — always a big risk when working with blood effects.

So in the end, I decided that less is more, and went without the blood — almost, that is, because I couldn’t help adding at least some blood to the “bag o’ bones” on the model’s back.

Anyway, here’s the finished model. Meet Sawtooth, everyone:

Granted, a maniac wielding a chainsaw may not be the most original character in the Road Crew, but he was still great fun to finish, and I think he’ll look great with the rest of the family. And even if he has a certain pulp charm about him, I think it makes sense that he would add a bit of a ‘mutant madman’ angle to the crew — on top of the Mad Max angle and the tragic gladiator angle and all the other postacpocalyptic references and influences that are already there 😉


II. Only Sane Man…?!

Now this second model wasn’t built for the Road Crew either. It was originally planned as some kind of Imperial Guard veteran and started life as the result of some idle kitbashing:

The base model was yet another chaos cultist. I swapped the arms and a rifle from the Tempestus Scions kit, which made for a slightly more soldierly look. A head from the Space Wolves’ scouts was chosen for a suitably grizzled veteran look. And that was about it.

When I went through my unpainted models a while ago, I liked the idea of a more human Road Crew member without any obvious mutations or augmentations — maybe a former soldier of the Astra Militarum who had come to the underhive in an attempt to escape something that had happened in his former life? Anyway, that led to this guy being drafted into the gang as well.

This time around, the painting process worked like a charm. So here’s “Sarge”:

While the model uses the same colour scheme as the rest of the Road Crew, I tried to make him look just a bit less unkempt: His equipment is still in pretty good shape, which hints at his past as a professional soldier. And while he has adopted the Road Crew’s emblematic scuffed yellow, it’s still possible to imagine him in his previous life.


III. Yikes! Another Saw…?!

So that’s two down, but I have yet another model to share with you today, and not only is it my favourite of the bunch, but also the one guy who was legitimately planned for the Road Crew from the beginning. Meet “Cirque”, a heavily muscled brute who’s at the forefront of every raid and gang fight, with his trusty eviscerator:

I am really happy with this particular conversion, but to give credit where credit is due, Cirque actually directly borrows ideas from two models I saw online and loved instantly: Plib’s Necromunda Scaly/Brute here…

Model built and painted by Plib

…and Jeff Vader’s older chrono gladiator:

Model built and painted by Jeff Vader

It’s plain to see how my conversion is basically my attempt at throwing both models into a blender and end up with a combination of the elements I liked most about both of them. Mission accomplished, I’d say 😉 There’s also something about combining Ork bitz and those creepy chaos cultist gas masks that just works every time, if you ask me.

Not only was Cirque my favourite model from this particular bunch, he was also a blast to paint. So here he is, in all his twisted glory:

Oh, and I actually did get to use Tamiya Clear Red on a saw, after all: Since Cirque’s weapon allowed for a slightly more subdued effect, he provided the perfect opportunity to include some blood but not overwhelm the entire model with it. Take a look:

So, once again, that’s three less unpainted models, and I am actually really happy with the results:

Even better, however, is the fact that these three are basically the last models I had planned for the Road Crew, so all that’s left for me is to paint the gang’s ride, an old Gorkamorka vehicle,…

…and then this project will be finished — at least for now. Here’s the entire Road Crew so far:



The Road Crew

The deeper levels of St.Sabasto’s Reach’s primary hive cluster – colloquially known as „The Orphans‘ Cradle“ – is crisscrossed by a network of tansportation tunnels originally created – and mostly still used – to move the vast amounts of goods necessary to keep the world’s overly bloated population alive. Ranging from cramped maintenance shafts that are mere crawlspaces to multi-laned transport ways allowing for vehicle traffic, the warren of tunnels and substations has become a living space for many underhivers, from the indentured personnel manning the various installations and the maintenance workers to gatherings of escaped slaves and convicts seeking something resembling a life in freedom, even if it should be a life in squalor and darkness.

The so-called „Road Crew“ is one such group and has begun to attract former pit slaves, soldiers of fortune, twists and other malcontents from the hive’s lower reaches, trying to eke out an existence between the underhive fighting pits and minor raids on the biggest transport thoroughfares.


From left to right:

  • Crusher Vex, also know as “Old Man Claw”, a former pitfigthing champion
  • Grimspyke “the Impaler”, another champion in the fighting pits and former opponent of Crusher Vex
  • Sawtooth, a mute and slightly unhinged former manufactorium worker
  • “Tiny the Brute”, a member of the mutant underclass of St. Sabasto’s Reach and current war-captain of the Road Crew
  • “Doktor” Solon Antonov, a former, low-ranking Magos of the Velsian Adeptus Mechanicus who disappeared from his posting as a workforce and slave prospector on the world of St. Sabasto’s Reach, only to emerge as the leading figure of the Road Crew
  • Cirque, a physically imposing mutant and one of the Road Crew’s fiercest fighters
  • Sarge, a veteran of the Astra Militarum with a dark past
  • “Papa Anjevin”, a particularly unhinged mutant styling himself the Road Crew’s shaman-priest
  • Chopper, a diminutive mutant wielding a massive chainblade.

Back row:

  • Worker #9, an ancient automaton of ambiguous origin


Looks like a pretty cool gang at this point, doesn’t it? And while the project is basically finished, it’ll be easy enough to add new gang members as needed — after all, a gang of underhive rabble always has need of new recruits. And as fellow hobbyist Dragonlover recently pointed out, I really need at least one more member with a red traffic sign — if only for the shout out to the original inspiration for this warband’s name… 😉

Oh, and before I forget: Not only are these guys yet more neglected models that I have finally managed to paint, they also work as contributions for Azazel’s community challenge for June, with the aim of finishing squads and units — or, like in this case, warbands. Plus I am actually fairly confident I’ll be able to squeeze in that vehicle before the end of the month…

For now, however, I would love to hear your thoughts on these latest models — or, indeed, on the entire warband, so please leave a comment! And, as always, thanks for looking and stay tuned for more!



INQ28: More Grimdark Librarians of the 41st Millennium

Posted in 40k, Conversions, Fluff, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , , , , , on May 28, 2018 by krautscientist

Hey everyone, after last week’s “blast from the past” diversion of repainting an old Star Wars action figure, let’s return to my Ordo Scriptorum retinue once again for this week. Allow me to share the latest completed inquisitorial operatives with you:

While most work on Inquisitor Orlant’s retinue is being spent on actually finishing models that have been built years ago, in an effort to make a dent in my painting backlog, the warband also keeps taking on new members as it develops. Take a look:

I. Screaming into the void

Let’s start with a very recent addition to the project: When most of the characters for Inquisitor Orlant’s retinue had already been hammered out, and while I was making good progress on the project, PDH, whose thoughts on the nature of the Ordo Scriptorum had originally inspired the project to begin with, pointed out to me that Orlant still needed his own astropath: One of Peter’s ideas for an organisation dealing so heavily in secrets lost and rediscovered knowledge was that every Inquisitor of the Ordo would have their own astropath, to better relay whatever secrets they had discovered to their superiors in the most direct fashion imaginable in the 41st millennium. And while the idea of having to come up with a totally new model to represent an astropath had me slightly wary for about five minutes, I also realised that this would provide me with yet another chance to channel inspiration I had drawn from Wayne England’s artwork.

I instantly recalled his illustrations for the various psyker disciplines (originally printed in the Dark Heresy rulebook and recently reused both for the 8th edition 40k rulebook and a Warhammer Community post). One in particular, seemed pretty ideal as a starting point for an astropath. This one here:

Illustration by Wayne England

My original plan was to use the Dark Eldar Medusae model as a base for the conversion, seeing how it already seemed so close to the artwork in many ways:

And while this would have worked pretty well, I discovered that the model had gone out of production. So instead of going on a wild goose chase in an attempt to procure it, I decided to force myself to actually use the bitz I already had at my disposal to come up with my own astropath conversion.

So here’s my interpretation. It’s not a perfect fit, but I think you’ll be able to see a certain resemblance:

Fortunately enough, I still had a pair of legs from the plastic Necromancer — they even came with a book worn at the hip, which was a fun little coincidence. A torso piece from the Genestealer Hybrids provided both the astronaut look that seemed rather fitting for an astropath, but also a slightly eerie, ever so subtly Gigeresque quality that matched the somewhat sinister general vibe of the warband.

