Archive for bounty hunter

INQ28: Kitbashing in the time of Corona, pt. 2

Posted in 40k, Conversions, Fluff, Inq28, Inquisitor, WIP with tags , , , , , , , , , , , , , , , , , on April 17, 2020 by krautscientist

Hey everyone, it’s time for another update — and yet, I’ve had virtually no hobby time, for reasons that shall become obvious further down in this post.

It’s a good thing, then, that I still have enough bits and bobs from my desktop to share with you, even if I’ve been sitting on some of this stuff for a while now — what better way to clean house, as it were, eh? So let’s take a look:

I’ll start with a small update on one of the projects from my previous post: Remember the beginnings of my Bloodbriar Cartel?

Looking at the models, I realised that I wanted another bodyguard for the retinue. Now building another sentinel would have been quite tempting, especially on the account of this awesome idea of fellow hobbyist euansmith:

The entire gaggle are looking sumptuous. Looking at the Guard with the shield, I was struck by the idea that, if you make a second one that was Left Handed, they could stand behind important people, with their two shields forming a pair of wings to make their VIP look even more important. The mask on the guard is really cool.

But then I quickly realised that my heavy case of hobby butterfly syndrome probably wouldn’t allow me to build – much less paint – another identical model. Plus I also felt that the bulky Sentinel should be balanced out by a very different, slim and lithe bodyguard. So I came up with this kitbash:




Maddeningly enough, the differently coloured plastic on the upper half of the head makes the whole thing look like a bad Photoshop job in those pictures — you’ll have to take my word that the whole head assembly works better in real life. But I didn’t want to “cheat” by showing a grayscale picture, electing to rather show you the initial kitbash, warts and all.

I also have to admit that I am not quite happy with the second bodyguard yet, and there are definitely quite a few kinks to deal with: To name just one issue, maybe that Bonereaper sword is too massive, but then again, I think I’ll be keeping it because I like the idea of an “exotic” weapon like that without any clear chaos or xenos influences — it looks like the kind of weapon you would see in a powerful crime syndicate (plus all the other swords in my collection are just as big).

One thing I think already works pretty well is the pose: I wanted the bodyguard to look self-assured and at rest, so I really had to go to town on those jumpy Wych legs. The slowly advancing stance looks like that of a ballet dancer, though, which is just what I wanted.

 

Next, more or less à propos of nowhere, came a conversion that felt like I simply had to get it out of my system. A bounty hunter, possibly with a bit of a Xenos influence:




The were several design influences at play here: The image of Japanese Ronin (very obviously), Princess Leia’s bounty hunter disguise in Return of the Jedi, as well as character designs you would see in Franco-Belgian graphic novels, such as “Valérien”. Plus the original idea was also lifted from a model I saw on Reddit 😉

The conversion itself was a pretty straightforward one, mostly based on a Necromunda Delaque:

  • indeed, the body, right arm and gun on the back are all from the new Necromunda Delaques
  • the left arm is from the Dark Eldar Kabalite Warriors (or Wyches)
  • the sword came from the AdMech Sicarian Ruststalkers
  • the head, hat and shoulder pad are all leftover Tau…erm “T’au” bitz from my bitzbox: The hat is either from the gun drones or from the Krisis suits – I’d say Krisis suits, though, as the discs that made up the drone bodies are even bigger in diameter. The shoulder pad is from the XV25 Stealth Suits, if I am not mistaken. And the head is just some small sensor array bit (probably from the Krisis suits as well, but I really don’t know) with a couple of extra gubbinz (including a new eye lens) added on to bulk it out just a little and make it look more tech-y. I just wanted a head that seemed very un-imperial and also not at all like a classic facemask.

Here’s another look at the model now with an extra grenade on the model’s belt (for improved visual balance):

Possibly my favourite part of this conversion is that it seems to turn the somewhat awkward pose of this particular Delaque body into an actual strenght: If you ask me, the model really does look like some kind of itinerant Dark SciFi Samurai leisurely strolling through the underhive 😉

In fact, this latest model seems like the perfect opportunity to also share another Delaque-based conversion that I have been sitting on for a while: A mysterious figure, inspired by a yet another conversion I saw online (on Pinterest, I think?!)




