Wayne England – In Memoriam
It’s only February, but 2016 certainly hasn’t been pulling its punches so far, with some spectacularly talented people sadly departed from this planet these last few weeks. Unfortunately, Wayne England is now among those departed, and I was very sad to learn yesterday that he had passed away, because he has been an all time favourite among GW’s artists for me: His very stylised, angular illustrations of heavily armoured – and mostly very evil – guys were one of the most effective gateway drugs for getting me in this hobby and played a big part when permanently roping me into assembling and painting little spiky plastic men. In fact, Wayne England’s work was probably just about as important for getting me into the hobby as the iconic illustrations by John Blanche, especially during my younger years, when the latter’s work sometimes just seemed a bit too trippy for me to grasp 😉
By the same token, some of GW’s publications – and indeed some stages of my own hobby life – will always be inextricably tied to Wayne England’s artwork, so in honour of this great artist, allow me to reminisce for a bit:
Army Book Realm of Chaos and the Champions of Chaos Supplement
These were the first chaos army books I ever owned, and I can still remember poring over Wyne England’s tableaus of jagged chaotic weaponry and armour in search of possible conversion ideas as a lad:
And his cover for the Champions of Chaos supplement was probably even more iconic (and also served as the cover for my first ever issue of White Dwarf, incidentally):
This bad boy really embodied everything that I loved about the hordes of chaos back then: He’s heavily armoured, faceless, spiky and utterly menacing – what’s not to love?
3rd edition Codex Chaos Space Marines cover
My first CSM Codex — and the one iteration of the book that I think most chaos players would rather like to forget: This Codex was one of the first to follow GW’s somewhat questionable idea of radically reducing the Codices in scope (in order to be able to produce more of them at a faster rate). Alas, it didn’t end well, as the resulting books ended up feeling rather thin in more ways than one. But something that still stays with me is the warped, iron-toothed champion of the ruinous powers to adorn the book’s cover, once again courtesy of Wayne England:
In a way, this illustration actually serves as a perfect companion piece to the aforementioned cover of “Champions of Chaos”, with both pictures creating perfect avatars of the WFB and 40k sides of chaos, respectively.
3rd edition Warhammer 40k rulebook
This book ‘s background section has often been called one of the darkest versions of the 40k universe, and this is at least true when looking at the very dark, brooding black and white artwork appearing throughout the book. Wayne England created a couple of extraordinarily dark pieces, giving us, among other things, some very grimdark interpretations of the three monkeys,…
…a brilliantly creepy illustration presumably showing a Dark Eldar Haemonculus that had me marveling at how monstrous these guys seemed…
…a splash page perfectly capturing the Astartes’ duality between noble and righteous warriors and creepily inhuman weapons of mass destruction:
….and finally what may still be my favourite piece of Dark Eldar art, even after all these years:
2nd edition Codex Chaos
Actually published earlier than at least the two previous entries on this list, of course, but I didn’t own the book until well into the 2000s. It remains one of my favourite GW books ever, as you may remember. Of course I was delighted to discover some very cool Wayne England artwork in this book as well. Such as one of my all time favourite World Eaters:
I actually think Wayne England may also have been responsible for the original version of the various traitor legion symbols published in this book – at the very least, they seem to show quite a few hallmarks of his style. I still love these symbols and the amount of detail that has gone into them – Forgeworld’s treatment of the traitor legion heraldry notwithstanding, these older versions blow all of the newer interpretations out of the water, if you ask me.
And all of this is really merely scratching the surface: How can I not mention the excellent illustrations for Kharn the Betrayer or Angron from the Horus Heresy trading card game, along with more excellent work from the same source (In fact, his work for the setting really managed to give the Heresy an epic and mythical quality, something that seems to be missing from the more codified, cleaner artwork of recent years)? Or the beautifully forlorn voidborn? Or the seminal Sons of Sekh art? In fact, let me just share just a few of my favourite pieces by Wayne England that appeared beyond the books mentioned above:
In short, Wayne England’s work has always been emblematic of GW’s style during some of my formative hobby years, especially when it came to portraying the forces of chaos. I remember reading about him participating in the Oldhammer scene a fair bit recently, and while that scene’s old school sensibilities don’t always fully agree with me, I was still very happy to see him make an appearance there. He also created a brilliant illustration for morbäck, depicting the latter’s Chaos Lord Korthalis a while ago. It’s an excellent piece of art with all the strengths of his vintage GW artwork, and Maxime must be incredibly happy to have received it – even moreso in the light of recent events.
Wayne England’s artwork still speaks to me many years later, and his trademark style added a layer of visual identity to GW’s publications that is sadly lacking from the newer books – and has been for quite a while.
My heart goes out to his family. And thank you, Mr. England, for all the wonderfully spiky evil guys! And all the best to you, wherever you may be now!