And the Empire flagellant head with an almost picture perfect representation of the hairstyle appearing in the artwork, was a bit of a godsend, of course — that being said, the process of adding a Greenstuff bandage across the astropath’s eyes actually had me on the verge of a screaming fit, as the material just wouldn’t stick to the darn face. I am really glad I managed to pull it off in the end 😉

Possibly the most involved part of the conversion was to build a suitable staff: It was spliced together from the haft of a Dark Eldar Hellion glaive and a couple of imperial bitz.

Oh, and here’s an angle matching the artwork that inspired the conversion a bit more closely:

Again, I’ll admit that my astropath isn’t really a perfect reproduction of the artwork, but rather takes some pointers from the illustration.

When It came to painting the model, my Ordo Scriptorum recipe was well established enough at this point to turn the paintjob into a pretty straightforward affair — I did discover that those Genestealer hybrid torso pieces look absolutely terrific when painted in glossy black, incidentally 😉

One area where I had to compromise a bit was the bandage across the model’s eyes: My original plan had been to try and add some lettering to it, but I quickly realised that there was just not enogh space there to come up with something that wouldn’t turn into a jumbled mess of squiggles, so I decided to leave the bandage bare. I also went for a slightly darker colour to create a better contrast against the pale face. In the end, I think it was a sensible choice that makes the model less similar to the art, but arguably makes it work better in and of itself.

Anyway, here’s the finished model:


Ordo Scriptorum Astropath


All Inquisitors of the Ordo Scriptorum are assigned an astropath at the same time they receive their Inquisitorial Rosette. This agreement and gift from the Adeptus Astra Telepathica goes back to the beginning of the Ordo Scriptorum, when they were a breakaway sect of the Ordo Hereticus. The need for such a fine tool has proven its worth countless times, for having direct access to telepathic communication has saved many lives. In the eyes of the Ordo Scriptorum, the sooner mistakes are exposed to the relevant authorities to rectify the better.

And here’s a – slightly tweaked – comparison picture showing the artwork and the actual model side by side:


You are probably all familiar with the old Warhammer adage of “When in doubt, use MOAR SKULLZ!”, and as it turned out, Inquisitor Orlant’s warband also needed at least one additonal skull 😉

Seriously, though, while looking at the warband and comparing it to the one that had come before, Inquisitor Arslan’s retinue, I realised that Arslan’s merry gang featured two pretty cool servo-skulls/familiars, while such a model was missing from my Ordo Scriptorum team. But servo-skulls are a cool and quintessental part of 40k, and also a sensible wargear choice for an Inquisitor, and I also happened to still have the servo-skull from the Deathwatch:Overkill boxed set in my bitzbox, so I decided to add him to the warband:

I didn’t really change anything about the skull, as it already had that slightly sinister, yet elegant vibe that I think fits the Ordo Scriptorum rather well. I did make sure the servo-skull’s trailing cables interacted with some torn book pages on the base, however.

So here’s the finished servo-skull:

Certainly not a major player in the warband, but good fun and easy to finish. Moving on 😉


III. Masked Bodyguard

Now where the astropath and servo-skull are recent additions to Inquisitor Orlant’s warband, the next model in line had been sitting on top of my pile of unpainted models for a rather long time. We are talking about this lady here:

I originally started working on the model  back in 2013 as an homage to Bruticus’ brilliant Prima Carnifexa Absoluta:

Model built and painted by Bruticus

Model built and painted by Bruticus


Bruticus had originally envisioned his character as a member of a sun cult, venerating the Emperor of Manking in his sun aspect. and I loved both the concept and its execution so much that I wanted to build a model similar to Bruticus’ character.

I originally started with a Blood Angels Sanguinary Guard helmet, a torso from a Coven Throne Vampire and some Dark Eldar Wych parts. To be perfectly honest, however, the inital build rather lacked direction, moving from a very Dark Eldar-eque model…

…to something that seemed more like some kind of gladiator:

The one element that remained firmly in place was the concept behind the head: I always knew I wanted to splice together a Sanguinary Guard helmet (chosen for its obvious sun motif) with the lower half of a female Wych head. The initial conversion lacked a lot of finesse, however:

Thanks to some very helpful feedback from the Ammobunker’s INQ28 board back in the day, I realised that the face might have been a good idea, but it needed far more work. So I cut it all apart again, shaved some tiny amounts of plastic, carefully sanded down the mask’s features to be less masculine, very carefully glued it all together again, and ended up with this:

In the end, some WFB Empire arms were what finally made the model come together, turning it into its final incarnation as a masked bodyguard:

When it came to actually making the character a part of Orlant’s retinue, the feedback was generally unfavourable: Most commenters argued that the rather elegant carnival getup didn’t really mesh well with a warband mostly occupied with exploring sunken libraries and dusty archives.

But while that assessment definitely had some merit, I have always felt that there is also another angle to Orlant’s warband and his character, a slightly elegant and debonair look that is present in some elements of the retinue, and in some of its members: the colour of Orlant’s robes, that snazzy scaled cloak worn by his Interrogator or even the deadly elegance of the Clockwork Assassin.

To me, the masked bodyguard was another chance to explore this secondary angle to the warband, and I also like the idea that Inquisitors will attract a motley crew of operatives during their work, and not each of their henchmen – and -women – may be suited to the same kind of task. So if Orlant wants to hit an underground bibliocathedra, he might bring the creepy bureaucultist to help him deal with the place’s ancient filing system, but during a social function, he would definitely need somewhat more presentable retainers. Towards this end, the masked operative might seem like a misfit, but she also presents an interesting glimpse of the versatility present in an Inquisitor’s retinue.

Painting should have been as easy as applying my tried and true recipe again — however, one thing that happened during the painting process was that I decided that I wanted to use a darker skin tone for the character. I was actually rather frustrated when I realised that I would always default to caucasian skin tones when painting, and seeing how I had wanted to try my hand at something different for quite a while, this character seemed like a good occasion to break away from old habits. There was also the fact that the bodyguard and Alizebeth Selandrine shared a similar look, due to both making use of Dark Eldar Wych parts, so going for different skin tones also had the added benefit of making sure the characters would look suitably different from one another.

Anyway, here’s what I came up with:

I am actually really happy with how the skin colour adds a completely different dynamic to the entire figure! There’s also the fact that combining the Venetian carnical getup with dark skin also makes for exactly the kind of eclecticism that seems so quintessentially 40k to me.

Those sheathed blades/throwing knives on the model’s back were a bit of an eleventh hour addition, by the way — they were originally part of the Yvraine model I used to build Countess Mandelholtz, and seemed like the perfect addition to Orlant’s bodyguard.

Here’s a look at the finished model:


Masked Bodyguard

While much of Tiberias Orlant’s work is spent in dusty archieves and long lost bibliocathedra, the tasks of an Inquisitor are manifold, and often make it necessary to move through all layers of Imperial society. For those cases where interaction with the upper strata of the Velsen Sector is necessary, Orlant has cultivated the cover identity of a wealthy and elegant collector of the obscure, with eclectic interests and very deep pockets. Always at his side in the spires and courts of Velsen is a mysterious, masked bodyguard, whose athletic poise and fluid grace betray her utter deadliness.

While working on the model, I realised that I actually tried to channel the look and feel of two particularly cool characters of colour from videogames I have recently enjoyed: Vanasha (from Horizon Zero Dawn)…

and Billie Lurk (from the Dishonored series):

When all is said and done, I am pretty pleased with the finished model! And, as an added benefit, she very much counts as another model for Azazel’s  “Neglected Model May” challenge, — so that makes four models for the challenge! What’s more, I am confident that next month’s challenge, focusing on units, should give me the incentive to finish the warband’s final member, the jolly chap on the right here:

That one last model is really all that’s still missing for Inquisitor Orlant’s retinue to be finished: The warband certainly has a rather nice and rounded out look by now, if I do say so myself:

So that’s it for this week’s update! I would love to hear any thoughts you might have about today’s models, or about the state of the warband as a whole! Please let me hear your thoughts in the comments!

And, as always, thanks for looking and stay tuned for more!