This conversion is even more straightforward, simply swapping in a blank Dark Eldar helmet and relying on Delaque bitz otherwise. When I saw this idea, I instantly loved it! It creates such a mysterious, sinister look! Just what I needed for a character codenamed “The Architect”, a mysterious agent of the Neo-Thorian radical splinter-faction known as “The Fragmentarians”, a recurring shadowy power within the Velsen sector…

I wanted the character to look like a secretive player from behind the curtain, so to speak, preferring to be subtle about their influence. Even so, the Architect is not above stepping in and doing some red work, hence the inclusion of the stiletto…

As an added bonus, this model was also the perfect excuse for finally realising a long-standing plan of mine and build a conversion resembling “The Alchemist”, the super-creepy villain of the 2001 film “Vidocq”:

In case you are not familiar with the film, it’s a bit zany and scatterbrained in that special way only French (fantasy) films are, but the production design is really awesome, and the villain is just incredibly creepy — fun fact, back in the day, scenes from the film were used in the music video for a song that appeared on the film’s OST, and I was mesmerised by the Alchemist’s appearance in the video, but didn’t have any idea that those scenes came from an actual film. Years later, I walked by a DVD bargain bin and saw the cover artwork (just the Alchemist’s “face”, as shown above), and basically bought the DVD based on that alone.

It also seems like I am getting quite a bit of mileage out of that Delaque kit, although I have yet to build an actual Delaque… 😉

 

Next up, a bit of a terrain – or basing – experiment: When my friend Annie recently placed a large order at Greenstuffworld, I took the opportunity to order one of Greenstuffworld’s textured rolling pins (the temple one) that can be used to create rather intricate designs on bases. So I decided to finally give that a try as well.

The tool is actually rolled through fresh GS, as though you were trying to make cookies. It took a couple of tries to get it reasonably right, but here’s the blank base with the freshly created design on top:


Here’s what it looked like with the undercoat in place:

And here’s the finished base:



Regarding the paintjob, it would have been easy enough to pick up some of the details in a different colour (gold, for example), but for my initial attempt, I didn’t want to draw too much attention away from the model that was to be placed on top of that base.Anyway, while there’s still quite a bit of room for improvement, I’d say it’s a solid first attempt.

My main reason for going with this design in the first place was that I was looking for a less underhive-y look — instead I wanted something to suggest the courts and halls of power, so to speak, of the Velsen sector. Which is why the first finished base in this style was given to my conversion for Lord Sebastianus Danver Balzepho Vlachen, nephew to the Lord Sector:


Funnily enough, the “temple” design might just as well be called the “INQ28” design — there’s a smattering of quasi-40k-esque symbols present in the design, including a small “28” plaque, for crying out loud 😉

 

And that’s about it for today’s collection of odds and ends — oh, wait! I have one more thing to share with you all:

You see, the reason why I haven’t managed to get any hobbying done lately is that I have been sinking virtually all of my free time into MediaMolecule’s “Dreams”, basically a game/machinima/3D sculpting/… toolkit for the Playstation 4. I don’t want to gush, especially since I am helplessly in love with the game/program right now, but it’s definitely one of the most remarkable pieces of software I have seen in a long time (fun fact, I bought this and the Final Fantasy VII Remake for the Easter holiday. I have yet to touch the Final Fantasy game…). Plus it’s a blast to play around in!

And I do actually have something hobby related to show for myself, because – in an attempt to get more familiar with Dreams’ 3D sculpting tools – I set out to create a model of Inquisitor Gregor Eisenhorn’s head:



This project is still very much work in progress, but it’s also only my second attempt at digitally sculpting a head in 3D — and without a lick of prior modeling experience, to boot. Anyway, if you’ll excuse me: I think I may have to add a few more tubes and augmetic gubbinz to dear old Gregor’s mug 😉

In any case, I would love to hear any thoughts you might have on my current projects! Please leave a comment!

As always, thanks for looking and stay tuned for more — and please stay safe and healthy during these challenging times!

Episode 40k: A New Coat of Paint

Posted in Conversions, paintjob, Pointless ramblings with tags , , , , , , , , , , , , , , , on May 21, 2018 by krautscientist

Hey everyone, something rather different today — but first, to get you all in the right mood:

Episode 40K
A NEW COAT OF PAINT

Somewhere in Germany. Having rediscovered an old action figure thought long lost, a hobbyist by the name of KRAUTSCIENTIST embarks upon a fun tribute project.

Will he be able to return colour to one of the galaxy’s pre-eminent bounty hunters, the scoundel known as BOBA FETT?

As the release of a new Star Wars film looms near, KRAUTSCIENTIST touches brush to model….

 

Well, that should tell you most of what you need to now about today’s post. I’ll be heading out to watch Solo: A Star Wars Story later this week, and I thought the release of a new Star Wars film would be the perfect occasion to actually finally tackle that aforementioned tribute project — so what is this about?

Let me prefrace this by saying that I used to be a massive Star Wars fan during my childhood and early teens: I saw the old trilogy (Episodes IV to VII) on TV around the age of ten, and together with the – mostly excellent – Star Wars video games released by Lucas Arts all through the 90s, the series became one of my great nerd passions during those years (to the point where I can still quote entire TIE Fighter cutscenes by heart, ridiculous as that may be). I was a diehard fan (albeit one who was always rooting for the Galactic Empire). The (first) cinematic re-release of the touched up first trilogy came out shortly before I finished school, then the following prequel trilogy wasn’t really all that great — I don’t hate it as viciously as many people, but it did feel as though I had outgrown Star Wars a bit at that point. Which, with the benefit of hindsight, actually put me in a perfect place to see the new films, as I went into them without any big preconceptions or expectations, and so far, I have been having a blast with all of them — let’s hope the trend continues with Solo. But anyway, the thing to remember here is that I used to love Star Wars with a burning passion for quite a few years.

The other important thing is to understand that Star Wars action figures used to be a bit of a holy grail for me during my childhood: My first contact with Star Wars happened when the films were broadcast in German television for the first time (I believe) during the late 80s — in any case, it was enough of an occasion for some new merchandise to be released (mainly books and a neat book-audiobook combo for children), yet the original action figures had long disappeared from the shelves by then. This may be hard to imagine nowadays, with myriads of Star Wars action figures in all shapes and sizes freely available — but back then, if you actually wanted some Star Wars action in your life, you either had to get creative and proxy stuff with the action figures you had (I even went so far as to paint a certain MotU figure glossy black to create a poor standin for Darth Vader at one point) , or you had to be extremely lucky and find some of the original figures during yard sales and the like.

That exact thing gappened to me one day when I actually struck a rich ore of used Star Wars action figures at a local flea market, and I must have bought at least a dozen or so. My only regret was that the Darth Vader figure was already gone by the time I showed up: A childhood friend had actually managed to snap it up earlier in the day, and I would end up buying it from him for a whopping 20 Deutsche Marks — made even worse by the fact that the figure was actually pretty terrible, even in its complete form,…

yet the one I bought from my friend didn’t even have the terrible cape OR the shitty lightsaber. Oh well…

Some of Kenner’s old Star Wars action figures were much cooler, though. For instance, Kenner also released an action figure of everybody’s favourite bounty hunter,Boba Fett, and while it was functionally very simple and didn’t feature any bells and whistles, it’s also a surprisingly cool figure, given the time in which it was produced: Something I have always liked about Boba Fett’s outfit is how strangely workmanlike it seems, with the scuffed armour and the little pouches on the legs with tools sticking out of them: Like there’s just a guy underneath it all, albeit one who must have had a rather colourful life. Boba Fett really seems like the epitome of the “used universe” design philosophy Star Wars brought to the SciFi genre, and the 1979 action figure does a surprisingly good job of channeling most of that appeal. Here’s what it’s supposed to look like:

I think they actually did a pretty great job with the outfit (it even has the little pouches on the shins). In fact, according to Toyworth.com, Boba Fett was indeed one of the best selling Star Wars action figures. The same article also answered one of my big childhood questions, incidentally — I always thought that bright red rocket in his bag looked suspiciously like something that might actually be launched via a hidden switch, but it was permanently attached to the figure and always seemed to have been — well, turns out there is more to that particular story:

Boba Fett was the first new mail-away action figure created for The Empire Strikes Back; although advertised as having a rocket-firing backpack, safety concerns led Kenner to sell his rocket attached. A few early samples of this toy is considered “a rare and precious commodity”, and one of the rocket-firing prototypes sold at auction for $16,000 in 2003.

Anyway, the picture above shows you how Boba Fett would have looked in his ideal form.

Now he was also among the figures I picked up back in the day. Here’s what mine looked like, however:

I don’t even blame the poor guy: At this point, he has gone through several pairs of hands and probably survived several childhoods and all kinds of weird adventures — and at a biblical age for an action figure, as a stamp on the plastic shows: Designed in 1979, this figure is very probably older than me!

But while the actual wear and tear on the figure’s official paintjob actually recalled Boba Fett’s scuffed in-universe look, I came up with the idea of giving the figure a new coat of paint, as a fun little experiment. I had wanted to do this for quite a while, but when I finally came upon dear Boba again last week, I knew I needed to make it happen.