INQ28: Grimdark Librarians of the 41st Millennium

Posted in 40k, Conversions, Fluff, Inq28, Inquisitor, paintjob with tags , , , , , , , , , , , , , , , , , , , , on May 14, 2018 by krautscientist

Hey everyone, time for another update: Now the popularity of last week’s Chaos Armiger conversion hasn’t escaped me — in fact, I already have the next post for this series planned out. However, forgive me if I keep jumping between projects a bit — so it’s back to INQ28 for a bit this week:

Going along with Azazel’s community challenges has served me really well so far this year, so I’ll just stick with what works: This month, it’s “Neglected Model May”, which provides me with some extra incentive to return to my Ordo Scriptorum warband with the intention of finishing a few more of its members — they have surely been neglected for a long enough time at this point! 😉

The interesting thing about Inquisitor Orlant’s retinue is that several members of it were originally built with a very different use in mind, while others – like the Bureaucultist or Interrogator Inson – just kinda “happened”. At the same time, it’s interesting to see how this slightly erratic gestation process still manages to result in something that fits together pretty well, all things considered — at least in my opinion. So for today, let’s take a look at some models that originally started off as something altogether different, before finding themselves recruited into the service of the Ordo Scriptorum.

I. The girl with the Void-Dragon tattoo

Now this one’s an especially interesting case: One of the members for Orlant’s retinue is Alizebeth Selandrine, basically the 40k version of a hacker:

And as both her name as well as the headline for this part of the post already indicate – and as most of you will probably have picked up on by now – Alizebeth is a – very – thinly veiled reference to Noomi Rapace’s protrayal of literary character Lisbeth Salander from the Millennium series. The fun fact is that the model wasn’t originally built to resemble Lisbeth Salander at all, but rather as a homage to Johannus’ fantastic “40k punkette”:

model built and painted by Johannus

As for the conversion itself, it’s pretty simple, really: The body came from a Dark Eldar Wych, while the head with the impressive mohawk is that of a Daemonette of Slaanesh (the same design Johannus used on his model, obviously). I also swapped in an autopistol. All of this made for a fairly convincing female hive ganger (keep in mind that this was all way before the release of the new plastic Eschers, alright?).

Some time after the model had been built, I watched the Swedish Millennium films, and I realised that the model I already had was a dead ringer for Lisbeth Salander, plus a character like that would fit into Inquisitor Orlant’s retinue really well, so I made some tweaks to make the resemblance even bigger and put more emphasis on the hacker angle: Some augmetic plugs and cables were carefully grafted to the model’s head, in order to hint at the implants that allowed Alizebeth to “hack” into cogitators and the Mechanicum noosphere. As you’ll be seeing in a minute, I also added what amounts to the 40k equivalent of a smartphone to her belt.

And when it finally came to painting the model, I actually used stills from the third movie, as there happens to be a particular costume that perfectly matches up with the colour scheme I had established earlier for Orlant and his followers:

Here’s a look at the mostly painted model for comparison:

As you can see, Alizebeth is really even more of a dead ringer for the character who partly inspired her now 😉

When building her base, I decided to feature yet one more shout out by adding a small portable Cogitator (actually a bit from the DFG Eisenkern Stormtroopers):

To be perfectly honest, I am normally a bit wary of literary or pop-cultural references like this: Models built and painted to resemble characters from films or novels can be great fun, but it’s normall pretty hard to actually make them work within the 40k setting without massive suspensions of disbelief. With Alizebeth, however, I felt that she could work both as a shout out to a literary character while also functioning as a 40k character in her own right. Towards this end, I tried to come up with a bit of background for her that actually made the whole hacker concept work within the established 40k lore — I’ll let you be the judges of whether or not I succeeded with that.

Anyway, here’s the finished model:


Alizebeth Selandrine


Born on the orbital shipyards that hang in the void above the forge world Korhold Ultima, Alizebeth’s life was to be spent as a serf to the Tech-Priests of Korhold, although her gift at operating and manipulating machinery marked her out as a candidate for a more exalted position, maybe even for an eventual introduction into the priesthood. Selandrine shunned that fate, however, falling in with a tech-gang and becoming a nuisance for her erstwhile masters: The implants she had received as a preparation for her future training allowed her to conduct noospheric dives and manipulate datastreams and machinery from her hiding place deep within the crawlspaces and maintenance tunnels of the orbital installations. That is where Redactor Orlant found her, during his dealings with the distrustful Tech-Lords of Korhold, and he decided to induct her into his retinue.

And a closer look at her base:

All in all, I am pretty happy with the finished model: Alizebeth works as a shout out both to the aforementioned literary character, but also to Johannus’ model. And I think she could be a really interesting operative for Inquisitor Orlant, given her technical prowess and inside perspective on the paranoid Velsian branch of the Adeptus Mechanicus…

II. The Clockwork Assassin

The next model actually came into being relatively shortly after the Adeptus Mechanicus was first released as a proper 40k faction, back in 2015. It was originally conceived while I was playing around with the excellent Sicarian Ruststalker kit and was mainly built around the idea of using the brilliantly sinister servo-skull from the Tech-Priest Dominus on one of the Ruststalker bodies. When that worked out really well, I realised that I was almost looking at a cyborg-i-fied version of an Eversor assassin, and decided to push that angle even further. In fact, based on a suggestion by Adam Wier, I even built an Eversor-style pistol for the model and attached it to its backpack. Anyway, here’s the model in question:

As you can see, most of the Eversor hallmarks (a skull face, a wicked Neurotoxin claw, a sword,…) are there, but they are arguably made even creepier by the assassin’s heavily augmented anatomy. Looking at the model makes you wonder who built this chap and why. There’s something rather creepy and sinister about the model, if you ask me.

And, like Selandrine above, the model wasn’t planned for Inquisitor Orlant’s retinue at first. I came upon it while putting together Orlant’s warband and going through my collection of unpainted stuff to see whether there were any possible Ordo Scriptorum recruits hiding there, and found myself thinking “What if…?”

When I originally posted the assassin as part of Orlant’s warband, several people pointed out that it wasn’t really that good a match for the project: Why would a bookish type like Orlant have any need of a vicious creature like this? And while I was just about ready to agree and pull the assassin from the retinue for good, I also really liked the idea of a seemingly unarmed, not very physical Inquisitor who could call on an absolute close combat nightmare like that assassin as a last line of defense: Just imagine advancing on the unarmed Inquisitor, and then that monstrous …thing drops down from the ceiling and basically explodes into deadly action.

One comment from fellow hobbyist Drazuul, in particular, perfectly described the detached and controlled nature I had in mind for Orlant:

I can imagine him calmly tapping his cane in time to the jumps and bounds of his retinue as they descend on unfortunate apostates.

And since I was really in love with that idea, I decided to keep the cyborg assassin. Plus I also thought he might look pretty wicked painted in my Ordo Scriptorum colour scheme 😉

And if I do say so myself, the model turned out rather promising during the painting process:


Regarding the assassin’s base, I wanted to come up with something a little more elaborate — and I really needed to, too, because the base was the biggest in the entire retinue so far. So I decided to pick up the “abandoned library” look yet again. A piece of rubble from the 40k basing kit for large bases (matching the one I used on Orlant’s base) formed the start of the design, then I added the remains of torn books on top of that:

I had already tried to use a paper towel to create torn pages on Interrogator Inson’s base, but while the end result worked out well enough, the pages were too thin. So I went for a slightly sturdier paper placemat this time around, cutting small pages out of it, then covering them in glue and arranging them on top of the base. The end result ended up looking far more convincing, with the individual pages actually well defined enough to work.

Here’s a look at the finished model:


The Clockwork Assassin

This strange and utterly deadly automaton was engineered by the Tech-Priests of Korhold and given to Redactor Orlant as a gift. Clockwork Assassins are normally used as terror weapons by the paranoid masters of Korhold, but they can also become a much sought-after piece of merchandise. Why exactly the Tech-Lords would choose to present a member of the Emperor’s Inquisition with one of these priced weapons remains a mystery at present…

And once again, a closer look at the base:

I cannot begin to tell you how happy I am with those torn pages — but then, I really like the entire model: There’s a deadly elegance about it that I think really fits the look of the entire retinue, when all is said and done.

Funnily enough, here’s what fellow hobbyist Bjorn Firewalker had to say about the Clockword Assassin:

Were I an Inquisitor, I’d order the clockwork assassin disassembled the moment I’m out of the Tech-Lords’ sight, and examined for surveillance devices that may operate without my knowledge, and any codes that would let it act without my approval- to assassinate ME on the Tech-Lords’ orders, being one risk I will not accept. If my personal Tech-Priests clear it, then I will reassemble the clockwork assassin and utilize it- though the knowledge my personal Tech-Priests gain from studying the clockwork assassin will be put to use as necessary, e.g., so I can commission the construction of more clockwork assassins, sell the blueprints to raise funds, blackmail the Tech-Lords by threatening to sell the blueprints, know how to destroy a clockwork assassin if one gets sent after me or someone under my protection, etc.

While that sounds like very sensible thinking indeed, I am pretty sure the Tech-Priests of Korhold have put their creation together in a way that defends them against any attempts of disassembly or reverse-engineering: If you get a Clockwork Assassin and want to keep it in working condition, you’ll have to live with treating it as a black box, as it were. Even so, I think there’s a narrative threat there that might be fun to explore one day…

III. He can even do shorthand!

Now the third model I want to share with you today is probably the least exciting of the bunch, but I am nevertheless happy to have finally found a new home for it. I am talking about this old chestnut here:

This is an OOP servitor/Lexmechanic from one of GW’s old Inquisition releases — the model originally came in a box with an entire metal Ordo Hereticus warband, I believe. My cousin Andy still had many of those old models in his bitz box and was awesome enough to let me have this one — and it arguably makes for a great fit for an Ordo Scriptorum retinue, wouldn’t you agree?

The sculpt has that certain late 90s clunkiness we are used to seeing on many metal models from those days, but it was still easy enough to paint: I went for my tried and true Ordo Scriptorum recipe once again, as you can see:

The fun part was to use my Staedtler 0,05 mm pigment liner once more and reallly give it my all with that fine print on the parchment. I think I managed to do a pretty convincing job there.

So here’s the third finished model for today:


Ordo Scriptorum Autoquill Servitor

Since the Ordo Scriptorum deals with vast amounts of written records, it is no surprise that its members would need to create records of their own, from personal observations to annotations to a certain body of work unearthed during one of their expeditions into the depths of the eternal city. However, such knowledge is often dangerous and could spell certain doom if it ever got out.

For this reason, the Ordo makes heavy use of servants that are either illiterate, physically blind or have been warded in other ways against the various risks inherent in the material the Ordo deals in. The autoquill servitor is one such servant: Lobotomised and possessed of only the merest scrap of intelligence, their stunted minds insulate them against both dangerous secrets and eldritch arcana that might be contained in the notes they take on behalf of their masters…


One cool little detail is that PDH has the same stock model in his Ordo Scriptorum retinue, so it’s fun to imagine that his Inquisitor Inson might have “inherited” the servitor from his former master, Inquisitor Orlant:

models built and painted by PDH


So before I wrap up today’s post, let’s take a look at how Inquisitor Orlant’s warband is shaping up:

I am actually really happy with this project so far: Finally getting some paint on this retinue was one of my big hobby resolutions for 2018, and so far I am making pretty good headway! Just two or three more models, and the retinue should be finished — for the time being, that is…

For now, however, that’s three more members for Inquisitor Orlant’s warband, and three models for Neglected Models May ’18! Please feel free to share any feedback you might have!

And, as always, thanks for looking and stay tuned for more! 🙂

INQ28: The Office – grimdark edition

Posted in 40k, Conversions, Inq28, Inquisitor, paintjob, WIP with tags , , , , , , , , , , , , , , , , , , , , , on April 16, 2018 by krautscientist

So there I was, carefully warning you all that I might have to dial back my output a bit, and yet I have two new models to share with you today — strange, isn’t it? 😉

The truth is that finishing my Ordo Scriptorum Inquisitor really led to yet another surge of inspiration, as I kept trawling the internet for more Wayne England illustrations from around the same time period. Unfortunately, his work seems to be much less well documented than, say, John Blanche’s, and many images were only available via that abominable hellpit called Pinterest.

But then several readers helpfully pointed me towards the original Dark Heresy rulebook as a possible source of Wayne England art from what I am beginning to think of as the “teal period”, which provided me with more reference material. I kept going back to his image in particular:

It seems to portray an underhive ganger of some sort, and I really liked the style of the character. So much so, in fact, that I spontaneously started to create yet another conversion based on a Wayne England illustration:

When all is said and done, it’s a pretty straightforward kitbash, mainly using parts from the Dark Vengeance chaos cultists: In fact, the entire conversion really took off to begin with once I realised the creepy cultist head with its mouth stapled shut resembled the head of the ganger in the artwork.

Beyond that, it was mostly about trying to get the subtle things right: the way the cultist is holding the gun in two hands was the key part, and I was lucky enough to still have an ancient Gorkamorka shoota that almost perfectly matched the design of the stub gun in the artwork. I also wanted to include the weirdly-glamrock fur collar, so I used the upper half of a Chaos Marauder cape as a starting point and sculpted some rough GS fur around it to suitably blend it in.

I also decide to depart from the artwork in one specific way: Much as I love the piece, the angle of the head makes it clear that the ganger is aiming (and firing) downwards, which is something I did not neccessarily want to reproduce on my model, mostly because it would look kind of silly when the model’s standing on the floor and not in an elevated position. So I tweaked the angle of the head a bit to make it look more as though the ganger were standing wit the gun at rest. I actually think the angle I have chosen makes the guy seem slightly more sinister, but that’s a matter of personal preference, of course.

Anyway, here’s what the finished conversion looked like:

Since my recent work on Redactor Orlant was what had originally inspired this model, I decided that I wanted to turn the ganger into a member of the Inquisitor’s retinue, so I needed to find an angle for him to work within the framework of the Ordo Scriptorum — which is when I remembered the archetype of the “Bureaucultist”:

Bureacultists are former members of the Administratum whose archive or bibliocathedra has been sealed off or forgotten. They keep doing their job of accumulating and organising data, yet without the rest of the Imperium taking any notice, they grow more and more isolated and feral as years, decades or even centuries pass.

Now just to give credit where credit is due, the Bureaucultist idea wasn’t really mine, originally, but rather came from the excellent fan-made Dark Magenta article on Holy Terra as an adventurescape.

To quote Robey Jenkins, from issue #1 of Dark Magenta:

The bureaucultist is a strange evolution of humanity. Having entered the condition of civilization and passed
through it into a new barbarism, the bureaucult is devoted only to policies, procedures and the unthinking guardianship
of information. (…)

Bureaucultists crop up in the massive, sprawling administrations of the Imperium all across the galaxy. Although
their approach to information is fundamentally primitive, their attention to detail is legendary and they will fight
obsessively to protect what is theirs, so many an Inquisitor makes use of such creatures within his staff to help
manage an extensive library or private archive.

When PDH originally came up with the concept for his Ordo Scriptorum warband, he adapted the concept and made “Indentured Bureaucultists” into a part of the Ordo. Wrote PDH:

Bureaucultist slave labour of the Ordo Scriptorum. These workers are indentured by the threat of redaction and the deletion of generations worth of bilbliocatherdra, data vaults and knowledge. While these repositories are often worthless to the Imperium, the threat binds the cultists to the Ordo Scriptorum, making for the most loyal of slaves.

There’s something incredibly grimdark about the thought of clerks and librarians going feral after their archives and bibliocathedra have been sealed off or forgotten, isn’t there? Just think about the former librarians and scribes devolving into a tribal society, forming gangs and fighting for their respective “section” of the archive, maybe for resources like electricity, memory units, clean paper or dry shelf space, with their former calling slowly turning into half-forgotten memories and office rules permutating into quasi-religion. Plus such a bureaucultist could be a useful follower for an Ordo Scriptorum Inquisitor, serving as a guide for forgotten and abandoned archives, remembering the ancient file sytems and cogitator protocols…

So while the ganger in Wayne England’s illustration above probably wasn’t planned with the bureaucultist angle in mind, I still thought it might be a cool idea to use the converted character as a bureaucultist. There are even some touches that might point to the idea of a librarian gone feral (such as the servo-skull banner pole — a trophy or a legitimate way of storing data, even after all this time…?).