The first thing I had to do was to at least try to get rid of some of the more egregious mold lines — it’s a relatively cheaply made action figure, after all, with all that entails. I couldn’t get rid of them all without damaging the underlying detail – a particularly pesky mold line running straight down the helmet proved all but completely resitant to my efforts – but I did my best. I also shaved off the  date stamp and the made in Honkong sign. Then the entire figure was scrubbed down and given an undercoat of Army Painter’s uniform grey, which seemed ideal because it already matched Boba Fett’s “official” overalls fairly closely on colour.

Speaking of the official colours,  I did quite a bit of research before actually starting to paint. And little did I know that Boba Fett’s costume is not only one of the most complicated outfits of the original Star Wars trilogy, it’s also one of the more disputed ones, with many different variants and discussions concerning it various details and minutiae. To wit, the costume is even noticeably different between both of Boba Fett’s canonical appearances:

Left: The Empire Strikes Back, right: The Return of the Jedi

Plus there was also the fact that, allowing for the fact that they were basically producing a rather cheap action figure, Kenner’s designers also played loose with the design, simplifying quite a few of its elements.

In the end, I dug up as many production photos, fan art and merchandise pictures as I could find and tried to aim for a stable composite between all of the established versions, trying for a look that isn’t obsessively faithful to any one source, but tries to be authentic nonetheless.

Among many other sources, this picture of Hot Toys’ Sixth Scale Figure turned out to be the most consistently useful reference material:

This was my first experience repanting an action figure, although I understand repaints like that are a bit of a thing in certain circles. One thing I can tell you is that I could really get used to the bigger, far more forgiving scale 😉

So, without further ado, here’s my repainted Boba Fett:

The back is the part where the action figure diverges the most from the actual movie costume, greatly simplifying the complexity and shape of the jet pack. I just played it by ear and tried to come up with a solution that was at least reasonably close to the official sources.

The scuffed and worn look was achieved via a mix of washes, sponge weathering and scratch marks that were actually painted on by hand. I also tried my hand at recreating – or at least approximating – some of the markings that appear on the armour:

The emblem on the ride side of the chest was a bit of a cop-out, as I just used a small decal from the Imperial Knight decal sheet. To make up for that lack of fidelity, however, I did the best I could to freehand the Mandalorian skull symbol on both shoulder pads (incidentally, I discovered that the symbo shows a stylised Mythosaur skull — sheesh, that sounds stupid, even for Star Wars 😉 ).

One thing I am crazy happy with is the markings I freehanded onto the left side of the helmet:

So here’s a comparison showing you the figure before and after my ministrations:

And just for fun, here’s my repainted Boba next to the  – rather lovely – Disney Infinity version (I couldn’t tell you anything about the actual video game, I just swooped in to snatch two or three of the figures once they ended up in the bargain bin):

I can safely say that this has been a rather enjoyable little gaiden project: While I don’t have any immediate plans of doing something like this again, I did have a blast repainting this guy!

Oh, and I would be remiss not to mention that this isn’t actually the first time Boba Fett has managed to sneak into my hobby life. Because there’s this guy, The Mandalorian:

The model was started as a fun experiment after I had seen several Boba Fett kitbashes online — plus I realised that one of the old Khorne Berzerker helmets already had the perfect Mandalorian look 😉 After building the model, I actually turned it into a member of Inquisitor Antrecht’s INQ28 warband, and even came up with a tongue in cheek background vignette for the character.

To be perfectly honest, however, the model is precisely the kind of pop-cultural shout out I said I was wary of in my previous post, because – at the end of the day – this guy is still clearly Boba Fett 😉 Building and painting the model was still great fun, however, and I think I did a reasonably good job with the much smaller bitzbox I had back then.

So yeah, so much for a post that has been a bit of a blast from the past. I hope you enjoyed the change of topic — and if not, don’t fret: We’ll be back in familiar waters from now on. Of course I’d love to hear what you think about my Boba Fett homage(s), so feel free to leave a comment!

As always thanks for looking and stay tuned for more!

Oh, and may the Force be with you! 😉

Inquisitor 28: Decius Freeman, twist bounty hunter

Posted in 40k, Fluff, Inq28, paintjob with tags , , , , , , , , , , on February 19, 2014 by krautscientist

It’s been quite a while since I was last able to show you a finished INQ28 model, but now my – mostly – rediscovered painting motivation has allowed me to finally put the finishing touches of another character for this particular side of the hobby.