Here’s a picture with Redactor Orlant for comparison. It also shows you the bureaucultist conversion in all its different colours, warts and all:

The model was painted to match Orlant’s colour palette. However, I went for a slightly grubbier, dirtier version of the colour scheme this time around, making the bureaucultist look like a bit of a slightly twisted mirror version of the Inquisitor:

Here’s another side by side with both models:

And of course I couldn’t help myself and had to mock up a comparison with the model, the artwork that inspired it, and some tweaked colour settings:

So that’s yet another model based on the work of Wayne England — and it probably won’t surprise you at this point to learn that I could easily see myself taking even more inspiration from his body of work. For instance, PDH pointed out to me that Orlant’s retinue could really use an astropath, and I realised that the illustrations for the Pyromancy and Telekinetics psyker disciplines, respectively, would provide the perfect template for an Ordo Scriptorum Astropath:


Speaking of PDH, though, Peter is actually responsible for yet another addition to Redactor Orlant’s warband: Seeing how I’ve been taking so much inspiration from his own Ordo Scriptorum warband, and given the fact that we agreed ages ago that Peter’s Inquisitor, Klien Inson, had been Redactor Orlant’s interrogator at one point, I really couldn’t resist trying to build a younger version of Inson. Thanks to direct feedback from PDH, I think I’ve come up with a pretty cool younger version of his original model. Take a look:

On the left is Peter’s original model for Inquisitor Inson, on the right is my take on Inson as an interrogator. Here’s a closer look at the conversion:

I wanted to create a really strong resemblance while also clearly communicating the fact that my version actually shows Inson as a (slightly) younger man. At the same time, I also tried to add some cues that pointed back at Orlant (such as the collar, that is actually virtually identical to the one used on Orlant, while also looking like a less exalted version of older Inson’s “jaws collar”, or the Inquisitorial symbol added to the model’s breastplate).

What’s really funny is that my very first version of Inson actually did even more with this particular concept: On the one hand, it featured a less ornate version of the bolt pistol older Inson has, as yet another shout out to Peter’s model. On the other hand, I thought that adding an organic left leg would be a great way of showing how quite a bit of time had passed between both versions of the model:

But then PDH informed me that his background character featured pretty specific information about where and when Inson had lost his leg, and was already rocking an augmetic replacement by the time he became an Interrogator in the Ordo Scriptorum. By the same token, his bolt pistol was confiscated by the Arbites when he first set foot on Terra, and was only given back to him after he obtained his full Inquisitorial rosette.

I wanted to honour Peter’s background for his character, so I grit my teeth and replaced the leg and pistol. Peter suggested using a Skitarii leg — as for why it’s sleeker and more sophisticated than the version on older Inson, I’ll leave PDH to work that one out 😉 My take is that it maybe needed to be replaced by a more comprehensive prosthesis after further injury or that the original augmetic ultimately didn’t take. According to Peter’s background for the character, Inson also seems to have a bit of a thing for self-flagellation, so maybe that might have something to do with it as well…

Ultimately, I am very thankful to Peter for the feedback, however, even if it meant more work: The finished conversion has a more polished look due to his feedback, and I really wanted to paint it right away. So here’s a look at the – mostly – finished younger Klien Inson:

While the aim was not to perfectly match PDH’s paintjob for the older version of Inson, I did take care to take some cues from his model (such as the general dark look and the metallic scales on the cape) and go for a similar overall look and feel. Here’s a side by side comparison with both PDH’s and my treatment of the character:

While my version of Inson is a bit younger, Peter’s background for Inson characterises him as a pretty conflicted individual even at this earlier point in his career, plus there’s also the physical trauma he incurred during his work as an Ordo Xenos Inquisitor, so I went for a somewhat drawn, unhealthy look for the face, which I think has worked out pretty well.

At the same time, it was also clear that the younger Inson had to match the colour palette of his master, Inquisitor Orlant, to some degree, so I tried to stay within the parameters I had set for myself and use a similar palette once again:

He still needs a base, of course — and I have a pretty cool idea for another small nod to Peter’s model…

For now, however, this means two more additions to Redactor Orlant’s warband — with neither of them originally a part of the picture, but that’s how these things go sometimes…

Here’s a look at the warband so far:

Oh, and I am also counting these two conversions as entries for Azazel’s “Assembly April” challenge, even though they weren’t planned at all 😉

So that’s it for today’s update. I would really love to hear your feedback on the new characters and the warband so far, though, so feel free to drop me a comment! And, as always, thanks for looking and stay tuned for more! 🙂

INQ28: In principio erat verbum, et verbum erat scriptum.

Posted in 40k, Conversions, Fluff, Inq28, Inquisitor, paintjob, Pointless ramblings with tags , , , , , , , , , , , , , , , , , , , on April 2, 2018 by krautscientist

Hey everyone, I hope you’re all having a relaxed Easter holiday, before it’s back into the grind of everyday life tomorrow 😉

As for me, after the frantic activity of recent weeks – at least compared to my usual standard – my original plan was to take a small break before things get hectic in the coming weeks and months for RL related reasons. But almost before I knew what I was doing, I was already back at the painting table and had started to paint yet another model. So let’s take a look, shall we?

Now today’s project basically begun in two places: A couple of years ago, I discovered this piece of artwork by Wayne England online:

illustration by Wayne England

Now I’ve already mentioned before that Wayne England is (was 😦 ) one of my favoutite GW artists, and this piece in particular seemed like a great source of inspiration. It’s all there: the bold lines. The mysterious, shadowy character, the stylised lettering,…

Shortly afterwards, fellow hobbyist PDH’s shared his ruminations on the mysterious Ordo Scriptorum, an Ordo given to collecting and scrutinising the vast amounts of recordings and data collected (and often forgotten) by the Imperium of Man. Now it doesn’t take much imagination to realise that there are lots of cool Inquisitorial narrative hooks to be had here, from the creepy Orwellesque “Ministry of Truth” angle to the “The Name of the Rose IN SPACE!” style exploration of ancient data vaults that lie hidden deep in the core of the Throneworld (beautifully hinted at, for instance, by Chris Wraight in his highly recommended novel “The Carrion Throne”).

Anyway, when first posting his ideas about the Ordo Scriptorum, PDH mentioned that the aforementioned piece of art seemed like a perfect depiction of an Ordo Scriptorum Inquisitor to him. Which was when the little levers started to move in my head, and they didn’t stop until I had an early build for a model inspired by that very piece of artwork:

I was lucky enough to have some bitz lying around that really came in handy during this process: The robed legs from the WFB/AoS Chaos Sorcerer were a bit of a no-brainer. Then I discovered that the bitz best-suited to producing the pose and overall look I wanted came from the Dreamforge Games Eisenkern Stormtroopers. And the part that really made the conversion promising, even at this early stage, was a servitor head from the Space Marines Stormraven kit — easily one of the best overlooked bitz from GW’s entire catalogue, if you ask me, and kindly sent to me by fellow hobbyist Biohazard a couple of years back.

Going forward, the most important part was to match the character’s silhouette from the artwork — the way he grips his cane, the general lines of the composition, stuff like that. I also really like how the character in the illustration seems to be wearing a pair of books at his hip as though they were weapons — quite an apt metaphor, given the responsibilities of the Ordo Scriptorum…

Anyway, after much tweaking, I ended up with this conversion:

Now here’s the thing: As has become a bit of a recurring motif here on Eternal Hunt, I actually built this model years ago and hadn’t gotten around to painting it yet. In my defense, however, I spent at least some of the time doing some serious research into what I wanted the Ordo Scriptorum Inquisitor to look and feel like. This also included building some retainers for him:

The overarching motifs I wanted to explore became even more clearly defined by looking at the members of the retinue I had come up with: I wanted there to be a bookish, shadowy feel to the warband. After all, it stands to reason that much of the Inquisitor’s life would be spent exploring ancient archives. However, at the same time, there was also a hint of elegance in the artwork that inspired the model, and I felt that this would offer an interesting counterpoint, both for the retinue and for the Inquisitor.

Keeping this in mind while trying for figure out a suitable colour scheme for the Inquisitor, I also drew from several other sources: One huge influence came in the form of Wayne England’s illustrations from the same time (or at least in the same style) as the piece of art that inspired the model in the first place:

The picture above really captures one of the things I was after: You can just imagine this being an impression of an Ordo Scriptorum team going about its business in the world-city of the Holy Terra.

Of course I also looked to the work of fellow hobbyists for inspiration: Jeff Vader’s work provided heaps of material for reference once more, particularly his rogue Inquisitor Carax and his sinister Blackship Captain-Inquisitor Lazaros . Then there was PDH’s own Ordo Scriptorum warband that served as a perpetual undercurrent of inspiration for this project — in fact, his Inquisitor Klien Inson actually used to be my Inquisitor Orlant’s interrogator!

And I also happened to take some influences from the videogame world on board, especially from two series very close to my heart. Which is why Orlant was very much inspired both by Father Karras (from the Thief series)…

… and I also tried to give him the same drawn aspect you can see in this illustration of Lord-Regent Hiram Burrows (from the first game in the Dishonored series):

And finally – and funnily enough – I also kept looking at an old model of mine, one of the classic Haemonculi from 3rd edition 40k:

While the paintjob really isn’t anything to write home about by modern standards, it did feel like a useful proof of concept for the look I wanted — now if I could only refine this by about 400%… 😉

To be perfectly honest, Orlant was another one of those models where I was actually nervous about the prospect of painting — and messing up. Yet with so many finished INQ28 characters from the last couple of weeks under my belt, and with the inspiration provided by some Inquisition-centric BL novels I recently read (Dan Abnett’s “The Magos”, obviously, and there’s also so much of Orlant in Chris Wraight’s Inquisitor Crowl that I almost couldn’t believe it), I knew it was finally time to get this show on the road.

So with all of the aforementioned influences on my mind, I began painting:

I knew from the start that I wanted the robes to be a pretty dark turquoise (in that sense, my recent paintjob for Elisha Gorgo actually did double duty as a proof of concept for this model as well). As for the skin, I went with a really pale, unhealthy look, as though the Inquisitor spends very little time aboveground, in natural light — which is probably the case. And just like when painting Inquisitor Arslan, I decided to go with glossy black armour again, since I felt it would support the model’s slightly sinister look.

All of those elements worked reasonably well right off the bat. The one thing that didn’t quite work out, however, were the books worn on Orlant’s belt: I didn’t go with red or any other strong colour because I wanted to keep the palette very limited and predominantly cold, but as a result, they ended up blending into their surroundings. Several people suggested going for purple as an alternative, and under normal circumstances, that would have been an ideal choice. Only I had set myself this pesky little limitation of mostly wanting to keep the palette focused on blue and turquoise tones…

I also realised that the books actually take up quite a bit of visual real estate, so I needed the colour to be different enough from the robes, but not so different as to overwhelm the paintjob. In the end, I repainted the books grey — not an exciting choice, certainly, but it kept the palette suitably narrow and still looked different enough from the teal robes:

Another part that I had to redo several times was the script on the parchment: It actually spells “Redactor Orlant”, although you may have to take my word for it. I even tried to make it resemble Wayne England’s lettering style a bit, but there was very little space, and it was all so small. After redoing this part several times,  I think this is as good as it’s going to get…

During the painting process, I realised that there was this odd little gap at Orlant’s belt that was slightly distracting, so I carefully added some additional keys to his belt: It’s fun to think that Orlant has keys to all kinds of forbidden bibliocathedra and data vaults…

With the paintjob mostly sorted out, the model was only missing a base really, so I try to create something that would support the warband’s look and feel. For starters, I used a piece from one of the 40k basing kits, mostly for the pretty cool relief on it:

The piece was cut down to fit a round base, the gaps were filled with GS. I also liberally stippled on Liquid GS for added texture and to counteract the very soft and artificial looking quality of the stock piece. Ironically enough, most of the relief actually ended up being covered by the model:

If nothing else, however, it still provides some texture and structure, making the base look more like a part of some long-deserted Imperial archive.

So here’s the finished model:



Redactor Tiberias Orlant
Ordo Scriptorum

A long serving member of the Ordo Scriptorum Terra, Inquisitor Orlant has discovered many ancient documents and hidden truths during his long years of trawling the bibliocathedra and sunken data vaults of Holy Terra. Moreover, his rank as a Redactor of the Ordo means that not only does he endeavour to find records from the Imperium’s past, but he also gets to decide which truths are revealed to the masses and which are suppressed with every tool at the Holy Ordos’ disposal.

Orlant has recently embarked upon a mission only known to himself, making his way to the Velsen Sector, situated far away from the Throneworld in the Ultima Segmentum. His colleagues consider this most recent endeavour a fool’s errand at best, yet Orlant is not known as a soul given to flights of fancy — what could he have discovered in the vaults of Terra to inspire his latest investigation?


I did end up making one last colour adjustment after all, repainting the wax of the purity seal in a slightly colder tone than before. It’s really a small detail, but it ties back to Orlant’s skin tone (see above) and it’s not big enough to throw the entire colour scheme out of balance, so I think it’s an improvement.

As you can see, I also decided to add two books to Orlant’s base:

Once again, I wanted to hint at the fact that he probably spends most of his work scouring ancient vaults and sunken archives for lost data and hidden secrets. It’s an idea I want to explore with the rest of the warband, albeit in slightly different ways. We’ll see…

I also found out, by sheer coincidence, that Orlant has a nice kind of “Red Oni, Blue Oni” thing going with Inquisitor Arslan. Take a look:

Fellow hobbyist youwashock suggested on Dakka that the next Inquisitor in line would need to be yellow — Sentai Inquisitors FTW! 😉

In closing, here’s a comparison shot putting Wayne England’s illustration that inspired the model and Orlant himself next to each other:

Maybe not a perfect match, but I am reasonably happy with the resemblance, to tell you the truth. In the end, trying to match the art is always a compromise between what can reasonably be achieved and what would just be impractical in model form. For instance, I only realised how scarily tall the character in the artwork is when putting both images next to one another 😉

When all is said and done, it feels good to finally have finished this model! And it’ll be interesting to see how the stylistic choices I have made for Orlant and his retinue will (or won’t translate) to the rest of the models:

Thinking of this retinue again has also kicked off all kinds of thoughts about the nature of the Ordo Scriptorum — and has already provoked two more members for the retinue that shall be revealed in time.

But all of that is a story for another time. Until then, I would truly love to hear your thoughts on Inquisitor Orlant! And, as always, thanks for looking and stay tuned for more!

INQ28: The Lion of Velsen

Posted in 40k, Conversions, paintjob, Pointless ramblings with tags , , , , , , , , , , , , , , , , , , , on March 12, 2018 by krautscientist

Another week of fire and brimstone Ordo Hereticus Madness — I sincerely hope you aren’t fed up yet! But I am really on a roll right now, blazing through model after model, which is more than a bit uncommon for me. I also know how fickle motivation can be, so I’ll just let myself be swept along by the tide for as long as it lasts 😉

Anyway, last week I shared more models for Inquisitor Arslan’s warband with you, and those completions left me with only two models to go before the warband would actually be finished. This seemed like an excellent goal to work towards for my participation in Azazel’s Squad:March! challenge as well, so I got to work. And, indeed, I do have some new models for you again. So let’s take a peek:

I. A blade from the Shadows

One of the last two missing models was this death cult assassin I converted a while ago:

The character was very much inspired by Severina and Sevora Devout (as well as the accompanying miniatures) from back when the original 54mm Inquisitor was released:

Granted, the concept of female assassins clad in latex bodygloves may not feel quite as fresh and risqué in 2018 as it did back in 2001 (or rather, than its inclusion in an Inquisition-themed game seemed back then). Even so, I have been working my way through basically all of the old character types from the awesome Inquisitor rulebook, trying to put my own spin on things, so I couldn’t shy away from this archetype, could I? I also still think there’s something pretty entertaining about taking a concept that is so ridiculously pulp-SciFi in many ways and finding a grimdark angle for it.

The conversion itself was fairly straightforward, especially since the model is really mostly a repurposed Dark Eldar Wych, from back when I briefly considered getting back into Dark Eldar after the beautiful new plastic models had been released. I added some small tweaks, such as the purity seal, to make the model a bit more Imperial.

The most important part for turning the wych into an inquisitorial operative, however, was the gas mask from a Dark Vengeance cultist: Plus the slightly weird look of the mask as well as the creepy layout of the eye lenses was intended to hint at the fact that she may have been augmented underneath the mask or to just suggest a certain kind of eerie wrongness that seemed fitting for the character.