In fact, the model I would like to show you today really shouldn’t be a stranger, at least not to regular readers of this fine blog: It’s a model I already showed you twice: Once as an unpainted WIP and once during the later painting stages.

The original plan, as I might have mentioned before, was to build a model inspired by the original Quovandius artwork from the Inquisitor rulebook:

Quovandius artwork from the original Inquisitor rulebook. Image owned by GW, obviously.

Quovandius artwork from the original Inquisitor rulebook. Image owned by GW, obviously.

While the actual 54mm model for Quovandius is faithful to the artwork in many ways, the model itself ends up looking somewhat pitiful and sickly, while the guy pictured in the artwork above seems like he really means business. I also really wanted to incorporate the shotgun used as a crutch, since that has to be one of my favourite parts of the artwork!

Anyway, using an old Ork boy as a base model, here’s the model I came up with:

Twist Bountyhunter (1)
Not a perfect match, surely, but you should still be able to recognise where the inspiration came from, I believe. And, true to the artwork, this twist really looks like one mean mother, if I do say so myself.

And while painting him may have taken ages – he had been mostly finished for a long time, but I only went back for the finishing touches now – the model is now finally finished, and I am also quite pleased with the result. Take a look:

Twist Tracker (1)
Twist Tracker (2)
Twist Tracker (3)
Twist Tracker (4)
Twist Tracker (5)
You might think I am crazy, but making the loincloth look more vibrant on the finished model may have been my best decision while painting. I also gave some extra care to parts of his equipment, like his knife, to make them look well used but deadly:

Twist Tracker (6)
And finally, the model’s face received an extra layer of highlights, making the scars and seams slightly more noticeable. I really think he’s a bit of a character, to tell you the truth:

Twist Tracker (7)
All in all, the model looks scarred and malformed, but this twist is also clearly his own man: You may find him horrifying, but you certainly wouldn’t pity him like you do pity the awkward and sickly looking Quovandius, right? Even though he has a bad leg…

But what about the model’s backstory? How did he end up even more ugly than your average twist? And why does he look so angry? As is my usual approach, finishing the model also entailed coming up with a bit of background for it…

Twist Tracker (2)
Decius Freeman, twist bounty hunter

“Say, you ever heard of Decius Freeman?”

“Nah, couldn’t say I have. Wait, you mean that twist revolutiory riling up them workers on Silon Minor? The one sold out his fellow conspirators in the end, trying to save his hide before the cartels brought in the heavy hitters?”

“That’s the one, although that’s not the way I hear it told. Ask the right people, and they’ll say he was actually the one being sold out, only that, once that rebellion had been quelled and the dust had settled, no one was that all intent on finding out the truth of it.”

“What’s it to you, though? You turnin’ into some kind of historical expert on the matter of the twist freedom movement, or what?”

“Feth, I was getting to that, right? So, just the other day, a twist hunter came by the Virgo, down in sector eleven. One big fether, I tell you. Ugly too. All muscle and scars and gristle, and with a gammy leg. And I gak you not, he was using a mean looking shotgun as a crutch.”

“So?”

“Said he was looking for Reuban Nonus. Said the two of them go way back. That he owed him. Only thing is, he got that look in that one good eye of his when he said it, made you feel like old Reuban wouldn’t be all too pleased to be paid back what he was owed, if you get my meaning.”

“And did you tell him?”

“Me? Throne, no. I reckon if someone needs to find me, they ought to know where to look. And if they have to ask others for my location, well, maybe I don’t want to see them all that badly. That twist didn’t get a word out of me, and he was putting on his best scowl too, by the look of it. Told me to come find him if I remembered. Told me he goes by the name of Decius.”

“But you didn’t remember anything?”

“Nah, course not. But you know how it goes in the hollows: Some Asher down on his luck musta told him where to find his old friend, because next thing you know, Old Reuban’s floating face down in one of them culture tanks, down at the hydroponics.”

“Gak! I hadn’t heard that! Say, didn’t Reuban used to work on Silon hisself?”

“That he did. Never did want to talk about his time in the mines, though. I figured it must have been terrible on that world during the riots.”

“And you think that twist did him in? The one with the gammy leg?”

“I’d bet my last cred on it. And you know what? If there are any more guys in the sector being owed by that Decius fellow, they had best keep out of sight. Throne, all that talking is giving me a sore throat. You still drinkin’ that?”

 

As always, thanks for looking and stay tuned for more!