When it came to painting the assassin, I basically used the same palette I had set down for the rest of the warband. Fortunately enough, it was really similar to the colours of GW’s official death cult assassins, so I could take some inspiration from those:

And of course I also tried to make the paintjob call back to John Blanche’s illustrations from the Inquisitor Sketchbook as well:

Illustration by John Blanche

So here’s the finished model: A still unnamed assassin from the Order of the Blade Unsheathed:

The only thing about the paintjob that proved a bit difficult was the mask: I knew I didn’t simply want to keep it black, so I tried red first, but that just didn’t work. So after trying numerous highlighting and tweaking stages, I just went for an off-white/cream colour that still stays within the palette I had set for the warband, while also turning the face into enough of a focus point, I hope.

Incidentally, the assassin still needs a name, so if anyone can come up with something suitably medieval and slightly sinister, let me know! 🙂

II. The Lion of Velsen

Happy as I am with the finished assassin, she is really just a prelude to today’s main course: Inquisitor Nabreus Arslan himself.

Now it must be said – again – that Inquisitor Arslan is a model that I have been coming back to again and again for several years now. He started back in 2011 or so as an attempt at creating a no-nonsense puritan Ordo Hereticus or Ordo Malleus Inquisitor. My bitz box was still far smaller in those days, but I did the best with the tools I had. The model started out looking quite different from the modern incarnation, though:

Most of the elements were already there, but the model didn’t quite click yet. Then I came across this model over on DakkaDakka, and realised that the hooded Dark Angels veterans head would be much better for an Inquisitor:

Do you know who created this guy? Please let me know!

And from then on, the model took shape, growing far closer to its current incarnation:

After even more nipping and tucking the conversion was basically finished back in 2014 — which is already a ridiculously long time for a model of this size. But even then, I kept returning to the model, adding a tweak here and changing a detail there, keeping the poor guy unpainted, while his retinue (likewise unpainted) kept growing. Until I finally committed to painting this version of the model earlier this month:

As an aside, looking at the finished conversion also made me realise that Arslan resembles the Inquisitor from the last edition of Codex: Inquisition rather closely, wouldn’t you agree?

It’s a rather cool illustration — unfortunately, the model it was obviously based is really rather awkward and hasn’t aged all that gracefully:

So maybe I would be able to improve on this basic template with my model for Arslan…?

One thing that was clear to me from the start was that I wanted the entire warband to hinge on Arslan and his interrogator, the Lady Chastity. Now the latter was already finished, and my idea was to simply inverse one key colour for Arslan’s colour scheme. So where Chastity wears red armour with black cloth over it, I wanted to paint Arslan’s armour black, with red cloth.

So with those ideas in my head, I took Arslan along for one of the frequent painting sesssions hosted by my good friend Annie. Those sessions are awesome, and I usually walk away with some kind of breakthrough on one of my current painting projects.

So here’s Inquisitor Arslan after a short while, with just the base colours in place:

And this is what he looked like when we packed up for the night:

While I was already reasonable happy at this point, one thing about the model just confounded me: The red left shoulder pad just didn’t work. This felt especially weird as it looks quite lovely in the picture above, doesn’t it? Yet for some reason, in real life, it kept drawing the view away from more important parts of the model, and I kept glancing back at it, so in the end, I decided to repaint it black. Apart from that, it was mainly smooth sailing the rest of the way.

So let’s take a look at the finished model:


Inquisitor Nabreus Arslan
Ordo Hereticus Velsen

I don’t want to sound too full of myself here, but I am incredibly happy with the finished model! Especially given Arslan’s rather troubled history 😉

However, I did end up losing some sleep over some key visual decisions:

Probably the scariest thing was to paint Arslan’s sword: Its sheer size clearly turns it into an important part of the model, and I realised during the painting process that, by limiting the entire warband to a colour palette of mostly black, white, red and gold, I had actually deprieved myself of the option to just paint the sword a stunning blue — it simply wouldn’t have gelled with the rest of the warband, but more importantly, it wouldn’t have led to the sinister look I wanted. I also realised that a simple metal sword wouldn’t cut it this time around, so I did a bit of research, taking lots of inspiration from fellow hobbyists like Alex Marsh, Jeff Vader and Midnight Runner, among others. Then I took a deep breath and tried to create my own effect for the blade, adapted from their work:

In the end, I am pretty happy with the finished effect, seeing how I managed to make the sword look both blisteringly hot and quite sinister 😉 But painting it was so far out of my comfort zone that it wasn’t even funny 😉

True to Arslan’s history as “that model that I was never really able to finish”, I did end up making one last unexpected tweak: I actually swapped in a new shield!

Now I originally had the shield with the stylised “Knight vs. Daemon” battle scene from the Nemesis Dreadknight kit on there, but my colour choices for the model meant that I had boxed myself in regarding the shield: The warrior on the shield would obviously have to represent Arslan himself, so I would have needed to paint him in black. That would have left only gold and red for the daemon, with red being the obvious choice. That, in turn, would have left me with a golden shield, which wouldn’t exactly have matched the rest of the model all that well. Anyway, to make a long story short, I decided to try a different shield and create the inconography on it from scratch (or rather, via decals):

The idea here was to go for a medieval-style seal that would fit Arslan’s very medieval overall look. I also thought that this design might be his actual Inquisitorial seal, the one he uses to sign Exterminatus orders, and other jolly missives like that 😉
The “A” stands for “Arslan”, and the “V” for “Velsen”, the name of the sector. The whole thing was also ever so slightly influenced by designs like the Chi Rho.

Oh, and based on Inquisitor Mikhailovich’s comment, I also tweaked the position of the shield a bit, so it might actually be attached to Arslan’s arm in an at least slightly believable way 😉

Here’s a picture of Arslan and Chastity, showing off the aforementioned fact that they use an identical palette, and their colour scheme is very similar, save for one key colour that has been reversed between the two models:


III. A project finally finished

And would you believe it: With that, the warband is actually finished. After several years of hemming and hawing. I actually cannot quite believe it. But here it is. Take a look:

In fact, I have used this occasion to go back and take pictures of all the warband members once again, so meet the crew:

Inquisitor Nabreus Arslan, a powerful Witch Hunter of the Ordo Hereticus, known among the devout as “The Lion of Velsen”.

The Lady Chastity, a former Sister of Battle from the Order of the Martyred Blade, now serving as Arslan’s Interrogator.

Inquisitorial Operative Tybalt Renner, a veteran of the Saarthen Draugr, and an operative specialising in infiltration and stealth missions.

Brother Goderich the Pure, a member of the Church of Redemption, serving Arslan as a vicious, albeit utterly loyal, attack dog.

Father Ravion Ishmael, a veteran of the Astra Militarum turned intinerant priest of the Imperial Cult, currently serving as personal confessor to Inquisitor Arslan.

A mysterious, mute assassin from the Order of the Blade Unsheathed.

The Angel of Penance, a cyber-familiar cast in the shape of an avenging angel in order to strike terror into the hearts of heretics and instill fearful respect in the devout.

Horatio, a servo-skull.


It’s slightly weird – but also very fulfilling – to realise that I’ve had most of this retinue for years now, and now I’ve finally manage to finish the models in very short order. Oh, and this also means I’ve managed to complete my first, proper committment for the Squad:March! challenge! Yay! 🙂

Speaking of which: Many thanks must go to fellow hobbyists Azazel and Alex: I couldn’t really have done it without you, guys, as your hobby challenges finally provided me with the incentive to actually get this project on the road, at long last!

As for my next plans, I want to ride this wave of inspiration out yet a bit longer, so I think I’ll be staying in the INQ28 world for a while yet: There’s one last model for Inquisitor Gotthardt’s retinue I need to get finished (another project that has been going on for ages). Then I think I’d like to paint a truescale Deathwatch Marine conversion. And then there’s an Ordo Scriptorum retinue I am really proud of that I hope to get started on while my motivation still lasts.

Until then, I would truly love to hear your thoughts on Inquisitor Arslan and his retainers! And, as always, thanks for looking and stay tuned for more!

Raud the Hunter

Posted in 30k, Conversions, Fluff, paintjob, World Eaters with tags , , , , , , , , , , , , , on January 24, 2018 by krautscientist

Whoa, seems like the numbers of views went through the roof after my last post — which is a slightly bittersweet experience for me: I love the fact that so many people seem to take an interest in my pick of fantastic hobby projects from last year, and all those artists certainly deserve the attention! At the same time, there’s no way I can replicate that kinf of interest with my own meagre work — oh well… 😉

Even so, in-between parts two and three of the Eternal Hunt Awards, allow me to sneak in one of my own models, if only because I am so very happy with the first model I have managed to complete this year — and also the first model I have painted in quite a while! So what is this about?

In 2017, I had such a blast painting a converted World Eaters Contemptor as my first model of the year, so I thought I’d just try to catch that spark again with…more of the same. So I decided to paint this guy, whom some of you may remember from back in August, I believe:

So yeah, I had to convert yet another Betrayal at Calth plastic Contemptor: In fact, the model actually started in several places:

  • When Augustus b’Raass was nice enough to magnetise my first Contemptor’s gun arm, I realised it would actually be cool to have another model for that extra weapon as well.
  • Then I got a good deal for just the body of the BaC plastic Contemptor, and I really rather like that model as conversion fodder: True enough, the stock model is so awkward — and painfully vanilla. But the fact that it’s so underwhelming is what makes it so fascinating to me: I just want to bring out the cooler model hidden within, so to speak 😉

It helps that it’s really easy to improve the model, by the way: Even if you want to keep things really simple, like me, without using any GS, splicing in Sentinel upper legs or what have you, the plastic Contemptor is easy to improve via just two or three small cuts:


1. Carefully cutting the body apart at the waist allows for a more interesting pose (plus you could even magnetise that joint to allow the torso to swivel permanently.

2. The really invaluable step, however, is to cleanly separate either of the legs (or both) from the pelvis area with a clean cut, then reattach them at a different angle to either make the pose more open and less pidgeon toed (as I’ve done on my first Contemptor) or approximate a walking/running position (as I’ve done on the second model).

3. And that’s not even getting into the extra posability (and customisability) you get by carefully cutting off the weapons immediately beneath the shoulder.

  • The third major factor in the creation of the model was that I still had a kitbashed Dreadnought arm in my bitzbox:

Now originally this arm was built allll the way back in 2014, originally to be used on one of my 40k Dreadnoughts. I wanted a miniature version of the “Ursus Claws”, the harpoon systems the World Eaters use on their warships, and my version was inspired both by a very similar conversion courtesy of fellow hobbyist sheep and Forgeworld’s Blood Slaughterer Impaler.

Now for one reason or another, I never got around to painting this arm — which was really all for the best, since it arguably works much better on the taller Contemptor than on the boxy Castraferrum Dreadnought.

So the model really came together rather quickly back in August — but then, as is often the case with my projects, it took me some time to actually sit down and paint it. But I really wanted to see this guy finished, so when my good friend Annie invited me over for one of our semi-regular hobby sessions, I made it a point to actually get a good start on the Contemptor.

So here’s what he looked like after getting all the base colours and decals in place:

And this was the model at the end of the painting session, shortly before I packed up for the night:

At this point, there was still quite a bit of detail work left to be done, but I was well underway to actually finishing a model again, and that motivational surge really povided me with the incentive to actually see the project through to its conclusion 😉

In addition to the model, I also needed a suitably impressive base, of course. And there was one effect I definitely wanted to incorporate: A fallen Astartes, trying his best to reach a melta charge — an effect I’ve seen on many Heresy armies, especially on one of Mr. Poom’s fantastic World Eaters Contemptors.

This idea came with its own set of challenges, however: It quickly became clear to me that while it’s super cool for the base to contain a fallen Astartes like that, I really needed to keep the guy’s visual footprint small enough so as not to overshadow the main attraction — when all is said and done, the poor fella’s base decoration, after all, and nothing more.

So I used one of the resin Marines I had left from the base of Forgeworld’s Angron model, cut the poor guy in half and pushed him down really low onto the base: In fact, I imagine him as having been buried under rubble from an explosion or something similar, not directly as a victim of the Contemptor:

One thing that doesn’t really come across in the pictures is that there’s a bigger piece of rubble where his legs should be, pushing him down and/or pinning him in place. I hoped this would work much better once the base had been painted.

The rest of the base was built up using plastic parts from one of GW’s 40k basing sets, Vallejo’s Sandy Paste and some varied rubble and cork chaff from my collection. Since the plastic parts were woefully smooth, I once again stippled on some Liquid GS to create some much-needed surface texture:

The paintjob was once again intended to make the entire base look suitably dusty and grimy — like a perfect little slice of a Horus Heresy warzone. It’s funny, but I think the one area where I’ve improved most through my work on Horus Heresy models is the basing of models 😉


So before the model was completed, all that I needed to do was to come up with a small background piece for this latest Contemptor. Now it has become a bit of a tradition for me to immortalise fellow hobbyists who have contributed to my hobby life in a meaningful ways by naming models after them (such as “PeeDee” the Monkey, for instance. And come to think of it, Augustus b’Raass alone gets about three shout outs in my 40k World Eaters army), and I decided to do the same this time, using a part of the Contemptor’s name and a tiny bit of his background as a bit of a shout out to fellow hobbyist BubblesMcBub, who really did me a good turn last year by letting me have most of the Death Guard modes from the Dark Imperium boxed set — cheers, mate: This one’s for you! 🙂


So here, without further ado, is the finished Contemptor:

Kelok Raud

“The Hunter”
Contemptor, XII Legion Astartes

Long before his interment into a hallowed Ironform, or even before his transformation into an Astartes, Kelok Raud was already a consummate hunter, slaying the monstrous rad-beasts that stalked the West-Yropan flatlands. After his induction into the XII Legion, this predilection for hunting fearsome game saw Raud gravitate towards the role of a heavy assault specialist, and many were the beasts and tech-horrors he brought down during the Great Crusade, before finally falling under the claws of a towering xenos beast.

Before the last spark of life left his shattered body, however, the Techmarines of the 4th assault company interred him into a Contemptor ironform, as his prowess in battle had long made him eligible for a service beyond death.

Bestriding the battlefield clad in layered Adamantium of ancient Mechanicus ingenuity, Kelok Raud has now returned to the hunt once more, this time as a true avatar of war. His breastplate proudly proclaims his motto „Venatio Supra Omnia – The Hunt Above All Else“ in High Gothic lettering, and where he used to hunt mutant beasts with spear and lance, he is now armed with a Dreadnought-sized version of that most vicious of World Eaters weapon systems, the monstrous Ursus Claw harpoon.


Here’s a closer look at the base:

The last picture shows off the piece of rubble pinning the Ultramarine down a bit better. I really rather like the “mini-narrative” created by the base: The fallen Ultramarine gives it one last shot at destroying the enemy – as Ultramarines are wont to do, because “only in death does duty end” and all that – while the Contemptor has bigger fish to fry and is already looking for his next prey — he’s kitted out for tank hunting, after all.

I even like the idea that the little scene could actually play out either way: Could the Ultramarine prove to be Raud’s undoing because of his unbroken will to fight? Maybe, but then it rather fits his character. Plus I think there’s still a pretty fair chance the Contemptor’s next step will squish the Marine’s head like a ripe melon…

Now like I said, the guns were actually magnetised by Augustus b’Raass, so while I am totally ignorant when it comes to magnetising stuff, it was easy enough to add something readily magnetic to the Contemptor’s right shoulder. So now I get to do fun stuff like swapping in a new gun…

…or changing the angle of the gun:

One thing I am really, really proud of, even if it’s not perfect, is the freehand lettering adorning the scrollwork on Raud’s breastplate: I went with the aforementioned “Venatio Supra Omnia” which I think is fairly okay-ish Latin — hey, who cares, it’s High Gothic anyway, isn’t it? 😉

In any case, this feels like the first freehand of that kind I have tried in virtually forever, so I think you guys can cut me some slack 😉

So yeah, that’s the finished model! And here are “the twins”:

To be honest, I am enormously pleased with these two, especially since they use the exact same base model and still look suitably different.

So to wind things up, here’s a snapshot of my entire 30k World Eaters collection so far:

Certainly not an army yet — but we may be getting there, one model at a time 😉

I would love to hear any feedback you might have on the new Contemptor. And, as always, tanks for looking and stay tuned for more!